A trade accord spearheaded by the NAACP worth $1.5 billion between the Cuban government and black farmers was heralded on Nov 17, 2002 by the Rev Al Sampson, who called the accord an "international window of opportunity" for African Americans. Sampson, who works with African American farmers, said this agreement gives black farmers an "international window" through Cuba into the Caribbean.
Ms. [Adona] is a photographer utilizing the visual medium to tell stories of cultures from around the world, with the hope of creating a better understanding of diverse people through the visual arts. Last summer Ms. Adona introduced "CUBA, Reflections of Life" during a speech at the United Nations in Geneve, Switzerland, where she spoke on the necessity utilizing a single, powerful image to tell the story of a nation.
Tanya Quintero, a light-skinned mulatta and prominent independent journalist in Havana, said she was not aware of racial discrimination until she had a daughter with darker skin the than she. Suddenly, some of her friends referred to her child with a Spanish phrase that literally translates as "sour or dark stomach" but figuratively is slang for "a child who comes out darker than her mother," she said. Lighter-skinned children later made fun of her daughter for being a "marron," brown. Also the millions of dollars in "remittances" that Cubans in the United States and elsewhere send their relatives back on the island very year reach few "black" Cubans because more than 90 percent of the exiles are "white." As a result, the long-standing economic gap between darker and lighter Cubans widens. I use quotation marks around "black" and "white" because the terms don't mean the same as they do in the United States, with our traditional "one-drop rule." Race in Cuba, as in the rest of Latin America, is somewhat fluid: You are pretty much what you say you are, even within the same family.
Discusses the emergence of an Afro-Cuban aesthetic. Notes the major contributions of Cuban writers Félix Tanco, Antonio Zambrana, Nicolás Guillén, Miguel Barnet, and others to the literary movement. Remarks that these authors give us a view of Latin American history from "below the deck of a slave ship" - a view that is very different from the traditional one.;
Discusses the poetry of Afro-Cuban writer Nancy Morejón, focusing on her poetry collection, Paisaje célebre (Fundarte, 1993). Compares the book to her previous work, and discusses the political and social influences that shaped it. Notes that this book marks an important stage in Morejón's poetry, in that it celebrates a new and different country and voice - one of indepedence and freedom.;
On January 1, 1804, Gen. Jean-Jacques Dessalines, proclaimed to the world that his country, henceforth to be called Haiti, was free and independent. Previously dominated by France since buccaneers settled there in 1697, the small Caribbean island, whose eastern portion was under Spanish rule, had become an important slave colony. The slaves were imported from Africa and lived a harsh reality in comparison to the minority white slaveholding population. In 1789, Santo Domingo, as France called the colony, consisted of 450,000 enslaved Blacks, 40,000 whites, and 28,000 free Blacks and mulattos. The death rate for the enslaved population was high: While more than 800,000 Africans had been enslaved in the colony in the 1700s, only 450,000 survived in 1789. In 1791 a slave rebellion under the leadership of Vodou priest Boukman sparked a revolution that lasted thirteen years, culminating in independence in 1804. Toussaint L'Overture was the primary leader among the enslaved population, playing France against the British and Spanish, as he maneuvered the struggle closer to independence. However, in hoping to maintain a friendly relationship with France, L'Overture was deceived and placed in the French gallows upon an invitation to France. His able subordinates Dessalines and Henri Christophe, however, continued the liberation effort achieving independence and eventually driving all whites off the island nation.
Congressman Charles B. Rangel (D-Harlem), who was instrumental in obtaining a license from the U.S. Treasury Department on behalf of the NAACP delegation for the trip to Cuba, hailed the planned trade link with Black farmers. Rangel said he considers the results of the NAACP's Cuba visit "an important breakthrough." Rangel is a longtime advocate of U.S. trade with Cuba, arguing that removal of the U.S. embargo would promote democracy in Cuba.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.
