History has produced a myriad of cultural overlays in the Caribbean and the adjacent region of South America, a legacy of centuries of intrusion by rival European empires and the consequent sporadic exchange between the European invaders of the various local territories and peoples they claimed to control. The result is a mixture of peoples, languages, religions, and all other aspects of human culture, reflected in enrichment of the respective European and African languages involved, as well as in creation of new hybrid languages. It is in this context that one can speak of "Caribbean" literature and art from Suriname and the Netherlands.
"The rise of the Afro-Cuban musical genre commonly known as son is representative
of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation
of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
"Dutch Caribbean literature--that is literature written by Caribbean authors in Dutch--is written in Suriname, the Netherlands Antilles, Aruba and the Netherlands. So far, this literature has been reviewed from separate, national points of view. It is true that the countries differ. For centuries, Suriname was an agricultural and plantation economy; the Antilles flourished through trade. Suriname became independent in 1975, while the islands chose to remain part of the Kingdom of the Netherlands. This article seeks to transcend borders and opposites to approach this four century-old literature as the expression of a common Caribbean culture, a unity." --The Author
This essay seeks to cross temporal, scalar, and disciplinary boundaries while revisiting tropes of queer invisibility that mark representations of same-sex desire in the Caribbean. Cycling from the world described in the 1901 erotic novel Une nuit d'orgie à Saint-Pierre, Martinique to field notes taken in 2010 among men who frequent Les Salines, this essay unites, in a provisional way, a scattered archive of same-sex desire on the island, while relating these desires critically to place.
Addresses change and continuity in mortuary practices from the eighteenth to the twentieth centuries within enslaved and free populations on the former Danish and current US Virgin Island of St. John. St. John's former residents created diverse burial sites for practical and symbolic reasons related to environment, kinship, socio-cultural politics, and religion. Reveals how people historically transformed identities of selves and communities as they perceived and commemorated the dead through meaningful mortuary sites and practices within dynamic local and regional contexts.
Considers two kinds of connection between Leiris and the French Caribbean: that between his ideas on ethnography and Martinican Édouard Glissant's concept of Relation; and the impact that his encounter with the French Caribbean had on those ideas.
The concept of a unified African-Caribbean community or identity is a modern construction in that it emerged in its present guise during the second half of the twentieth century. Prior to this, the identity politics of the ‘black’ people from this region were largely polarized. They were frequently divided along lines of island identities (Jamaica, Barbados, St Kitts etc.). Focusing on the period between 1970 and 1979, this article sketches out the ways in which the black experience within local-level football also contributed to identity change among a particular group of young sportsmen in Leicester.
A literary criticism is presented on the books "Land of the Living," by John Hearne and "Mr. Potter," by Jamaica Kincaid. Particular focus is given to the portrayal of Jewish Holocaust refugees to the Caribbean Area within the aforementioned Caribbean literature, including the relationship between Jews and black Caribbean people.
The article focuses on Caribbean women who traveled to Great Britain after World War II to train as state-registered nurses and then migrated to Canada. The author provides brief biographical information about the interviewees featured in the paper, compares their recollections with the predominant images and ideas of Black women in Great Britain during that time, and discusses the women's reactions to nursing in Canada. She also explores the interviewees' revelations about their occupation, involvement in organisations that represented their interest, and the lessons they wish to pass on to future generations.
Examines how a Caribbean thinker, Theophilus Scholes, used the figure of the "white Negro" to expose the linkages between ethnological preoccupation with black bodies and an imperial network of power that held implications for political equality.
The author discusses the use of slavery reparations as a strategy for economic development. Particular focus is given to the Caribbean Community (CARICOM) Reparations Commission, which was formed in 2013 in order to address the damages caused to Caribbean nations by slavery and racism. The author argues for the creation of a reparations commission in the U.S. The book "Britain's Black Debt" by Hilary Beckles is also discussed.
Explores the routes followed by ideas and practices related to the body emerging in seventeenth-century Caribbean locales like Cartagena de Indias and Havana. Mobile and interconnected Spanish Caribbean ritual practitioners of African descent, using oral tradition, performance, and material culture, functioned as the most important links for the diffusion of ideas about corporeality in the region.
In this essay Glenn A. Elmer Griffin adopts a January 2009 parricidal attack in St. Lucia as an instantiation of the escalating problem of fratricidal crime in the postcolonial Eastern Caribbean. Following the work of Kamau Brathwaite, Griffin argues that this violence constitutes the nonarrival of postcoloniality as it is anticipated by Frantz Fanon's periodization of fraternal violence. The familial murder embodies an unbroken period of self-killing that warrants a critical reexamination of the provisions of our postcoloniality and the terms of West Indian identity formation.
Using data on U.S.-born and Caribbean-born black women from the 1980-2000 U.S. Censuses and the 2000-2007 waves of the American Community Survey, documents the impact of cohort of arrival, tenure of U.S. residence, and country/region of birth on the earnings and earnings assimilation of black women born in the English-, French-, and Spanish-speaking Caribbean.
An empirical study of 398 business people in the slums of Jamaica and Guyana. Explains that poor women organize local banks as a form of contestation against the threat of violence, partisan and informal politics. Argues that the banker ladies reorganize money markets for themselves and others. By organizing inclusive financial programs the banker ladies also build social capital through managing locally-based economic resources.
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
The contemporary backdrop for this essay emphasizes such contexts for future Caribbean studies and particularly for conceiving of Caribbean visual culture. It considers ways the exploration of Caribbean art practices and research of Caribbean visual culture might require reconsideration as global and interconnected structures requiring a transnational and intercultural approach. Insight of contemporary Caribbean visual culture is inextricably linked to circulation of knowledge and production of global culture and visual representation.
An essay is presented which discusses the religious history and identity of the Caribbean Area and Africa from the Haitian Revolution through the 2010s, with a particular focus on Islam and voodooism. African and Caribbean identities, including the role that cosmopolitanism plays in identity formation, are discussed. An overview of the religious identity of the Muslim Haitian Revolution leader Dutty Boukman is provided.
The article focuses on the interactions between anglophone blacks, black Caribbeans, and indigenous southern Mesoamericans during the second half of the 18th century. The author discusses the history of race relations between Europeans, Africans, and Indians within the British and Spanish empires, examines the relationship between Mayas and Spanish colonists, and analyzes the role of religious differences within their encounters.
The article critiques several poems by African American poet of the Harlem Renaissance Langston Hughes, including "Ballad of Margie Polite," "Broadcast to the West Indies" and "Good Morning." Hughes' depiction of transnational solidarity between African Americans of Harlem, New York City, New York and blacks of the West Indies, including his use of an imaginary radio broadcast to portray this theme in the poem "Broadcast to the West Indies," is discussed.
The article discusses the history of Santo Domingo (which was renamed the Dominican Republic) under the French General Jean-Louis Ferrand from 1804 through 1809. Particular focus is given to Ferrand's efforts, under the direction of the French Emperor Napoleon I, to re-enslave Santo Domingo and overthrow Haiti's ruler Toussaint Louverture. An overview of the slavery laws in Santo Domingo is provided. Ferrand's use of black Haitian captives as slaves, including the Haitians captured by the French who lived near the border with Santo Domingo, is provided.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
The article discusses the transnational aspects of Harlem, New York City, New York, with a particular focus on the borough's cultural relations with the British West Indies during the 1920s and 1930s. An overview of the Caribbean immigrants in Harlem, including working class immigrants, is provided. The role that British Caribbean blacks played in the transatlantic media is discussed.
Suggests that racism was a strategic military liability in the late eighteenth and early nineteenth century wars between Britain and France in the Caribbean. The French Revolution provoked slave uprisings on many of the Caribbean islands. Both the British and French underestimated the black rebels' capabilities and routinely executed black prisoners of war rather than ransoming or imprisoning them. These tendencies made Caribbean campaigns longer and bloodier than they might otherwise have been.
The Caribbean island of Carriacou was ceded to the British by the French after the Seven Years’War (1763). Carriacou’s population of Englishmen, Frenchmen, Scots, and free people of color, along with their enslaved workers, comprised a distinctive slaveholding society in comparison to that of the old British colonies.
An essay is presented on the relationship between black U.S. feminist literature celebrating author Zora Neale Hurston and U.S.-Caribbean cultural linkages, and the U.S. invasion of the Caribbean during the 1980s. According to the author, black feminists' attempts to reclaim the Caribbean through Hurston contributed to a neoliberal vision of the Caribbean which excluded Grenadian revolutionaries. Grenadian government debt and depictions of the Caribbean in popular culture are discussed.
In Apr 2009, shortly after taking office, Pres Barack Obama signaled that he was open to a new dialogue with Cuba. At remarks delivered at the Summit of the Americas in Trinidad and Tobago, the President said that the US seeks a new beginning with Cuba. Earlier that year, then-Secretary of State Hillary Clinton had welcomed an offer for talks from Cuban President Raul Castro, who took over duties from his ailing brother Fidel Castro in 2006 and subsequently was elected president by the Cuban National Assembly in 2008. Castro reportedly said that he was willing "discuss anything" with the US Government. Here, the US-Cuba policy is discussed. Adapted from the source document.
'Environmental justice' refers to the human right to a healthy and safe environment, a fair share of natural resources, access to environmental information and participation in environmental decision-making. Some analysts have argued that environmental justice is undermined by the political economy of capitalism. This paper builds on this analysis by evaluating the environmental justice situation in Cuba, a country where there is little capitalist influence. Evidence is based on participant observation and interviews in Cuba, as well as secondary quantitative data. The research findings suggest that Cuba fares relatively well in terms of environmental justice, but still faces a number of challenges regarding the quality of its environment and some aspects of the environmental decision-making process. However, many of its ongoing problems can be attributed to global capitalist pressures.
Examines the voting behavior of Cubans and non-Cuban Hispanics in two Florida counties. The group position thesis holds that status inequalities and perceived discrimination yield out-group hostilities that can influence political behavior. In Miami, where Cubans are dominant, we expect non-Cuban Latinos to report greater pan-Latino competition and that anti-Cuban attitudes will influence non-Cuban Hispanic voting. In Tampa, where non-Cuban Latinos live in communities where Cubans are not dominant, we expect lower levels of perceived competition and Cuban-related attitudes to be inconsequential to the vote. The results confirm that power relations in the local arena constitute an important influence on the political behavior of Latino immigrants.
Newly arrived from Cuba, Angelica, Dora, Marina, and Damaris attempted to negotiate new surroundings and immigrant identities, building a sense of home for themselves and their families. Data from qualitative interviews, classroom observations, and focus group conversations revealed hopes that by acquiring English language skills, they would improve their quality of life in their new country. Struggles included personal factors situated in their pasts in Cuba and their new surrounds in the Miami Cuban exile enclave, contexts that were further complicated by uncertain expectations of new lives in Miami and the overwhelming task of learning a new language at a local adult education center.
After Soviet aid and trade ended Cuba was forced to reintegrate into the capitalist world economy. Needing hard currency, the government transformed the diaspora into a dollar attaining strategy, by facilitating and tacitly encouraging remittance-sending. Ordinary Cubans themselves wanted remittances to finance a lifestyle they could not otherwise afford. Despite their shared interest in remittances, the government increasingly appropriated remittances at recipients' expense.
Initiatives in the field of sexology and sex education in prerevolutionary Cuba are barely known, as continuity between those experiences and the work carried out during the years following the 1959 revolution have not been researched. The founding of the Federation of Cuban Women (FMC), however, must be considered the product of a long process of political maturity on the part of Cuban women during the first half of the twentieth century, and in the broader context of the FMC, the developments in the fields of sexology and sex education over the past fifty years also must be considered. Drawing on FMC archival holdings, this article sets out a periodization of the four main stages of the revolutionary period of institutionalizing sex education in Cuba, as well as its main challenges.
Reforms proposed at the Sixth Communist Party Congress represent a new, third phase of social policy in post-revolutionary Cuba. This new stage has the potential to strengthen social equity in Cuba, improve the socio-economic situation of disparate social groups, and overcome the old limitations of social policy. Yet it could also increase inequality, and at least in the short term, its predicted impacts will be contradictory and ambivalent.
