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2. Atlantic archipelagos : a cultural history of Scotland, the Caribbean and the Atlantic world, c.1740-1833
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Morris,Michael (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- Great Britain: University of Glasgow
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 246 p., "This thesis, situated between literature, history and memory studies participates in the modern recovery of the long-obscured relations between Scotland and the Caribbean. I develop the suggestion that the Caribbean represents a forgotten 'lieu de mémoire' where Scotland might fruitfully 'displace' itself. Thus it examines texts from the Enlightenment to Romantic eras in their historical context and draws out their implications for modern national, multicultural, postcolonial concerns." --The Author
3. Fatal revolutions : natural history, West Indian slavery, and the routes of American literature
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Iannini,Christopher P. (Author)
- Format:
- Book, Whole
- Publication Date:
- 2012
- Published:
- Chapel Hill: Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 296 p., The formal evolution of colonial prose narrative, Ianinni argues, was contingent upon the emergence of natural history writing, which itself emerged necessarily from within the context of Atlantic slavery and the production of tropical commodities. As he reestablishes the history of cultural exchange between the Caribbean and North America, Ianinni recovers the importance of the West Indies in the formation of American literary and intellectual culture as well as its place in assessing the moral implications of colonial slavery.
4. Figuring Abjection: The Slave Mother in the Early Creole Novel
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- McCusker,Maeve (Author)
- Format:
- Journal Article
- Publication Date:
- Jan 2013
- Published:
- United Kingdom: Oxford University Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- French Studies
- Journal Title Details:
- 67(1) : 61-75
- Notes:
- While 20th-century Caribbean literature in French has generated a substantial body of criticism, earlier writings have largely been neglected. This article begins by contextualizing the Creole novel of the 1830s in cultural and historical terms, then proceeds to analyse two novels published by Martinican authors in 1835: Outre-mer by Louis de Maynard de Queilhe and Les Creoles by Jules Levilloux.
5. French Caribbean Women's Theatre: Trauma, Slavery, and Transcultural Performance
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sahakian,Emily (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Illinois: Northwestern University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 287 p., With a focus on cultural memory, this dissertation investigates French Caribbean women's plays and their performance at Ubu Repertory Theater, a pioneering French-American theatre in New York. After a theoretical introduction and a historical chapter investigating slavery and its remembrance in the Francophone Caribbean, each chapter is divided into two sections, the first examining the play, and the second its production at Ubu. The author relies on theories of collective memory and cultural trauma to read Ina Césaire's Fire's Daughters, Maryse Condé's The Tropical Breeze Hotel, and Gerty Dambury's Crosscurrents as plays that dramatize a link between the past (the Middle Passage, slavery, and sexual relations between enslaved women and white men) and present-day behaviors, attitudes, and pain. It is argued that these plays work to revise problematic practices of remembrance in France and the Antilles. These practices dissociate slavery from its local context; make the trauma of enslaved women's rape a secret; divide Antilleans of different races, ethnicities, genders, and social classes; and associate resistance almost exclusively with Haiti. In a second section of each chapter, the production and reception of these plays at Ubu are examined.
6. Locating slavery in the modern national imaginary: The legacy of Haiti
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Puente,Lindsay Rae (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- California: University of California, Irvine
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 227 p., Considers the often-silenced, tangible traces that the Haitian Revolution and radical anti-slavery have left in the greater Caribbean as they emerge in contemporary cultural productions. The author looks at national trends in the Dominican Republic, Cuba and Jamaica in order to formulate an understanding of the uses of gendered images of slavery and blackness in modern nation-building campaigns. Critically assesses what is left out of these narratives and how these gaps serve specific purposes. Argues for the centrality of the Caribbean in any true understanding of the history of modernity and the contemporary nation-state by investigating the after-shocks of the Haitian Revolution and of radical anti-slavery.
7. Oroonoko; or, The royal slave
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Behn,Aphra (Author), Gallagher,Catherine (Editor), and Stern,Simon (Contributor)
- Format:
- Book, Whole
- Publication Date:
- 2013
- Published:
- Lexington, KY: Simon & BrownI
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 77 p., A short novel written by English female author Aphra Behn, published in 1688. It is the story of an African prince who deeply loves the beautiful Imoinda. Imoinda is eventually sold as a slave and is taken to Suriname which is under British rule. Oroonoko is taken prisoner, is sold, and finds himself and Imoinda enslaved on the same plantation. Contents: 1. To the right honourable the Lord Maitland. 2. The history of the royal slave.
8. Reimagining the transatlantic, 1780-1890
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Almeida-Beveridge,Joselyn M. (Author)
- Format:
- Book, Whole
- Publication Date:
- 2011
- Published:
- Farnham: Ashgate
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 294 p, From New World to Pan-Atlantic: opening the history of America -- Francisco de Miranda, Toussaint Louverture, and the Pan-Atlantic sphere of liberation -- Pan-Atlantic exports and imports: translation, freedom, and the circulation of cultural capital -- Positioning South America from HMS Beagle: the navigator, the discoverer, and the ocean of free trade -- Pan-Atlantic migrations: capital, culture, revolution.; Time: 1700 - 1899
9. Representation of people of color in the nineteenth century slavery novel in Cuba and Brazil
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Moore,Kendal (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- Florida: Florida International University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 211 p., Explores the similarities and differences which characterize the depiction of people of color in certain representative 19th century Cuban and Brazilian slavery novels as a function of the authorial approach of each territory's literary tradition toward the issues of slavery, racial prejudice, and people of color. The selected texts, derived from the peak periods in slavery literature of each territory, include Francisco , by Anselmo Snárez y Romero; Sab , by Gertrudis Gómez de Avellaneda; Cecilia Valdés , by Cirilo Villaverde; A escrava Isaura , by Bernardo Guimarães; O mulato , by Aluísio Azevedo; and Bom-Crioulo , by Adolfo Caminha. While the present study explores the enslavement, abuse, and discrimination of people of color as a consequence of a deep-seated discourse of power, privilege and racial superiority, it focuses more extensively on the representation of people of color, particularly in their capacity to constructively appropriate the cultural values of the white dominant group and recognize their identity as ambiguous.
10. Sea of bones: The Middle Passage in contemporary poetry of the black Atlantic
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Elliott,Danielle Georgette (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- New Jersey: Princeton University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 225 p., Drawing attention to poets whose writing on this subject has received little critical attention, this study examines contemporary poetry of the black Atlantic in particular focusing on work by Kwame Dawes, David Dabydeen, Lucille Clifton, and Elizabeth Alexander. In exploring poetic treatment of the Middle Passage, primarily through the lyric, epic, and long poem, the author identifies four interrelated poetics that reveal the dynamism of this legacy: lamentation, retribution, rupture, and re-membering. While critical analysis of texts that rewrite slave experiences has tended to focus on narrative, and that primarily on plantation slavery, "Sea of Bones" advocates attention to the way black Atlantic poetry renders the Middle Passage as a complicated and haunting personal heritage.