According to historical records and stories passed down by the griots in Haiti, Christophe was born around October 6, 1767 in Grenada and brought to Haiti (then Saint Domingue) as a slave.
After independence, many of the newly formed nations struggle to maintain their hard fought freedom, though there were many lingering colonial attachments; hostilities; and the difficulties that came with growing pains. Around 1789, the French Revolution was raging in France; two years later, a rebellion swept the northern part of the island like a massive tidal wave.
Dessalines became a lieutenant in Papillon's army and followed him to Santo Domingo, where at first he enlisted to serve Spain's military forces against the French then he joined the "real" slave rebellion that was inspired by Dutty Boukman, a voodoo priest, and led by Toussaint.
Dessalines became a lieutenant in Papillon's army and followed him to Santo Domingo, where at first he enlisted to serve Spain's military forces against the French then he joined the "real" slave rebellion that was inspired by Dutty Boukman, a voodoo priest, and led by Toussaint.
Toussaint Louverture was the leader of the Haitian Revolution. His military genius and political acumen led to the establishment of the independent Black state of Haiti. The success of the Haitian Revolution shook the institution of slavery throughout the New World. Toussaint Louverture began his military career as a leader of the 1791 slave rebellion in the French colony of Saint Domingue. He served from 1791-1803 and died in a French jail in 1803.
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
This spring, Professor [Henry Louis Gates Jr.] returns to PBS with "Black in Latin America," a new four-part, four hour series. Focusing on six Latin American countries - Haiti, the Dominican Republic, Cuba, Brazil, Mexico and Peru - the series explores the influence of the African diaspora on Latin America. On his journey. Gates discovers a shared legacy of colonialism, slavery and people marked by African roots. In his new series. Gates sets out on a quest to discover how Latin Americans of African descent live now, and how their countries acknowledge - or deny - their African past.
Traditional Maroon culture was, however, determined to be in need of safeguarding and protection because of several factors. Chief among these was the fact that transmission of traditional knowledge from elders to younger generations was not taking place on the scale it was used to and the fact that migration patterns saw large numbers of Maroon youth leaving the traditional sites of settlements. In response, UNESCO was petitioned to assist in safeguarding traditional Maroon culture in Jamaica, in particular, that of the Maroons of Moore Town, who were deemed to be the most remote. In November 2003, UNESCO declared the Maroon Heritage of Moore Town as a Masterpiece of the Oral and Intangible Heritage of Humanity. This action facilitated the implementation of measures geared toward documenting, for posterity, traditional Maroon cuisine, language, the Kromanti play and the craftsmanship associated with the creation of tools and implements such as their unique Prentin drum, fishpots, spears and the abeng.
While at its inception, the revolutionary ideals of the newly formed nation called Haiti held great promise, the reality as understood today detracts from this plesant image . Still , our rituals and their symbolic associations mirror these revolutionary ideals. For example, soup joummou, the New Year's and Independence Day celebratory pumpkin soup, signifies the communion of equals through the consumption of the once forbidden delicacy reserved for the colonial masters. Today, as family and friends gather around the dinner table, we are clearly proud of our freedom and accomplishments, yet know that there are countless Haitians who are hungry, sleeping under tents. Two hundred and eight years after independence, many Haitians live in abject poverty and have no rights as humans.
[Nicole Brooks] says part of her mission as an artist, whether in film or theatre, is to really uphold looking at stories about her roots. "And so when I discovered that the catalyst of the witch trials was because a slave named Tituba from Barbados was accused of teaching obeah to young white women in the town, I sat back and reflected on how did these Puritans knew the word 'obeah'," says Brooks. Brooks says she is not breaking any rules or being untraditional because the definition of an opera is "a play that's sung." 'It doesn't have any attachment to say it has to be in classical form or that a particular genre of music makes it an opera," says Brooks who is giving a voice to these women. When she held a workshop of Obeah Opera she had to deal with some people who thought she was critical of the Puritan's Christianity and others, including her mother, who were concerned about her exploration of obeah. She answered them by noting that in the contact between captured Africans and white Puritans, there was a connotation that everything African was bad.
