Argues that the bedrock of U.S. policy is an ideology of benevolent domination. Created at the time of the Spanish-American War, President Theodore Roosevelt captured this ideology perfectly in 1907 when he explained, "I am seeking the very minimum of interference necessary to make them good," and it is seen today in the 2004 report of the Commission for Assistance to a Free Cuba. Adapted from the source document.
The fifth annual Bermuda Jazz Festival took place on September 15-16, 2000, to a crowd estimated at 6,000. Some headliners included Roberta Flack, Norman Brown, Spyro Gyra, and Diana Krall. Many local Bermudans displayed their musical gifts as well
Examines the impact of the Universal Negro Improvement League (UNIA) on the British colony of Bermuda where the majority black population was segregated and disenfranchised while white elites enjoyed total political and economic power. The efforts of UNIA leaders like Marcus Garvey made UNIA a global organization and strongly influenced Caribbean regional politics. Attention is given to the impact of tourism which became Bermuda's primary industry in the 1920s when blacks were evicted from their homes to make room for white resorts.
The author examines race, language, and identity in Derek Walcott's poetry, reading Walcott's poetry as an extended meditation on the question of whether it is possible to exist within the English language and an Afro-Caribbean tradition, drawing poetic nourishment from each, or whether the attempt is a betrayal of both. Of mixed racial ancestry, a native speaker of French Creole who was formally educated in British colonial schools, raised Methodist on the Catholic island of St. Lucia, Derek Walcott occupies a peripheral place with respect to both English and Caribbean culture, it is noted. Throughout the course of his poetic career he has been criticized from both perspectives, either for "appropriating the Other" and putting it to use in the service of the dominant culture or for not assimilating that dominant (English) culture fully enough.;
This article elaborates on some important concepts in the matter of abortion, the issue of revelant legislation, and ends with pertinent recommendations. Adopting a bioethical perspective, the paper addresses the relevant issues and perspectives on abortion and argues for clarity of concepts and understanding of the context in which a woman is pregnant and considers abortion.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
During the early 1970s the U.S. songwriter, musician, and producer Van Dyke Parks completed work on a series of albums exploring the musical contours of the circum-Caribbean region and, through them, broader patterns and issues in 20th-century relations between the U.S. and the Caribbean.
