African American Research Center, Library, University of Illinois at Urbana-Champaign
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6 p., Argues the extension of Temporary Protected Status (TPS) for Haitians -- and particularly the redesignation of the eligibility period -- demonstrates the best of what the Administration can do using its executive branch authority to improve the quality of people's lives. It demonstrates a commitment to good immigration policy and to "good government" policies such as greater transparency and coordination. In the Haitian context, the Department of Homeland Security should also implement a program to grant humanitarian parole to the estimated 105,000 Haitian already approved as beneficiaries of family-based visa petitions, just as has been done for Cubans under the Cuban Family Reunification Parole Program.
This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Through an examination of the recording Gargalhada (pega na chaleira), a chansonnette sung by Eduardo das Neves, the origin of the expression 'pegar na chaleira' (bootlicking) is traced, while some inconsistencies in the online catalogue of the Instituto Moreira Salles are revealed. Probably recorded in 1906, six years before the establishment of the Odeon plant in Rio, the piece was labeled a lundu, a paradigmatically Afro-Brazilian genre, in the 1915–26 catalogues. The music and laughter that Neves appropriates for himself were created by George Washington Johnson, the first black star of early sound recording, and reused in other Casa Edison (Brazilian Odeon) recordings on sale from 1913 to 1919. But while the former North American slave ridicules himself in accordance with white stereotypes, the self-designated Creole stages a satire on the behavior of upperclass men in Rio de Janeiro. In this process, the coon song turns into its antithesis., unedited non–English abstract received by RILM] Um exame do fonograma Gargalhada (pega na chaleira), cançoneta por Eduardo das Neves, expõe a origem da expressão “pegar na chaleira” e revela incongruências nos critérios de catalogação online do Instituto Moreira Salles. Provavelmente datada de 1906, a gravação aparece como um “lundu” em catálogos comerciais de 1915–1926, e as mesmas ideias musicais foram reaproveitadas em outros registros sonoros da Casa Edison comercializados entre 1913 e 1919. A música e o gargalhar que Neves reaproveita foram criados por George Washington Johnson, o primeiro astro negro da gravação mecânica. Mas enquanto o ex-escravo norte-americano se auto-ridiculariza de acordo com estereótipos brancos, o autodenominado “crioulo” encena uma sátira ao comportamento masculino das classes dominantes do Rio. Neste processo, a coon song transforma-se na antítese do gênero.
This paper provides a cross-cultural analysis of the experiences of Oxfam GB in supporting urban community-based disaster risk reduction in Haiti, Guyana and the Dominican Republic. The paper focuses on the efforts of Oxfam GB and its local partners to overcome the determining influence of local governance on who benefits from interventions, and the longevity of positive outcomes.
Examines aspects related to the plural constitution of Afro-descendants informed by black discursiveness in Salvador, Bahia. This discursiveness is strongly marked by the role of black music and by the history of Afro-descendant Carnaval. This essay shows that these subjects are a product of modernization and operate in it, while giving it a specific configuration. Social agents as reflexive audience play a decisive role in the review and criticism of such modernity, pluralizing it and pushing the boundaries of democracy and of representation politics, in their demand for recognition and changes. Music, as discursive production and as sociability experience, plays a key part in this process.
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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458 p., Offers a contemporary approach to World Regional Geography, acknowledging the geographic changes that accompany today's rapid rate of globalization. Includes chapter on "The Caribbean."
African American Research Center, Library, University of Illinois at Urbana-Champaign
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335 p., This study offers in-depth discussion and a new approach to interpreting the failure of the nation state and the chronic weakness of economic development in Haiti. It illustrates, through presentations and recommendations, how the road to true democracy and the eradication of endemic poverty in Haiti has to go through the establishment of the rule of law and strong and sustained economic growth.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
With the intensification of economic relations between the People's Republic of China and the countries of Latin America and the Caribbean, Beijing's role as a development donor has expanded in the region. The transparency of the Chinese donor services are limited since the transitions between development aid, investment and trade credits and direct investments are flowing. Focal points of Chinese engagement in Latin America and the Caribbean are upgrading the infrastructure projects in the extractive and energy sectors, education and training.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
The economies of Latin America and the Caribbean have quickly recovered from the global financial crisis. With growth rates exceeding 6 percent from the previous year in 2010, the economies outpaced the OECD, which grew only by 2.3 percent. The growth prospects for the region are further analyzed.
Recent mass death incidents in Japan and Haiti have again focused attention on the challenge of dealing with large numbers of dead. Focusing on mass death incidents involving large numbers of Canadian victims, including the Titanic, Halifax explosion, Air India bombing and the 2004 Tsunami, the paper researches incidents dating back to the beginning of the 20th Century. By examining each stage of the process including initial response, identification, funerals, communication, religious services and inquests, the paper identifies key changes in the way that mass death incidents are handled.
Buenos Aires: Editorial Gorla (EPC: Ediciones de Periodismo y Comunicación)
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
unedited non–English abstract received by RILM] The following contributions are cited separately in RILM: Héctor FERNÁNDEZ L'HOESTE, De música y colombianidades: En torno a una historia de la cumbia, la parrandera On music and Colombianicity: Around a history of cumbia—The parrandera] (RILM ref]2012-13010/ref]), and Todas las cumbias, la cumbia: La latinoamericanización de un género tropical All cumbias, the cumbia: The Latin Americanization of a tropical genre] (RILM ref]2012-13011/ref]); Eloís MARTÍN, La cumbia villera y el fin de la cultura del trabajo en la Argentina de los '90 The cumbia villera and the end of the work culture in 1990s Argentina] (RILM ref]2012-13012/ref]); Pablo SEMÁN, Pablo VILA, Cumbia villera: Una narrativa de mujeres activadas Cumbia villera: A narrative of activated women] (RILM ref]2012-13008/ref]); Malvina SILBA, La cumbia en Argentina: Origen social, públicos populares y difusión masiva The cumbia in Argentina: Social origin, popular publics, and mass diffusion] (RILM ref]2012-13013/ref]); Peter WADE, Construcciones de lo negro y de África en Colombia: Política y cultura en la música costeña y el rap Constructions of black and of Africa in Colombia: Politics and culture in coastal music and rap] (RILM ref]2012-13009/ref]).
African American Research Center, Library, University of Illinois at Urbana-Champaign
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1 videodisc (205 min.), A documentary on the life and career of Jamaica's fourth Prime Minister Michael Manley. Over 3 hours of historical footage and interviews. Its cast is a "who's who" list of persons who were closest to Manley during his lifetime, from members of his cabinet to members of his family.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
