Explores ethno-political identity in the English-speaking Caribbean & its Diasporas. Although being black was non-problematic in the early days of decolonization when most of the population was black, immigrants to European & North American cities where whites were the majority often suffered discrimination, a decline in social status, & a life filled with resentment. Following independence, ex-dentured East Indians, Chinese, Syrians, & light-skinned creoles in the Caribbean began to reassess their "blackness" & lighter skinned people were granted privileges not available to darker-skinned citizens. Meanwhile, black leaders who accepted the logic of capitalism ignored class critiques of capitalist structures of exploitation.
Can we talk of a collective, diasporic memory? Argues that in the case of the African-Caribbean community, there are distinctive features - such as the need to tell and the need to connect - which suggest that this diasporic memory is framed through identifiable cultural templates, which distinguish it from the memories of migrants.
The 2010 earthquake in Haiti and its aftermath have highlighted inherent but understudied transnational governance and socio-legal complexities of disaster recovery and displacement. This paper examines the key transnational governance and socio-legal issues that have arisen in the South Florida region for four distinct groups: (i) displacees and their related legal, social, cultural, and economic issues; (ii) host communities and governance, legal, and monetary complexities associated with compensation payments (e.g., to hospitals for their services to earthquake survivors); (iii) immigrants within the United States and related legalization and citizenship issues; and (iv) diaspora communities and socio-legal issues related to dual citizenship and their ongoing struggles to have a louder voice in the future of Haiti.
Discusses perspectives in Africana feminist thought. While, not an exhaustive review of the entire diaspora, three regions are discussed: Africa, North America, and the Caribbean.
After Soviet aid and trade ended Cuba was forced to reintegrate into the capitalist world economy. Needing hard currency, the government transformed the diaspora into a dollar attaining strategy, by facilitating and tacitly encouraging remittance-sending. Ordinary Cubans themselves wanted remittances to finance a lifestyle they could not otherwise afford. Despite their shared interest in remittances, the government increasingly appropriated remittances at recipients' expense.
Gerard Sekoto (1913-1993), one of the pioneers of African Modernism, left South Africa in 1947 to further his art training in France and engage with the School of Paris that had been so influential in the development of South African Modern art. Having managed to overcome the colour bar in a society that was racially divided well before the advent of Apartheid, Sekoto found himself alienated in post-war Paris. A Black African with no command of the French language, stumbling against the Euro-centrism of the Parisian art scene, he found a sense of community with the French-speaking African and Caribbean Diaspora rallied behind the concept of Negritude.
For women writers of the Caribbean as well as for larger marginalized communities, the relationship between oral traditions and written texts is a part of the defining thread of Caribbean historiography. This article draws on Waugh and Hutcheon to examine the use of such texts by women writers of the Hispanophone Caribbean in order to highlight narrative strategies of historically marginalized groups to contest hegemonic constructions of the nation.
In characterizing the desperate journeys undertaken by African and Haitian refugees as today's "middle passages," Caryl Phillips's A Distant Shore and Edwidge Danticat's "Children of the Sea" complicate the idea of a single origin to a transatlantic black Diaspora. The term 'middle passage' is more recently used to describe multiple crossings that transform the meaning of Diaspora into a vital and ongoing process.
The way in which the Caribbean person is given emblematic status as the metropolitan migrant is made clear in James Clifford's declaration that ‘We are all Caribbeans now...in our urban archipelagos'. Examines the impact on the critical reception of Caribbean writings that has been made as a result of the fact that metropolitan diasporas are now the privileged places in which to be properly ‘postcolonial’.
