Presents evidence of the challenges faced by women in management in their interactions with men and other women, contesting the idea that men organizationally oppress women and suggesting instead that both men and women can be organizational oppressors of women. Provides insights into the working lives and challenges of women in a Latin American and Hispanic Caribbean context.
In 1995 and 1996, Verena Stolcke (1995) and Aihwa Ong (1996) were embattled over the legitimacy of the concept of citizenship -- a debate that was preceded by those writing about the complexities of Latino/a as well as Caribbean transnational migration (Basch Glick-Schiller, and Blanc 1994; Sutton and Chaney 1987) and the resultant complexities of hybridity and borderlands (Anzaldua 1987). The debate that followed in Current Anthropology in 1995 propelled the discussion further. It clarified what was at stake in reconceptualizing the classification of national belonging and pushed scholars to contend with power through the ways people resignify meaning and produce new forms of socialities outside of and in relation to the stagecraft.
Authors conducted a thematic analysis of 650 photographs of Haitian women in the Associated Press Photo Archive in the years 1994–2009. Emphasizes the impact of these images on the identity of Haitian women and Women of Color, as well as on the attitudes and behaviors of media consumers toward these groups.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
346 p., A comparative feminist work that starts with a substantial historical account of the different ways that freedom, race and gender were intertwined in Jamaica and Haiti after the end of slavery.
Discusses food aid organization Numana's community-based strategies for organizing food packaging events for Haiti and coordination of nongovernmental organizations for distributing emergency food. A feminist analysis of Numana's principles is compared to a culture-centered, community agency model.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
276 p, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.
Explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.
