African Consciences is a Parisian based initiative of artistes from the `Black Atlantic' and Africa. They use music to shape a discourse on their identity in relation to Africa, strongly bound to consciousness. The musical itinerary provided by reggae and hip hop constitutes what they see as a means for action to bring alive a "global African network". In this chapter I will reconsider the practice of repatriation, and the meanings it conveys now. I will try to analyse it through African Consciences' "Door of no Return" where they intend to travel back the road of the trans Atlantic trade in Africans. African Consciences has a mediated relation to Africa through roads that join their musical practice to their understanding of African history and tradition. It also carries an ideological intent to bring forth a global Africa through the articulation of routes and roots. [ABSTRACT FROM AUTHOR].
In this article, I explore the impact of slavery and the Slave trade on the most fundamental relationship in human societies, the bond between mother and child. Firstly, I review European accounts of motherhood and childrearing (pre-enslavement) in the African cultures of origin. Secondly, I address the traumas of dislocation and enslavement during the Middle Passage. This is followed by some insights into the experiences of women and children in Caribbean Slave societies where I argue that, despite the harsh conditions, African-derived conceptualisations of motherhood and parenting endured. I conclude with a brief consideration of the reverberations of slavery into the post slavery era, specifically in relation to European attempts to change African-derived practices. [ABSTRACT FROM AUTHOR];.
