Newly arrived from Cuba, Angelica, Dora, Marina, and Damaris attempted to negotiate new surroundings and immigrant identities, building a sense of home for themselves and their families. Data from qualitative interviews, classroom observations, and focus group conversations revealed hopes that by acquiring English language skills, they would improve their quality of life in their new country. Struggles included personal factors situated in their pasts in Cuba and their new surrounds in the Miami Cuban exile enclave, contexts that were further complicated by uncertain expectations of new lives in Miami and the overwhelming task of learning a new language at a local adult education center.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
462 p., On a Caribbean island in the 1950s, elderly Mary Gertrude Mathilda commits murder. As she explains herself to police, her story exposes the ugly underbelly of life on Caribbean plantations, with its slavery and brutality.
Initiatives in the field of sexology and sex education in prerevolutionary Cuba are barely known, as continuity between those experiences and the work carried out during the years following the 1959 revolution have not been researched. The founding of the Federation of Cuban Women (FMC), however, must be considered the product of a long process of political maturity on the part of Cuban women during the first half of the twentieth century, and in the broader context of the FMC, the developments in the fields of sexology and sex education over the past fifty years also must be considered. Drawing on FMC archival holdings, this article sets out a periodization of the four main stages of the revolutionary period of institutionalizing sex education in Cuba, as well as its main challenges.
Allende,Isabel (Author) and Peden,Margaret Sayers (Translator)
Format:
Book, Whole
Publication Date:
2010
Published:
New York: Harper
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
457 p, The story of a mulatta woman, a slave and concubine, determined to take control of her own destiny in a society where that would seem impossible
Examines Caribbean representations of race, gender and ethnicity, and how these influenced the labor allocations of female migrant workers in St Maarten's tourism economy. From the late 1970s to the 1990s, thousands of poor women from Haiti and the Dominican Republic worked in the service sector of St Maarten's tourism economy. St Maarten's black population, and especially its male residents, interacted with the migrant women, and created gendered and social-sexual images that privileged the Latina/mulatta women over the black Haitian women. These gendered/racial stereotypes helped to incorporate the Haitian and Dominican women into specific and different labor sectors of the tourism economy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p, In Women in Caribbean Politics Cynthia Barrow-Giles and her co-contributors profile 20 of the most influential women in modern Caribbean politics who have struggled and excelled, in spite of the obstacles. Divided into four parts, this volume looks at women who led the struggle for freedom; those who agitated for equal rights and justice in the pre-independence period; postcolonial trailblazers; as well as a group which Cynthia Barrow-Giles refers to as ‘Women CEOs.’ The profiles cover women from 12 territories, with varying political, ethnic and socio-economic issues.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p, In the Caribbean colony of Grenada in 1797, Dorothy Thomas signed the manumission documents for her elderly slave Betty. Thomas owned dozens of slaves and was well on her way to amassing the fortune that would make her the richest black resident in the nearby colony of Demerara. What made the transaction notable was that Betty was Dorothy Thomas’s mother and that fifteen years earlier Dorothy had purchased her own freedom and that of her children. Although she was just one remove from bondage, Dorothy Thomas managed to become so rich and powerful that she was known as the Queen of Demerara.
For women writers of the Caribbean as well as for larger marginalized communities, the relationship between oral traditions and written texts is a part of the defining thread of Caribbean historiography. This article draws on Waugh and Hutcheon to examine the use of such texts by women writers of the Hispanophone Caribbean in order to highlight narrative strategies of historically marginalized groups to contest hegemonic constructions of the nation.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
343 p., Explores issues associated with Caribbean women, music, and the global community. By placing the Caribbean within the global community, these essays contribute to the discussion of diasporic musicians and elucidate the relationships between the Caribbean and the larger world. Emphasis is on the remarkable extent of the Caribbean’s influence, especially in the last 50 years.
Tempe: Center for Latin American Studies Arizona State University
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers presented at a conference, October 31, 1986, Arizona State University; sponsored by Center for Latin American Studies, Arizona Council for the Social Studies, Arizona Humanities Council., 133 p., Contents: Caribbean and Central American literature and art / Emil Volek -- Caribbean alternatives, Cuba and Puerto Rico / Juan M. Garcia Passalacqua -- The novel of the Cuban revolution, phase five, 1975-1986 / Seymor Menton -- The role of women in Cuba / K. Lynn Stoner -- Central American alternatives, Nicaragua and Costa Rica / Jennie K. Lincoln -- United States relations with Central America and the Caribbean / Thomas L. Karnes.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
Lucea,Marguerite B. (Author), Stockman,Jamila K. (Author), Mana-Ay,Margarita (Author), Bertrand,Desiree (Author), Callwood,Gloria B. (Author), Coverston,Catherine R. (Author), Campbell,Doris W. (Author), and Campbell,Jacquelyn C. (Author)
Format:
Journal Article
Publication Date:
May 2013
Published:
Thousand Oaks, CA: Sage Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Explores the relationship between intimate partner violence (IPV) and resource use, considering sociodemographics and aspects of IPV by presenting results from a study conducted with African American and African Caribbean women in Baltimore, Maryland, and the U.S. Virgin Islands.
Discusses perspectives in Africana feminist thought. While, not an exhaustive review of the entire diaspora, three regions are discussed: Africa, North America, and the Caribbean.
Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
Analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. This archival material is significant because it suggests a significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late 19th and early 20th century, but emerged in a broader phenomenon of respectable, middle class nationalism encompassing Jamaican nationalism and Pan Africanism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
406 p, indentureship, morant bay, grajales, enslaved women, maceo, caribbean women, agpr, slave women, seacole, eastern delta, qender, african diaspora, calabar, lodging houses, beckles, antonio maceo, hilary beckles, lucille mathurin, janet schaw, yseult bridges; History and gender analysis -- Text and testimony -- Women and slavery -- Women in the post-slavery period -- Women, protest and political movement -- Comparative perspectives
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
942 p., Verene A. Shepherd builds on her previous collaborative work with colleagues Bridget Brereton and Barbara Bailey and presents a completely revised and expanded version of Engendering History (1995), which became a required text in colleges and universities in the Caribbean, North America and the UK. Focuses on key debates in history, sociology and politics in its survey of the critical discourses relating to conquest, the treatment of indigenous women, slavery, emancipation and the post-emancipation period.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
762 p., A biography of the novelist Jean Rhys, author of Quartet and Wide Sargasso Sea, who was born and grew up in the Caribbean island of Dominica. Jean Rhys's childhood, her momentous first love affair, her three marriages, the disasters which befell her husbands, her drinking and its consequences: all are shown with unsparing clarity.
203 p., Explores the work experiences of professional Caribbean immigrant English-speaking women in the United States. Much study has been dedicated to the experiences and success of Caribbean immigrant women and men in service and domestic roles. The study explores these professional immigrant women's experiences attaining career success in the United States racial society. Data was obtained from 12 professional Caribbean immigrant women using semi-structured interviews conducted by the researcher.
217 p., A comparative study of late 20th-century migration narratives by African American and Afro-Caribbean women, such as Paule Marshall, Toni Morrison, Jamaica Kincaid, and Loida Maritza Pérez. Informed by critical race theory, postcolonial, and feminist approaches to literature, this dissertation intervenes in literary studies of the African diaspora by underscoring the cultural and political implications that class and national differences have on intra-racial relations among Blacks.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
516 p., Explores the theme of power to expose the disruptions and dangers lurking in Caribbean discourses on gender and love when these are approached from interrogating the currencies of power continuously circulating in their operations. The chapters are grounded in the complex realities of the contemporary Caribbean even as they challenge canonical thought. The authors simultaneously critique and create knowledge about the lives of women and men within the Caribbean and its diaspora.
Explores the experiences of Caribbean women teachers who are recruited to teach in a mid sized Southern city. Narrative methods were used to analyze four Barbadian women teachers' perspectives on their: initial experiences and challenges; teaching philosophies and approaches to teaching American students; and successful transition into Louisville, Kentucky's public schools after five years of teaching. In an age where school districts across the nation seek educators from overseas to address the well-documented teacher shortage, this study has implications for helping future international teacher candidates transition into U.S. public schools.
Examines death and barrenness images prevalent in literature produced by black women during the 1970s and 1980s, taking for study the novels Bluest Eye (1970), Praisesong for the Widow (1983), Corregidora (1975), and Mama Day (1988). Argues that images in these narratives represent contemporary manifestations of social death that directly relate to what belief in the American dream, and that these images symbolize the ways in which decisions made had a deadening effect on black communities, primarily experienced as a loss of social sensibility and vitality of relationships.
Boyce Davies,Carole (Editor) and Savory, Elaine (Editor)
Format:
Book, Edited
Publication Date:
1990
Published:
Trenton NJ: Africa World Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, "This first collection of critical essays on Caribbean women’s literature created a field of literary criticism which engaged the absence of women writers from the Caribbean literary canon as it established the presence of these writers historically. Using the metaphor of the “Kumbla” or “calabash” used to protect precious objects, first used by writer Erna Brodber, coming “Out of the Kumbla” then signified a movement from confinement to visibility, articulation, process which allowed for a multiplicity of moves, exteriorized, no longer contained and protected or dominated." --Carole Boyce-Davies
101 p., Little published research describes views of intimate heterosexual relationships among non-Western samples of women. This study represents a first attempt to document Afro-Caribbean women's views about their intimate relationships. A small sample of 53 Afro-Caribbean women from the island of Barbados were interviewed in their homes for a larger study of body image. Included in the measures were questionnaires about the extent to which women's expectations were or were not met in their current heterosexual relationships and if symptoms of depression were experienced. The women in this study generally reported, like Western women, that their relationships met their expectations (whatever those expectations may have been), that they contributed more positive than negative behaviors to the relationship, and that they experienced mostly mild or infrequent depressive symptoms. Unlike findings for Western samples, however, neither relationship duration, women's level of education, nor the extent to which they reported depressive symptoms covaried with whether they reported that their expectations were met or not. In summary, this study did not shed light on possible sources of Afro-Caribbean women's relationship satisfaction, although it potentially ruled out a few.
344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
245 p., In the Humanities, studies on the legacy of enslaved Black women are often split along ethnic, cultural, linguistic and national lines. This dissertation brings together literatures and visual arts from Puerto Rico, Martinique, Suriname, the Dominican Republic and the U.S. representing a myriad of linguistic and cultural traditions that turn to the legacy of the historical Black female body as their myth of creation. The author positions these works under the heading of Plantation Zone Literatures and Visual Arts, a term used to indicate the centrality of Black women's genealogy in 20th-century and 21st-century works from the Black Diaspora. Once a geographic space where Africans and their heirs were forced to labor, the Plantation Zone serves as a metaphorical site where the legacy of the historical Black female body--in multifarious forms of triumph and pain--is celebrated in Black Diasporic literatures.
351 p., Explores the racial and gender decolonization of New York and Curaçaoan women in a select group of novels, paintings and performance text by women from Curaçao and New York City. The Curaçaoan novels are: Aliefka Bijlsma's Gezandstraald [Sandblasted] (2007); Loeki Morales' Bloedlijn Overzee: Een Familiezoektocht [Overseas Bloodline: A Family Search] (2002); Myra Römer's Het Geheim van Gracia [The Secret of Gracia] (2008). The Curaçaoan painters are: Jean Girigori (1948), Minerva Lauffer (1957) and Viviana (1972). The New York novels and performance text are: Black Artemis' Picture Me Rollin' (2005), Angie Cruz's Soledad (2003) and Nelly Rosario's Song of the Water Saints (2002) and Josefina Báez's Dominicanish (2000). The ways the women characters, figures, images and voices align to subvert gendered delineations as well as the stifling cultural and colonial imprints on their bodies and their selves in Curaçao and New York are central to the decolonizing project explored here.
363 p., investigates the pre- and post- migratory experiences of working-class African-Caribbean women from the English-speaking Caribbean who left their children in their home countries while pursuing better economic opportunities in Canada from the 1970s to the early 1990s. The author problematizes the intersectional relationship between female migrant labor, transnationality and motherhood within the rubric of globalized gender, race and class relations. Given the centrality of African-Caribbean women's worker-mother role in their societies, further exploration of this role within global migration is important in order to recognize its significant gendered impact on women's labor and familial relations on a transnational level.
220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
453 p., Offers an anthropological interpretation of cultural discourses about the body found in literature, visual narratives and archival sources throughout 19th century in Spanish colonial Havana. These discourses show a pressing concern with the "manners" of bodies, the ways they moved, how they occupied space, and how they managed sensations and emotions to negotiate power and prestige in the highly stratified Havana's society. Concerns for the manners of the body became the discursive domain of the rising planter and intellectual elite of Cuban creoles. They often expressed these concerns in normalizing terms such as "good manners," "good taste," and "tone." Argues that these and other highly embodied, interlocking moral, sensory, affective and aesthetic categories such as nobility, respect or " sabor " became focal indexes of the social status of individuals in colonial society.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
195 p., Paule Marshall's The Chosen Place, The Timeless People (1969), Gayl Jones' Corregidora (1975), and Octavia Butler's Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women's sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic.
321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
212 p., This dissertation project aims to contribute to the current scholarship on transnational black feminisms. The project adds to the refining of nuanced theoretical approaches to specific experiences of black women. The author engages in close readings of four black women writers, Michelle Cliff, Joan Riley, Gayl Jones and Audre Lorde, as well as writings from two Black British collectives, the Organisation of Women of Asian and African Decent (OWAAD), and the Outwrite collective, distributers of Outwrite a Women's Newspaper. The readings result in several tropes within black women's discourse of this period, which include belonging and unbelonging, visitation and dismemberment, and living affectivity. The writings and conscious articulations are critical for locating transnational black feminist discourse as a distinct area of theoretical inquiry.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., A ollection of stories about the lives of 10 remarkable people in the region. From Trinidad, Grenada, St. Lucia and the Dominican Republic to Columbia, Nicaragua, El Salvador and Mexico, readers will come to know individuals whose lives reflect the history and immense changes underway in these countries.
448 p., This applied anthropology study, guided by a feminist perspective and in particular, Black Feminist Thought is an outgrowth of an evaluation study of the Partnership for Peace Program (PFP) in Grenada, West Indies. The PFP is a Caribbean-specific model that was built into a sixteen-week cycle program by the United Nations Entity for Gender Equality and Empowerment of Women (UNWomen). Since 2005, the PFP has been geared towards Grenadian men, who have used violence against women to express their masculine identities. PFP focuses exclusively on rehabilitating male perpetrators with a goal to protect the human rights of women. This research evaluated the PFP program, using qualitative and quantitative methods to measure the program's impact based on the behavioral changes that male participants adopted to avoid violence against women.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Showcases recent works that reflect a variety of disciplines, styles and topics that include considering Indo-Caribbean women in creative, artistic and performance text, historical and anthropological analyses, intersection with their "others" in the Caribbean and its diaspora, narratives of self, healing and spiritual growth, and roles in religion and cultural activities.
241 p., Explores the power children realize in the past, present, and future from their real or imagined connections to their absent mothers in twentieth- and twenty-first-century African diasporic women's fiction, science fiction, and film. Much of the existing scholarship on the diasporic mother focuses on her place in history, yet texts by Toni Morrison, Gloria Naylor, Gayl Jones, Octavia E. Butler, Nalo Hopkinson, Sheree Renée Thomas, Nisi Shawl, and Julie Dash suggest through their depictions of the lasting links children create with their mothers that the power of the diasporic mother and, by proxy, the black family and community extends into the future.
"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
147 p., Discusses how blackness, femaleness and Puerto Ricanness (national identity) is presented in commercial media in Puerto Rico. National identity, no matter how differently defined, is often constructed through claims to heritage, "roots," tradition, and descent. In the western world, these claims, almost inevitably allude to questions of "race." In Puerto Rico, it is the mixture of the Spanish, the Taino Indian, and the African, which come to epitomize the racial/traditional stock out of which "the nation" is constructed, defended, and naturalized. This mixture is often represented by images, statues, murals across the island that display the three racialized representatives, as the predecessors of the modern, racially mixed Puerto Rican people. In their portrayals of black women, figures as Mama Ines (the mammy) and fritoleras (women who cook and sell codfish fritters), Caribbean Negras (Black Caribbean women) contemporary media draw upon familiar representations to make black women bodies intelligible to Puerto Rican audiences.
This dissertation examines the migratory experiences of the protagonists from four African diasporic novels: Fruit of the Lemon by Andrea Levy (1999), Kehinde by Buchi Emecheta (1994), Breath, Eyes, Memory by Edwidge Danticat (1994), and The Color Purple by Alice Walker (1982). When analyzed comparatively these texts demonstrate that a completely integrated identity (that merges two cultures) is contingent upon a return to the protagonist's cultural roots either by the protagonist herself or someone who is closely aligned with her. The protagonist or her representative must travel to her ancestral homeland and in the process develop a value system that reflects the duality of her identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
346 p., A comparative feminist work that starts with a substantial historical account of the different ways that freedom, race and gender were intertwined in Jamaica and Haiti after the end of slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
3 pp., Argues that religion in the Caribbean and Latin America embody "gender ideology," the dialectical contradictions expressed in moments of patriarchal dominance and feminism and women’s liberation. These influence and guide the action of a particular class or social group in its own interest.
320 p., Examines the place of difference in black women's writing of the African diaspora. The works of well-known and canonical writers Toni Morrison, Buchi Emecheta, Jamaica Kincaid, and Audre Lorde illustrate key functions of the poetics of difference. The author reads these writers alongside important but underexplored figures, including Ghanaian-born poet Ama Ata Aidoo, Cuban-born novelist Achy Obejas, Trinidadian-born writer Dionne Brand, and South African/Botswanan writer Bessie Head, as well as younger writers such as U.S.-born playwright Suzan-Lori Parks, Nigerian-born fiction writer Chimamanda Ngozi Adichie, and St. Thomas-born writer Tiphanie Yanique. These writers reframe identity around radical models of difference by: (1) developing and naming hybrid genres; and (2) destabilizing formal conventions of recognizable genres through multiplicities of voice. By highlighting difference as a core component of black female identity, these writers make crucial interventions in several areas, including Afrodiasporic cultural, feminist, queer, and postcolonial theories of identity, as well as feminist, Afrodiasporic cultural, formalist, and narratological conceptions of voice.
95 p., While Pan-Africanism is largely understood as Black men's fight for colonial liberation and state independence, women played an important and often unheralded role. This thesis challenges the masculinist history of Pan-Africanism using Amy Ashwood Garvey's life to highlight women's intellectual and political contributions to the movement. The author discusses Ashwood Garvey's role in co-founding the Universal Negro Improvement Association (UNIA) and her work with the International African Friends of Abyssinia (IAFA), the International African Service Bureau (IASB), the Council of African Affairs, and the Fifth Pan-African Congress held in 1945. In addition to being an ardent Pan-Africanist, Ashwood Garvey was also a feminist who fought for women's equality through a wide range of anti-imperialist activities. Using her life as a lens through which to examine feminism's intersection with antiracist and anti-imperialist activism, this thesis underscores the fact that, for women throughout the African diaspora, struggles around race, gender, and colonialism operate in a symbiotic relationship to one another.
250 p., This dissertation has focused on the intertextual relationship between Tituba in I, Tituba...Black Witch of Salem and Veronica in Waiting for Happiness by Maryse Condé, primarily around different figures of otherness such as birth, race, sexuality, and space in which Tituba and Veronica are victims, according to their respective reference groups. Tituba is a child born out of wedlock because Abena, her mother, was raped by an English sailor on the Atlantic coast. This would rightfully translate into the hatred her mother has for her. Veronica was born into a family of two girls when her parents were in fact expecting a boy. Race and space are also lacking elements with the protagonists. This would explain their spatial instability depending on the course of the novels. Enslaved in different families, Tituba was imprisoned for witchcraft in Salem and was later hanged in her native Barbados due to lack of real space. Veronica on the other hand sought asylum in France where she returns after her disappointment of wanting ancestral roots in Africa.
Theodore,Karl (Author), La Foucade,Althea (Author), Gittens-Baynes,Kimberly-Ann (Author), Edwards-Wescott,Patricia (Author), Mc Lean,Roger (Author), and Laptiste,Christine (Author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
239 p., Undertakes a critical task of "writing to" and "writing back to" Frantz Fanon on the issues of violence, masculinity, and nation-formation. The author deploys Brian Keith Axel's formulations of "national interruption" to position African diasporic women's novels--specifically Gayl Jones's Corregidora, Tsitsi Dangarembga's Nervous Conditions, and Edwidge Danticat's Breath, Eyes, Memory --as critical interruptions to Fanon's formulations.
232 p., Calls attention to the renewed popularity of the epistolary novel among Africana contemporary women writers. This work investigates why, since the late nineteen-seventies, there has been a resurgence of this classic form among women writers across the Black Atlantic. The adoption of this genre among women writers in post-colonial contexts is especially significant because the classic epistolary novel was a medium that often endorsed notions of female submission and imperialist ambition. At the same time, the epistolary tradition connotes a revolutionary history. With this idea in mind, the author argues that an examination of how contemporary women revise the epistolary novel offers a crucial perspective regarding the struggles of women throughout various geographic locations and social strata in relation to nation, citizenship, and selfhood. This project focuses on how Sindiwe Magona, Nozipo Maraire, and Paulette Ramsay "reinvent epistolarity," using the epistolary genre to make interventions in the public sphere by depicting Africana women's experiences of education, marriage, inheritance, and health.
175 p., Focuses on the lives of enslaved women in the Caribbean and their resistance to bondage. Caribbean enslaved women exhibited their strong character, independence and exceptional self worth through their opposition to the tasks they performed in the fields on plantations. Resistance was expressed in many different rebellious ways including not getting married, refusing to reproduce, and through various other forms as part of their open physical resistance. Identifies the role enslaved women in both the Caribbean and the USA played in major uprisings, revolts, and rebellions during their enslavement period.
"We have to give God thanks for everything that we have accomplished and just look forward to 2012. We got a national record and I am really thankful to be a part of the team that did it. I'm grateful for my teammates and I think that with this team, we would definitely go far with more baton changes and we'll continue to give it our best shot," said [Shelly-Ann Fraser-Pryce]. Things didn't look too good for the Jamaicans in the semi-finals, which took place just over an hour prior to the final, as the baton exchanges between Fraser Pryce and [Kerron Stewart] on the first handover and Stewart and [Sherone Simpson] were terrible. But the latter believes that the experience of the girls helped to correct the problems in the short time that was available.
Jamaica's veronica Campbell-Brown waves after winning the Women's 100 meters at the Diamond League Athletics meeting on Sunday May 15. in Shanghai, China. American Lashinda Demus. the meet's record holder, finished runner up in a season's best time of 54.58 seconds, with Olympic and World champion Melaine Walker of Jamaica coming third, also in an SB 54.96. The best of the other Caribbean performances came from Jamaican Dwight Thomas. He also finished fourth in the men's 110 hurdles, clocking a season's best 13.31.
"I think we will do fairly well," said [Aiken]. "I think we have a good set of girls going over there that will do us very proud. We know the task ahead, and we know what we are going to come up against, and so we just need to put it together as a team," added Aiken, who plays for the Queensland Firebirds in the ANZ Championships in Australia and New Zealand.
Two-time Olympic 100 metres champion, Shelly-Ann Fraser-Pryce (second left), winning the women's Olympic Development 100 metres in 11 .47 seconds at the Queen's/Grace Jackson Invitational meet at the National Stadium Saturday, January 26. Two time Olympic 100-metre champion ShellyAnn Fraser-Pryce displayed good early-season form to win the women's sprint event at the Queen's/Grace Jackson Invitational meet at the National Stadium on Saturday, January 26.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Chancy aims to show that Haiti’s exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of “otherness” by assuming the role of “archaeologists of amnesia.” They seek to elucidate women’s variegated lives within the confining walls of their national identifications—identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations.
The island's lone female jockey, Georgina Sergeon, made her long-awaited return to the saddle at Caymanas Park on Saturday, February 1 after she was seriously injured in a riding spill just over two years ago. The 23-year-old Sergeon secured two rides on the 10-race programme: GOOD LIFE, who finished third at odds of 11-1 in the second race over 1100 metres for maiden three-year-olds; and the rank outsider, QUIET RULER, who finished down the track in the eighth race over 1200 metres. On Saturday, January 21, 2012, Sergeon fell from her mount, TRICKY TRAIN, after the filly clipped the heels of another horse in a crowded field at the home turn. She came out of the spill with serious injury and had to be hospitalised. Having injured her spine and lower back, Sergeon had to undergo surgery, followed by a long period of rehabilitation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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95 p, Within the already colonized and marginalized Indo-Caribbean communities, Indo-Caribbean women can be considered a discriminated group, and their (self-)representation may be analyzed as subaltern speech. This book discusses fiction and other stories of Indo-Caribbean women, concentrating on their attempts to rewrite 'regulative psychobiographies', as the postcolonial feminist critic Gayatri Chakravorty Spivak calls traditional narratives dominating women's lives. Attempting to bear witness to gender, race, and class differences, this analysis interrogates how the attempted self-expression is mediated, retrieved and read by others. It also demonstrates that, depending on the position and power of the parties involved, intervention into oppressive scripts can assume very different forms.
Place of publication not identified: CayStreet Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Topics include George Town In the 50's and 60's, The Wights and McTaggarts as the owners of Cayman’s First Supermarket who were pioneers of keeping Caymanian young people employed, Miss Kippy School in George Town, Cayman Prep and Rev.George Hicks, Cayman High and Rev. John R. Gray, Aunt Ione's Fried Fish, Church Girls, Ghosts and Rolling Calf, Dating in the 60's,The Flag Carrier, Cayman Bruce Lee, C.H. Goring and Barbadians in Cayman, A Cayman Summer, and 50’s Christmas in Cayman.
"I was scared for a bit (to come public) because everybody always know me as Novlene Williams-Mills and now they will know me as Novlene, the breast cancer survivor," Williams-Mills said. "It is approaching that time soon, being faced with breast cancer and for me, it is time to start thinking about my family and that is something I want to do soon," Williams-Mills shared. "I am just going to take it month by month and see everything, but I would love to be at the Commonwealth Games. I am not sure about Indoors as yet."
"Overall, I'm just happy to come away with a win," said [Fraser-Pryce]. "Today I didn't run according to how I wanted but still came out with a viotory. That made me happy. There is a lot more room for improvement in the 200m, and I'm looking forward to more races to see how best I can put a complete race together." The men's 100m also featured three Jamaicans, but it was American Justin Gatlin. 9.97 - the Olympic lOOm bronze medallist, who crossed the line first in a tight finish; barely bettering his compatriot Mike Rodgers and Jamaican Olympic 4x1 00m relay gold-medal winner Neata Carter, who both posted season-best times of 9.99. Jamaican Shericka Williams struggled in sixth place, despite posting a season best 52.23 with 200m specialist [Felix] running second in 50.19 and Great Britain powerhouse Christine Ohuruogu finishing third in a 50.53 season's best.
Vanessa Gidden and Simone Edwards were in impressive form as Jamaica's female basketbailers romped to a historic 69-58 victory over the Virgin Islands, to claim the team's first ever medal at the Central American and Caribbean Games in Mayaguez, Puerto Rico.
"The suggestion that [Veronica Campbell-Brown] was cleared on some technicality is simply not true. She was cleared because no anti-doping violation was proven and the reason none was proven was because she didn't do anything wrong, period, end of story," said attorney Howard Jacobs during a press conference yesterday at The Jamaica Pegasus. "It's not a technicality, it's a fundamental point," [Jacob] noted. "The question remained, what happened to the third sample?" "My inability to defend my 200m title was a huge loss. In fact, just being unable to compete was financially and emotionally devastating. This ordeal cost me in excess of 90 per cent of my possible earnings. The ripple effect affected my charities, most notably my foundation and my contribution towards my alma mater and others," said Campbell-Brown. "I now have a renewed appreciation for my talent and relationships within the sport that are important to me."
"When I look at the 200m, the record is so far out there, so for me I just try to improve each year and it's definitely not at the top of my list," said Felix touching on the records. "I never like to say never as far as the record is concerned but realistically speaking, I do think that they are very fast; I don't think at least in the 200m where my focus is. I don't think that record is going anytime soon. I can be wrong because track is like that, where amazing things happen that you are not suspecting." "I love running with Veronica and I love high-quality races and I wish we could meet more, it's just how it works out sometimes," Felix added.
Olympic 400m champion Sanya Richards-Ross presents cheque worth US$10,000 (J$900,000) to her alma mater on Wednesday, October 17. "I expect it to help in a big way. You hear of the parents who have very talented kids but sometimes just can't afford it, and it really breaks my heart because I am very thankful that my parents made the sacrifice to keep me in school. So if I can help the next Sanya Richards -Ross then it's all worth it," Richards-Ross noted.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., A close reading of three works by female authors. Presents a trajectory, covering different epochs from post emancipation, independence, and the contemporary, of their portrayal of subalterns, the specific strategies they use to reveal their protagonists' resistance, growth and self-affirmation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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196 p., Focuses on Francophone women writers who offer striking commentaries on the experience of illness and/or disability and its attendant discourses: Haitian writer Marie Chauvet; Guadeloupian-Senegalese writer Myriam Warner-Vieyra; Guadeloupian writer Maryse Condé; Senegalese writers Ken Bugul, Fama Diagne Sène, and Fatou Diome; and Swiss-Gabonese writer Bessora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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104 p., She Sex could rightly be regarded as a trailblazing, transformative work, concerned with showcasing the innermost erotic stories of Caribbean Women.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p., Explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels "Jane and Louisa Will Soon Come Home," "MYAL," and "Louisiana" all explore various facets of the Caribbean and African American experiences. The author traces nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history.
"She is well trained and trains hard. She has injuries here or there but knows she is being depended on," he said. "She has delivered on three other occasions and will be there to deliver again." "It's kind of overwhelming in the sense that the team will be depending on me to take them to victory. Normally, it's Sheckema, now they're depending on me. I have a lot of nerves but I am sure I will pull through for my team," she said.
"It's gonna be sticky on us," added national women's football coach [Vin Blaine], who said between 10 and 12 female players enroll at junior colleges each year. "It will have a definite impact." "Everyone wants to go to foreign," he said. "Some parents believe if the students go overseas they don't need to take care of them. It's full time these Jamaican athletes recognise how good opportunities are in Jamaica." "We need to find a way to ensure that they find a way to continue to do what they're good at," said [Neville Bell]. "Don't stop them."
Daughter Nettie was honoured in 1971 as "Alberta's Pioneer Daughter of the Year" and died in 1989 at the age of 96. The Ware's original cabin is a visitor attraction in Dinosaur Provincial Park and the name of old cowboy is remembered through the John Ware Junior School in Calgary. Alberta is bounded on the West by the Province of British Columbia, on the North by the Northwest Territories, on the east by the Province of Saskatchewan, and on the South by the Canada-U.S. border. The Province has a Provincial Conservative Government, led by Premier Ralph Kline, with 62 of the 83 Legislative Assembly seats. The Alberta Liberals have 16, the Alberta New Democratic Party 4 and the Alberta Alliance one.
Leith earned inclusions in Who's Who in the World, Who's Who in American Education, Who's Who in America, Who's Who of American Women, Who's Who in the East, Who's Who in Universal Publication, Who's Who of the Year, (American Biographical Institute), International Woman of the Year (International Biographical Center), and received the Outstanding Achievement Award at Baruch College Alumni Association. From a very early age, Leith had vowed that she must be "a shining star." She wanted to make a difference in society by being a friend and help to mankind. Her childhood dream has metamorphosed into a successful business enterprise. As the Prime Minister of Jamaica extends this latest award, Leith Yetman's star is shining even brighter.
Argues that for a truly cosmopolitan anthropology to come about, we need to reflect critically on the conditions of our knowledge production. Using the example of women’s under-representation within anthropology, and the marginalization of the Caribbean, it is argued that we need to think more about the social ground beneath our feet and recognize the differential access that anthropologists across the globe and at home have to the ongoing larger conversation that constitutes the discipline.
For a truly cosmopolitan anthropology to come about, we need to reflect critically on the conditions of our knowledge production. Using the example of women's under-representation within anthropology, and the marginalization of the Caribbean. Argues that we need to think more about the social ground beneath our feet and recognize the differential access that anthropologists across the globe and at home have to the ongoing larger conversation that constitutes the discipline.
Considers the extent to which feminism and gender studies courses adequately explore diverse erotic desires in the Caribbean region. It offers a comparative investigation of questionnaire responses from Black female undergraduate students in England and Jamaica to assess the connections between their perceptions about sexual differences.
Lauderdale Lakes City Commissioner Hazelle Rogers has been named the new president of the Broward League of Cities. She was nominated by her peers to head the organization, comprising representatives from all of Broward's municipalities. "We try to identify issues affecting municipal government in Broward. I wanted to be a part of the planning that will shape what Broward, and my city, will be in 15 years," Rogers told The Broward Times. "We are living in a global world now. Broward needs to create partnerships with Caribbean countries. I want to organize trade missions and impress upon people how important the Caribbean Community (CARICOM) countries are to us, as far as trade is concerned," said Rogers, a native of Jamaica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
42 (1): 131-153
Notes:
The passing of the British Abolition Act in 1807 owed much to the activism of women, enslaved and free, who employed diverse strategies to agitate for the ending of what was arguably the greatest crime against humanity. Reflects on women's role in Caribbean development and the struggles they faced in the process.
