Examines in the transnational conversation on the place of Afro-descendants in the republican nation-state that occurred in New-World historical literature during the 19th century. Tracing the evolution of republican thought in the Americas from the classical liberalism of the independence period to the more democratic forms of government that took hold in the late 1800s, the pages that follow will chart the circulation of ideas regarding race and republican citizenship in the Atlantic World during the long nineteenth century, the changes that those ideas undergo as they circulate, and the racialized tensions that surface as they move between and among Europe and various locations throughout the Americas. Focusing on a diverse group of writers--including the anonymous Cuban author of Jicoténcal; the North Americans Thomas Jefferson, James Fenimore Cooper, and Mary Mann; the Argentines Domingo Faustino Sarmiento and Eduarda Mansilla de García; the Dominican Manuel de Jesús Galván; the Haitian Émile Nau; and the Brazilian Euclides da Cunha.
An exhibit, curated by well-known photographer Michael Chambers, entitled "Bathurst Stripped" is celebrating the history of a street in Toronto that was home to many immigrants from the Caribbean. Chambers has produced a photo-based installation of a barrel. This piece recognizes the contributions and sacrifices of the new immigrants and "The Barrel Children." A recent photo of Linda Carter who was the first black model in Canada to achieve prominence in the 1970s wraps the barrel which is filled with items such as corned beef, books and toys - things sent back to families in the Caribbean.
Investigates the interface between gender, color/race and public health in Brazil, focusing on the importance of reproductive health for the formation of a black feminism in the country, between the years 1975 to 1993.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships.
Dessalines became a lieutenant in Papillon's army and followed him to Santo Domingo, where at first he enlisted to serve Spain's military forces against the French then he joined the "real" slave rebellion that was inspired by Dutty Boukman, a voodoo priest, and led by Toussaint.
Foote,Nicola (Author) and Horst,René Harder (Author)
Format:
Book, Whole
Publication Date:
2012
Published:
Gainesville: University Press of Florida
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
350 p, Introduction: Decentering war : military struggle, nationalism, and Black and indigenous populations in Latin America, 1850-1950 / Nicola Foote and René D. Harder Horst -- pt. 1. Soldiering and citizenship. Subaltern strategies of citizenship and soldiering in Colombia's civil wars : Afro- and indigenous Colombians' experiences in the Cauca, 1851-1877 / James E. Sanders -- Soldiers and statesmen : race, liberalism, and the paradoxes of Afro-Nicaraguan military service, 1844-1863 / Justin Wolfe -- Afro-Cubans in Cuba's War for Independence, 1895-1898 / Aline Helg -- Monteneros and macheteros : Afro-Ecuadorian and indigenous experiences of military struggle in liberal Ecuador, 1895-1930 / Nicola Foote -- Race and ethnicity in the Guatemalan army, 1914 / Richard N. Adams -- Mayan soldier-citizens : ethnic pride in the Guatemalan military, 1925-1945 / David Carey, Jr. -- pt. 2. War and the racing of national boundaries and imaginaries. Indigenous peoples of Brazil and the War of the Triple Alliance, 1864-1870 / Maria de Fátima Costa -- Illustrating race and nation in the Paraguayan War era : exploring the decline of the Tupi Guarani warrior as the embodiment of Brazil / Peter M. Beattie -- The conquest of the desert and the free indigenous communities of the Argentine plains / Carlos Martínez Sarasola -- "The slayer of Victorio bears his honors quietly" : Tarahumaras and the Apache wars in nineteenth-century Mexico / Julia O'Hara -- Embattled identities in postcolonial Chile : race, region, and nation during the War of the Pacific, 1879-1884 / Joanna Crow -- Racial conflict and identity crisis in wartime Peru : revisiting the Cañete Massacre of 1881 / Vincent C. Peloso -- Crossfire, cactus, and racial constructions : the Chaco War and indigenous people in Paraguay / René D. Harder Horst.; Time: 1800 - 1999
While at its inception, the revolutionary ideals of the newly formed nation called Haiti held great promise, the reality as understood today detracts from this plesant image . Still , our rituals and their symbolic associations mirror these revolutionary ideals. For example, soup joummou, the New Year's and Independence Day celebratory pumpkin soup, signifies the communion of equals through the consumption of the once forbidden delicacy reserved for the colonial masters. Today, as family and friends gather around the dinner table, we are clearly proud of our freedom and accomplishments, yet know that there are countless Haitians who are hungry, sleeping under tents. Two hundred and eight years after independence, many Haitians live in abject poverty and have no rights as humans.
[Nicole Brooks] says part of her mission as an artist, whether in film or theatre, is to really uphold looking at stories about her roots. "And so when I discovered that the catalyst of the witch trials was because a slave named Tituba from Barbados was accused of teaching obeah to young white women in the town, I sat back and reflected on how did these Puritans knew the word 'obeah'," says Brooks. Brooks says she is not breaking any rules or being untraditional because the definition of an opera is "a play that's sung." 'It doesn't have any attachment to say it has to be in classical form or that a particular genre of music makes it an opera," says Brooks who is giving a voice to these women. When she held a workshop of Obeah Opera she had to deal with some people who thought she was critical of the Puritan's Christianity and others, including her mother, who were concerned about her exploration of obeah. She answered them by noting that in the contact between captured Africans and white Puritans, there was a connotation that everything African was bad.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
237 p., Free people of color held an ambiguous place in Caribbean slave societies. On the one hand they were nominally free, but the reality of their daily lives was often something less than free. This work examines how free people of color, or libres de color , in nineteenth-century Cuba attempted to carve out lives for themselves in the face of social, economic, and political constraints imposed on them by white Cubans and Spaniards living in the island. It focuses on how through different Afro-Cuban associations some libres de color used public music and dance performances to self-fashion identities on their own terms.
