Discusses the poetry of Afro-Cuban writer Nancy Morejón, focusing on her poetry collection, Paisaje célebre (Fundarte, 1993). Compares the book to her previous work, and discusses the political and social influences that shaped it. Notes that this book marks an important stage in Morejón's poetry, in that it celebrates a new and different country and voice - one of indepedence and freedom.;
Discusses the emergence of an Afro-Cuban aesthetic. Notes the major contributions of Cuban writers Félix Tanco, Antonio Zambrana, Nicolás Guillén, Miguel Barnet, and others to the literary movement. Remarks that these authors give us a view of Latin American history from "below the deck of a slave ship" - a view that is very different from the traditional one.;
Reviews Mullen's examination (Greenwood Press, 1998, 236p) of Afro-Cuban literature. Notes that this study is "perceptive" and "important" to the field of Afro-Hispanic literary criticism.;
Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;