"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
This text was first published in French under the title of Tloge de la creolite by Editions Gallimard in 1989. "Neither Europeans, nor Africans, nor Asians, we proclaim ourselves Creoles. This will be for us an interior attitude-better, a vigilance, or even better, a sort of mental envelope in the middle of which our world will be built in full consciousness of the outer world. These words we are communicating to you do not stem from theory, nor do they stem from any learned principles. They are, rather, akin to testimony. They proceed from a sterile experience which we have known before committing ourselves to reactivate our creative potential, and to set in motion the expression of what we are." (the authors)
"This paper explores Wide Sargasso Sea's articulation of race and gender in the context of a debate that has been waged within feminist postcolonial studies around the representation of racial otherness." (author)
The work of Haitian author Jacques Stephen Alexis is replete with examples of characters caught in the dilemmas of exile. The author focuses on Alexis's characters who go through a "true" expatriation, a movement out of Haiti and into another country, and considers how the various experiences of expatriation are represented, as well as how the presence of the Haitian exiles impacts the host country. Taking examples from Alexis's novel Compère Général Soleil, Monro argues that the Haitian exiles unwittingly, though inevitably, disrupt the illusion of oneness of national identity and culture and become a subversive force, creolizing culture in the place of exile, the Dominican Republic. This cultural creolization in turn is a threat to the monocultural, totalizing political discourses of the host country, it is argued.;
Looks at the performance of tomboy identity in Joan Anim-Addo's collection of poetry Janie, Cricketing Lady and Margaret Cezair-Thompson's novel The Pirate's Daughter. Argues that the ongoing affects of colonialism and patriarchy in the islands of Grenada and Jamaica, shape the life narratives. To understand the way in which affect can be expressed through tomboyism in Caribbean societies, it is necessary to look at color and class alongside gender in the context of Caribbean creolization.
Proposes a reading of Donna Hemans' novel River Woman in relation to other contemporary Caribbean women writers and to the early fiction of Toni Morrison. Argues that the complex affects that her representation of 'child-shifting' produces can be articulated in relation to literary texts that re-imagine historical and contemporary practices leaving a child in order to save her and in the context of the plantation.
