African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Contents: From A true and exact history of the island of Barbados (1657) /; Richard Ligon --; From Jamaica viewed (1661) /; Edmund Hickeringill --; From Friendly advice to the gentlemen-planters of the East and West Indies (1684) /; Thomas Tryon --; Trip to Jamaica (1698) /; Edward Ward --; Speech made by a Black of Guardaloupe (1709) /; Anonymous --; Speech of Moses Bon Saam (1735) /; Anonymous --; From The speech of Mr. John Talbot Campo-bell (1736) /; Robert Robertson --; Story of Inkle and Yarico and An epistle from Yarico to Inkle, after he had left her in slavery (1738) /; Frances Seymour --; Poems from Caribbeana (1741) /; The "Ingenious Lady" of Barbados --; Sugar cane: a poem, in four books (1764) /; James Grainger --; From A general description of the West-Indian islands (1767) /; John Singleton --; "Carmen, or, an Ode," in Edward Long's A history of Jamaica (1774) /; Francis Williams --; From Jamaica, a poem, in three parts (1777) /; Anonymous.
The author introduces the reader to the work and importance of Haitian writer Dany Laferrire, whose acclaimed work 'Comment faire l'amour avec un Ngre sans se fatiguer' put him on an international stage
A review of a Dash's book, which is compared favorably to Edouard Glissant's 'Caribbean Discourse' (1989) and Antonio Bentez-Rojo's 'Repeating Island' (1992)
A critical look at the works of fiction of Haitian expatriate author Dany Laferrire, specifically his willingness to mix himself up into his characters without any strict adherence to factual truth of situations
"This paper explores Wide Sargasso Sea's articulation of race and gender in the context of a debate that has been waged within feminist postcolonial studies around the representation of racial otherness." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p, Book Description Using a multifaceted approach, this study explores questions of identity in novels by Dany Bbel-Gisler, Maryse Cond, and Emile Ollivier. As signs, narrators and characters are connected to each other dialogically and produce multilayered narratives that problematize the concept of a cohesive and static collective identity. In revealing identity to be a constantly fluctuating semiotic process, the study shows that Caribbean Francophone narrative is creating a new literary space where the dialogic underpinnings of the self are called upon to express the difficulties, the heterogeneity, and the opacity of meaning associated with any definition of a cultural or national identity. (Amazon);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
230 p, Book Description: There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature. In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike. (www.seekbooks.com.au);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
Verila, on the other hand, is a woman who is in constant flight and change. She lives in Canada and has returned to her island birthplace, ultimately in search of happiness. Elizete professes her love for Verila early in the book. The excitement and overwhelming for desire Elizete has for Verila is palpable. She claims, "I abandon everything for Verila. I sink in Verila and let she flesh swallow me up. I devour her. She open me up like any morning. Limp, limp and rain light, soft to the marrow."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
199 p, "At the center of Jamaican-born Michelle, Cliff's novels is the exploration of the interplay between memory and history. Noraida Agosto examines Cliff's representation of memory as the part of history that has been suppressed because of its revolutionary potential. Memories of slave rebellions, for instance, were erased through omission from official historical accounts to discourage resistance among slaves. Cliff's novels are an attempt to recover these erased memories, which could generate resistance to modern oppressions. This recovery of devalued memories also entails a validation of non-elite beliefs, languages, and art forms in order to debunk dominant practices." (Book jacket);
Explores the pros and cons of postcolonial criticism through a zombie, a sensationalized symbol of Afro-Antillean bondage. How reworking the zombie in various cultural and political contexts lays bare the pleasures and perils of postcolonialism; Information on the novel Beso de la mujer araña, by Manuel Puig; Description of the book Wild Saragasso Sea, by Jean Rhys; Discussion on the book The Famished Road, by Ben Okri.;
Boadas,Aura Marina (Author) and Fernández Merino,Mireya (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
Caracas: Asociación Venezolana de Estudios del Caribe, AVECA : Fundación Centro de Estudios Latinoamericanas Rómulo Gallegos, CELARG
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
El libro, compilado por Aura Marina Boada y Mireya Fernández Merino, posee interesantes aportes necesarios para entender la diversidad étnica en el Caribe y la participación negra en ella.(www.funredes.org);
Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p, Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
