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    29. from The Last Freedom

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Frank Martinus Arion (Author) and Paul Vincent (Author)
    Format:
    Journal Article
    Publication Date:
    1998
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    21(3) : 529-532

    30. The Rise of Son and the Legitimization of African-Derived Culture in Cuba, 1908-1940

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Chambers,Glen A. (Author)
    Format:
    Journal Article
    Publication Date:
    2007
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    30(2) : 497-507
    Notes:
    "The rise of the Afro-Cuban musical genre commonly known as son is representative of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author

    31. Rhys's Pieces: Unhomeliness as Arbiter of Caribbean Creolization

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Murdoch,Adlai H. (Author)
    Format:
    Journal Article
    Publication Date:
    2003
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    26(1) : 252-272
    Notes:
    "Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author

    34. The Process of Postcolonializing

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Helen Scott (Author)
    Format:
    Journal Article
    Publication Date:
    2002
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    25(3) : 994-996