Here in Florida, Caribbean people may not celebrate with Junkonoos, but with their cousins the Mocko Jumbies. All over South Florida the Kwuya or stilt dance has become quite popular and includes the participation of children as well. This ritual dance is especially popular among Trinidadians. A newly-formed parang group, the Punto Finale, is testimony to the enduring appeal of Caribbean Christmas celebrations even when one is miles away from home. Led y Ruby Limare, with Dr. Dawn Batson as one of the 12 members, this group has been serenading South Floridians with lively Spanish-style Christmas music that has been part of the season's celebrations in Trinidad for centuries. Kwanzaa, which means first fruits of harvest, is a celebration that many Caribbean people can relate to because of its Afro-Centric base and its focus on family life, self-reliance, and culture. Although Kwanzaa begins the day after Christmas, its celebrations embraces this age-old tradition of Christmas day.
The fall season is always a kickoff for months of celebrations. From Rosh Hashanah to Columbus Day to Veteran's Day and of course Thanksgiving fall becomes a season of celebrations. And Caribbean folk in their usual creative manner fit their traditions and celebrations right into the thick of things. "Ethnic Brides is all about acknowledging the rich heritage of our African and cosmopolitan background, of mixing traditional with contemporary to make one's wedding memorable, exciting and rich in heritage," says Jacqui Scott, who hosted the event. Especially thought provoking was the poem "Dat bumpy Head Gal", inspired by her real-life experience where she was criticized by some members of the Jamaican public for wearing her "chiney bump" hairstyle on television.
Recipients of the fellowships, funded by the International Development Research Center in Canada, are Lester Wilkinson of Trinidad and Tobago; Margaret Brito of Barbados; and Jamaicans Diana Thorburn, Lisa Ann Taylor and Charles Edwards. The cultural studies initiative is the UWI's response to the perceived need to address the issue of Caribbean development and an acknowledgment that leadership in the region can only be as good as the critical analytical performance of those responsible for developmental planning. Ms. Brito is in the second year of an M.Phil. program at the UWI's Cave Hill Campus in Barbados. Her research will examine the economic potential of Barbados' cultural manifestations such as its popular music, dancer, theater and religion.
At a recent conference in Martinique, entitled "36 hours for the Caribbean", that focused on better means of cooperation between French West Indian departments and their independent neighbors, Martiniquan lawyer Alain Manville spoke about "Law, judicial practices and human traffic in the Caribbean." "France wishes to maintain her Caribbean departments in a state of indifference towards their natural environment," said Mr. Manville. "For Nearly 10 years one has witnessed a complicity between the Prefecture of Martinique and the French embassy of St. Lucia to deny visas to nationals from St. Lucia and Dominica and when these visas are accorded, the time taken is exorbitant and stay periods are reduced to a minimum," says Mr. Manville.
Dominicans fete late, and even after three nights of nonstop music there must be upwards of 4,000 people waiting to hear the last band. As Haiti's most famous kompa group - Tabou Combo - takes the stage, exhaustion is dispelled by their relaxed "C'est Tambou", an invitation to a dancing-at-dawn session which continues long after the sun has climbed into the sky. The Haitians in the press box break into spontaneous dance, some straying on-stage; couples slip into each others' arms, moving in effortless elegance, and Dominica's minister of tourism, Norris Prevost, inquires whether this is not the best party I've ever seen. Haiti's Magnum Band with St. Lucian Luther Francois on sax blasted away the wee-hours fatigue with flowing funk and konpa over vodou rhythms and soaring lyrical soukous guitar. It was nearly 7:30 a.m. when Guadeloupe's Taxi Creole ended a tight, driving set which drew on zouk, salsa, merengue, beguine, reggae, jazz and funk.
