180 p., The articles, lectures, popular and professional histories, travelogues, and ethnographies of John B. Russwurm, Samuel M. Cornish, James McCune Smith, Augustus Straker, T.G. Steward, Ana Julia Cooper, James Weldon Johnson, Langston Hughes and Zora Neal Hurston, stakes claims about the capacity of black people for liberty, citizenship, and self-determination. Current historians of Haiti's legacy must contend with the historiographies of early black scholars in order to fully appreciate the way the Haitian revolution was not silenced, but remained intimately present for writers and scholars trying to develop a unified black identity.
Initiatives in the field of sexology and sex education in prerevolutionary Cuba are barely known, as continuity between those experiences and the work carried out during the years following the 1959 revolution have not been researched. The founding of the Federation of Cuban Women (FMC), however, must be considered the product of a long process of political maturity on the part of Cuban women during the first half of the twentieth century, and in the broader context of the FMC, the developments in the fields of sexology and sex education over the past fifty years also must be considered. Drawing on FMC archival holdings, this article sets out a periodization of the four main stages of the revolutionary period of institutionalizing sex education in Cuba, as well as its main challenges.
The article discusses the history of philosophy in the Caribbean. Particular focus is given to the philosophies of the peoples who lived and worked on sugar cane plantations, also called the canepiece. These include the Taíno people, enslaved Africans, indentured Indian and Chinese workers, and their descendants. Details related to Taíno ontology, the roles of slavery and liberty in Afro-Caribbean philosophy, and the role of labor in Indo-Caribbean philosophy are presented. Other topics include genocide, social harmony, and the relationship between the Enlightenment and colonialism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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357 p, Presents a general history of the Caribbean islands from the beginning of human settlement about seven thousand years ago to the present. It narrates processes of early human migration, the disastrous consequences of European colonization, the development of slavery and the slave trade, the extraordinary profits earned by the plantation economy, the great revolution in Haiti, movements toward political independence, the Cuban Revolution, and the diaspora of Caribbean people.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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214 p, A highly illustrated reference book providing information about the cultural, social, political, economic, geographic, natural and historic heritage of the Caribbean region. In addition to the English-, French-, Spanish- and Dutch-speaking Caribbean, the book covers the countries with which these islands have close cultural, economic and historic ties: Guyana, Suriname, Belize, the Bahamas, the Turks and Caicos Islands and Bermuda.
168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
Ottawa, Ontario: Library and Archives Canada = Bibliothèque et Archives Canada
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
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Reprint of the author's 2010 M.A. thesis (Carleton University, 2010), 252 p., 3 microfiches + 1 CD-ROM., In 1970s Bahamas, a radio serial cum soap opera called The Fergusons of Farm Road that ran for almost 190 episodes over a five year period became a cultural phenomenon. Ironically, it was originally a part of a courtesy campaign designed to teach Bahamians the importance of being friendly to tourists. This thesis is the first significant study of the Fergusons , basing its insights on original episode scripts, interviews and recently discovered archival audio recordings. It situates the show within the historical and cultural context of the ongoing Bahamian tourism courtesy campaigns to better understand how it transcended the limitations of its pedagogical role into the realm of abiding popular culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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340 p., Sailing the tide of a tumultuous era of Atlantic revolutions, a remarkable group of African-born and African-descended individuals transformed themselves from slaves into active agents of their lives and times. Reconstructs the lives of unique individuals who managed to move purposefully through French, Spanish, and English colonies, and through Indian territory, in the unstable century between 1750 and 1850. Mobile and adaptive, they shifted allegiances and identities depending on which political leader or program offered the greatest possibility for freedom.
The Philadelphia region was the site of a rare, artistic treat when Balé Folclórico, Brazil's premiere professional folk dance company made a special Black History Month visit. Formed in 1988, the 33-member troupe of dancers, musicians, and singers perform a repertory based on various Bahian folkloric dances of African origin, including: capoeira (a form of martial arts), samba and other cultural traditions celebrated during Carnival. Hailing from Salvador, in the northeastern state of Bahia, Balé Folclòrico represents Bahia's most important cultural manifestations under a contemporary theatrical vision that reflects its popular origins.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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396 p., In 1804 French Saint-Domingue became the independent nation of Haiti after the only successful slave uprising in world history. Before Haiti explains the origins of this free colored class, exposes the ways its members both supported and challenged slavery, and examines how they created their own New World identity from 1760 to 1804.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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259 p, Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism.
There are 38.9 million blacks in the United States. According to the 2000 census there are 75.9 million citizens of Brazil who would be classified as African American in the U.S. Since there are only 91.3 million Brazilian whites, who dominate the country, one wonders why so many blacks are living in poverty in favelas (slums).
400 p., This dissertation explores the spread and articulation of Garveyism--the political movement spearheaded by Jamaican activist Marcus Garvey--across Africa, the greater Caribbean, and the United States in the years following the First World War. Scholarship on Garveyism has remained fixed within a conceptual framework that views the movement synonymously with the rise and fall of Garvey's organization, the Universal Negro Improvement Association (UNIA), and which focuses predominantly on the activities of the organization in the United States. This study argues that Garveyism is more fully rendered as a global endeavor of network-building, consciousness-raising, and activism that extended beyond the operational parameters of the UNIA, influenced a diverse array of regionally-constituted political projects, and nurtured the flowering of a profoundly "Garveyist" period in the history of the African diaspora.
Since CLM TV debuted in NY in 2007, the program has racked up impressive ratings, showcasing Caribbean celebrities, movers and shakers and successful business entrepreneurs living in the USA and Jamaica. Recent guests include former Prime Minister of Jamaica the Hon. Edward Seaga; PM of Antigua, Hon. Baldwin Spencer; Mt. Vernon Mayor Clinton Young; Carl McCall, former NY State Comptroller; Rock & Roll Hall of Famer Jimmy Cliff; Brenda Blackmon, co-anchor of WWOR-TV; Suzanne de Passé, Co-Chairman of de Passé Jones Entertainment Group; Olympians Asafa Powell, Sherone Simpson, Veronica Campbell (Roland Hyde photo) CLM TV Executive members [Clement Hume] (3rd from L), [Anthony Turner], (4th L) & [Andrea Bullens] (6th L), host [Irwine Clare] (7th L), cameraman Jason Mason (8th L) and editor [Basil Wellington] (1st L) accepting the Congressional Proclamation at the station's 4th anniversary party in NY. Others in the picture are Jamaica's Consul General in New York Geneive [Brown-Metzger] (2nd L) , Veronica Beckford (5th L) - who presented the proclamation on behalf of Congressman [Gregory W. Meeks] - and [Stephen Hill] (R), CEO of CIN TV.
