African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
190 p., Contributes to the understanding of ethnic, class, and gender relationships in the Caribbean, and it is notable for its emphasis on how individuals manipulate and manage social differences on a day-to-day basis. Using ideas of time as a lens through which to watch these divisions evolve, explores the implications of the existence of multiple models of time on social organization.
Explores the pros and cons of postcolonial criticism through a zombie, a sensationalized symbol of Afro-Antillean bondage. How reworking the zombie in various cultural and political contexts lays bare the pleasures and perils of postcolonialism; Information on the novel Beso de la mujer araña, by Manuel Puig; Description of the book Wild Saragasso Sea, by Jean Rhys; Discussion on the book The Famished Road, by Ben Okri.;
Reviews a book that finds that Jews had a minuscule role in the slave trade and played only a minor role as slave owners wherever they resided in the New World
Fischer reviews the two-volume work Blackness in Latin America and the Caribbean: social dynamics and cultural transformations, by Norman E. Whitten Jr. and Arlene Torres>
A review of a Dash's book, which is compared favorably to Edouard Glissant's 'Caribbean Discourse' (1989) and Antonio Bentez-Rojo's 'Repeating Island' (1992)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
415 p, This comprehensive volume takes the reader through more than 500 years of Caribbean history, beginning with Columbus's arrival in the Bahamas in 1492. This revised and updated edition, with new chapters that reflect the islands' most recent social, economic, and political developments, features maps, charts, tables, and photographs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
371 p, This handbook features a concise and authoritative history of the entire region, covering the large islands such as Cuba, Jamaica, Haiti, the Dominican Republic, Puerto Rico, Trinidad and Tobago, and the Bahamas as well as the smaller islands in the Netherlands Antilles, the islands of the Eastern Caribbean and the French and British dependencies.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Afro-American folktales. c1985., 327 p, These tales range from the earthy comedy of tricksters to stories explaining how the world was created and got to be the way it is, to moral fables that tell of encounters between masters and slaves. They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Website presents information about African culture in Cuba, including resources on music, dance, festicals, events, authors, teachers, theater, film, conferences, local news and organizations.
Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., The purpose of this research was to identify connections between West African rhythms and Haitian rhythms on the development of syncopation in musical compositions (1791–1900). The specific problems of the study were: to identify West African and Haitian rhythms; to identify characteristics of the music of Cuba, Brazil, and the United States and the development of syncopation that followed (1791–1900); and to determine connections between African and Haitian rhythms and Cuban Habanera, Brazilian Tango/Choro, and American Ragtime.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
230 p, Book Description: There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature. In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike. (www.seekbooks.com.au);
The news media showed pictures of the immediate family and family friends. What I found amazing is that it appears that only light-skinned Cubans are trying to escape from their homeland. I saw the Cuban basketball team in the late Olympics. I have also seen pictures of Cubans in a television special one by Harry Belafonte. What I saw were dark-skinned Cubans having the time of their lives. It made me wonder, in light of what I have been told by African people living in Florida, that the light-skinned Cubans are more racist that some southerners. What is really going on in Cuba, and what is this Elian Gonzales issue about? The more I got into thinking this way, the more questions were raised. Why are most of the people trying to escape from Cuba light-skinned? Why are the majority of the athletics in the Olympics dark-skinned? The women's basketball team and the volleyballs teams were the bomb. They were some big, pretty sisters. I also thought of the Haitians. Why are Haitians sent back to Haiti and Cubans allowed to stay in America? They are both supposedly oppressed people. The Haitians are dark and the Cubans, who are trying to escape, light. Is there something more than meets the eye?
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
Traces the history of the Black Caribs of Saint Vincent. Origin of the Black Carib population; Description of the Carib culture; Details on their fight for freedom in the 1700s.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Contents: From A true and exact history of the island of Barbados (1657) /; Richard Ligon --; From Jamaica viewed (1661) /; Edmund Hickeringill --; From Friendly advice to the gentlemen-planters of the East and West Indies (1684) /; Thomas Tryon --; Trip to Jamaica (1698) /; Edward Ward --; Speech made by a Black of Guardaloupe (1709) /; Anonymous --; Speech of Moses Bon Saam (1735) /; Anonymous --; From The speech of Mr. John Talbot Campo-bell (1736) /; Robert Robertson --; Story of Inkle and Yarico and An epistle from Yarico to Inkle, after he had left her in slavery (1738) /; Frances Seymour --; Poems from Caribbeana (1741) /; The "Ingenious Lady" of Barbados --; Sugar cane: a poem, in four books (1764) /; James Grainger --; From A general description of the West-Indian islands (1767) /; John Singleton --; "Carmen, or, an Ode," in Edward Long's A history of Jamaica (1774) /; Francis Williams --; From Jamaica, a poem, in three parts (1777) /; Anonymous.
Papiamento, English, French Creole, Garifuna, Haitian Creole and Spanis
Publication Date:
1999
Published:
New York, NY: Putumayo World Music
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 sound disc : digital ; 4 3/4 in., Includes: Promo bia (4:39) (Aruba) / E.Q.O. -- Come again (4:37) (Anguilla/St. Thomas) / Osha -- Movin' to the top (3:34) (Jamaica) / Don Carlos & Gold -- La biguine des enfants du Bon Dieu (4:24) (Martinique) / Kali -- Nabi (4:32) (Belize) / Andy Palacio -- Lina (4:51) (Haiti) / Beethova Obas -- Bai drecha bo bin (6:11) (Curacao) / La Perfecta -- Nati (3:56) (French Guyana/Martinique) / Chris Combette -- Tre d'ynion (5:19) (Martinique) / Claude Vamur -- In mi system (4:22) (Barbados) / Krosfyah
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
211 p, Contents: Introduction: Historicising 'Woman' and Slavery -- Black Women and the Political Economy of Slavery -- Property Rights in Pleasure: marketing Black Women's Sexuality -- Phibbah's Price: A black 'wife' for Thomas Thisleewood -- White women and freedom -- Fenwick's Fortune: A White Woman's West India Dream -- A Governor's Wife's Tale: Lady Nugent's "Blackies" -- A Planter's Wife's Tale: Mrs. Carmichael's Pro-Slavery Discourse -- Old Doll's Daughters: Flight from Bondage and Blackness -- An Economic Life of Their Own: Enslaved Women as Entrepreneurs -- Taking Liberties: Enslaved Women and Anti-Slavery Politics -- Historicising Slavery in Caribbean Feminism.
These articles mostly concerned [Castro]'s cracking down on terrorism and crime committed against tourists in Cuba. In reaction to incidents of hotel bombings, and in one case, the murder of an Italian tourist, Castro's government had passed a series of strict new laws to deter crimes that would further injure the country's leading source of foreign currency - tourism. One evening in Santago de Cuba, I was discussing the race issue with a few Cuban friends, among whom was a loyal Castro supporter who had fought for four years in Angola with the Cuban army. He argued that what was happening in his country wasn't so much a problem of racism as it was an honest attempt on Castro's part to protect the country's main source of revenue, tourism, upon which the U.S. embargo had made Cuba dependent. Although the once-again blatant debasing of my friend's civil rights incensed me, I did understand his point. Most of the tourists now coming to Cuba are from predominately white European countries, or they are upper-class whites from Latin America. Most of the tourists now coming to Cuba are from predominately white European countries, or they are upper-class whites from Latin America. Most of these white tourists come to Cuba with racism ingrained in them from their own cultures. In fact, it is unofficially acknowledged that a large percentage of the foreign currency in Cuba comes from sex tourism, which generally comprises white men drawn to Cuba by the lure of "exotic" mulatto women.
Gutiérrez de Velasco,Luzelena (Author), Prado,Gloria (Author), and Domenella,Ana Rosa (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
México, D.F. ; UAM-Iztapalapa: Colegio de México, Iztapalapa
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
407 p, Aunque parezca un clisé, los pesares y las alegrías definen la vida de los seres humanos. Este volumen reúne deiversas lecturas sobre escritoras latinoamericanas -entre otras cosas, Clarice Lispector, Luisa Valenzuela, Rosario Ferré, Victoria Ocampo, Isabel Allende, Cristina Peri Rossi- a partir de esos dos ejes temáticos. Los acercamientos se sustentan en propuestas metodólogicas y enfoques teóricos de actualidad. www.libreria.mora.edu.mx; Project undertaken by the Taller de Teoría y Crítica Literaria "Diana Morán"-Coyoacán
St. Croix, V.I.: Virgin Islands Emancipation Commission
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
80 p, Contents: Editor's preface / Arnold R. Highfield -- Freedom in Frederiksted / Richard A. Schrader -- A chronology of slavery and emancipation in the history of the Danish West Indies / Svend E. Holsoe -- Emancipation and the new social order: views from the upper class / Marilyn F. Krigger -- Emancipation in hemispheric perspective / Lauren Larsen -- Political and economic aspects of emancipation / Malik Sekou -- A selection of historical documents relating to emancipation in the Danish West Indies / George F. Tyson -- An annotated bibliography / Arnold R. Highfield
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p, Contents: English versions with some translations. A true and exact history of the island of Barbadoes (extract) / Richard Ligon -- The spectator, no. 11 / Richard Steele -- From The spectator, no. 11. The story of Inkle and Yarico / Frances Seymour -- An epistle from Yarico to Inkle, after he had sold her for a slave / Frances Seymour -- Yarico to Inkle, an epistle / William Pattison -- From The spectator, no. 11. The story of Inkel and Yarico / Anonymous -- Yarico to Inkle : an epistle / Anonymous -- From The spectator, no. 11. Avaro and Amanda , a poem in four canto's / Stephen Duck -- From The spectator, no. 11. Yarico's epistle to Inkle / John Winstanley -- Continuation of the story of Inkle and Yarico / Salomon Gessner -- Yarico to Inkle : an epistle / Edward Jerningham -- Epistle from Yarico to Inkle / Anonymous -- Yarico to Inkle / [Peter Pindar] -- Inkle and Yarico : an opera, in three acts / George Colman the Younger -- The American heroine : a pantomime in three acts / Jean-Francois Arnould-Mussot -- Yarico to Inkle / Charles James Fox -- Epistle from Yarico to Inkle (extract) / Anna Maria Porter
Mohammed,Patricia (Editor) and Shepherd,Catherine (Editor)
Format:
Book, Edited
Publication Date:
1999
Published:
Kingston, Jamaica: Canoe Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
360 p, Contents: I. WOMEN'S STUDIES: GENERAL CONSIDERATIONS -- II. GENDER AND DEVELOPMENT: MODELS AND THEORIES -- III. FEMINISM: HISTORICAL AND CONCEPTUAL -- IV. DISCIPLINARY RESEARCH IN THE SOCIAL SCIENCES -- V. IDEOLOGY AND CULTURE -- VI. WOMEN'S LITERATURE AND LITERARY CRITICISM -- VII. ALTERNATIVE METHODOLOGY -- VIII. WOMEN'S ORGANIZATIONS AND WOMEN WHO ORGANIZE.
Batur-Vanderlippe,Pinar (Author) and Feagin,Joe R. (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
Stamford, CT: JAI Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
394 p, Includes Enid Logan's "El apóstol y el comandante en jefe: dialectics of racial discourse and racial practice in cuba, 1890-1999" and Mimi Sheller's "Resistance and struggle: The 'Haytian fear': racial projects and competing reactions to the first Black republic"
Argues that the Trinidad carnival and the overseas Caribbean carnivals (e.g. Notting Hill, London; Caribana, Toronto; Labour Day, New York) are products of and responses to the processes of globalization as well as transcultural and transnational formations. Carnival is theorized as a hybrid site for the ritual negotiation of cultural identity and practice by the Caribbean diaspora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
143 p, Uses U.S. and Haitian interview data, coupled with a broader analysis of Haitian rural conditions and the effects of foreign and domestic policy on their movement, to underscore the need for a comprehensive rural strategy for economic development in Haiti.
Verila, on the other hand, is a woman who is in constant flight and change. She lives in Canada and has returned to her island birthplace, ultimately in search of happiness. Elizete professes her love for Verila early in the book. The excitement and overwhelming for desire Elizete has for Verila is palpable. She claims, "I abandon everything for Verila. I sink in Verila and let she flesh swallow me up. I devour her. She open me up like any morning. Limp, limp and rain light, soft to the marrow."
Friday, Oct. 29 was Kweyol Day, a celebration of island identity and culture. While the official language of the Commonwealth of Dominica is English, 80 percent of the population speak Kweyol, a legacy of early French settlement. Kweyol language and folk culture, after being sidelined, dismissed or denigrated during the British colonial period, has played an important role in forging the identity of independent Dominica since 1978. People's irritation with a late start was quickly dissolved. After the Stars, the Vodou rhythms of Haiti's seminal roots music band Boukman Eksperyans reverberated through Festival City. Named after the Vodou priest who presided over the ceremony that ignited Haiti's slave rebellion, Boukman Eksperyans has been at the forefront of taking the Vodou beat into the arena of world music. Tabou Combo, the most famous and long-lived Haitian Konpa band, seemed reluctant to leave the stage, but from 5 a.m., Festival City was overrun by WCK, [Dominica]'s marathon bouyon band, with whom I was still chipping at breakfast time. Not even a large pot of extra-strong Dominican coffee could revive me, and I retired battered and rambling in Kweyol, to recover in Trinidad.
Boadas,Aura Marina (Author) and Fernández Merino,Mireya (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
Caracas: Asociación Venezolana de Estudios del Caribe, AVECA : Fundación Centro de Estudios Latinoamericanas Rómulo Gallegos, CELARG
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
El libro, compilado por Aura Marina Boada y Mireya Fernández Merino, posee interesantes aportes necesarios para entender la diversidad étnica en el Caribe y la participación negra en ella.(www.funredes.org);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p, Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
The author introduces the reader to the work and importance of Haitian writer Dany Laferrire, whose acclaimed work 'Comment faire l'amour avec un Ngre sans se fatiguer' put him on an international stage
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
199 p, "At the center of Jamaican-born Michelle, Cliff's novels is the exploration of the interplay between memory and history. Noraida Agosto examines Cliff's representation of memory as the part of history that has been suppressed because of its revolutionary potential. Memories of slave rebellions, for instance, were erased through omission from official historical accounts to discourage resistance among slaves. Cliff's novels are an attempt to recover these erased memories, which could generate resistance to modern oppressions. This recovery of devalued memories also entails a validation of non-elite beliefs, languages, and art forms in order to debunk dominant practices." (Book jacket);
Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
