African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, In the 19th and 20th centuries, the Hispanic Caribbean was fundamentally a plantation economy dominated mainly by the world sugar market. The politics were shaped by revolutions, political coups, wars, and elections, resulting in an end of Spanish power, independent states, and the domination of the region by the United States. These developments led to changes in social values. The author follows these developments throughout the main Hispanic islands and provides a fascinating picture of a region in turmoil.
Cobas,José A. (Editor), Duany,Jorge (Editor), and Feagin,Joe R. (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Boulder: Paradigm
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
254 p., Includes Jorge Duany's "Racializing ethnicity in the Spanish-speaking Caribbean : a comparison of Haitians in the Dominican Republic and Dominicans in Puerto Rico."
160 p., An analytical study of Burundanga or Cantata Antillana by Jack Délano (1914-1997). One of Délano's most ambitious choral-orchestral compositions, Burundanga was completed in 1989 in response to a commission from the Institute of Puerto Rican Culture and is based on Luis Palés Matos's (1898-1959) extravagant and elaborate poem Canción festiva para ser llorada (A Festive Song to be Wept). Burundanga stands at the foreground of Puerto Rican art-music in the twentieth century. With its neoclassical language and integration of Caribbean folkloric material, it emerges as a unique reflection of the highly complex geographical, social, cultural and musical reality of Puerto Rico and the Antilles. Discerns particular methods by which the composer utilized and adapted Afro-Antillean idioms and combined them with art-music components to portray idiosyncratic aspects of Caribbean culture in a universalistic musical language.
147 p., Discusses how blackness, femaleness and Puerto Ricanness (national identity) is presented in commercial media in Puerto Rico. National identity, no matter how differently defined, is often constructed through claims to heritage, "roots," tradition, and descent. In the western world, these claims, almost inevitably allude to questions of "race." In Puerto Rico, it is the mixture of the Spanish, the Taino Indian, and the African, which come to epitomize the racial/traditional stock out of which "the nation" is constructed, defended, and naturalized. This mixture is often represented by images, statues, murals across the island that display the three racialized representatives, as the predecessors of the modern, racially mixed Puerto Rican people. In their portrayals of black women, figures as Mama Ines (the mammy) and fritoleras (women who cook and sell codfish fritters), Caribbean Negras (Black Caribbean women) contemporary media draw upon familiar representations to make black women bodies intelligible to Puerto Rican audiences.
A benefit-cost analysis was performed on varying levels of standard buildings codes for Haiti and Puerto Rico. It was found that in the two areas studied, the expected loss of life was reduced the most by use of high seismic building code levels, but lower levels of seismic building code were more cost-effective when considering only building damages and the costs for code implementation.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
Río Piedras R.: Editorial de la Universidad de Puerto Rico
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
401 p, "Key scholars provide comprehensive coverage of central issues in historiography of Puerto Rican migration to US. Includes chapters on economic forces, family life, impact on women, education, literature, music, return migration, and political status. Excellent bibliography"--Handbook of Latin American Studies, v. 58; Includes bibliographical references (p. 393-401).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Illuminates the profound role sports play in the political and cultural processes of an identity that developed within a political tradition of autonomy rather than traditional political independence. Significantly, it was precisely in the Olympic arena that Puerto Ricans found ways to participate and show their national pride, often by using familiar colonial strictures--and the United States' claim to democratic values--to their advantage. Drawing on extensive archival research, both on the island and in the United States, Sotomayor uncovers a story of a people struggling to escape the colonial periphery through sport and nationhood yet balancing the benefits and restraints of that same colonial status.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
257 p., Argues that in Jamaica and Haiti, creolization represented a tremendous creative art by enslaved peoples. Creolization was not a passive mixing of cultures, but an effort to create new hybrid institutions and cultural meanings to replace those that had been demolished by enslavement.
