Discusses the ways in which Santeria gatherings produce an alternative use of otherwise stigmatized language for 'gay' practitioners. Through the use of distinctive language to reference all of these populations, we may rethink the relationship between identities and practices, and within that, gender presentations vis a vis identities.
This essay analyzes representations and imaginaries of blackness in contemporary Puerto Rico, by focusing on the debates raised by 'Raices'/(Roots) (2001), the Banco Popular video special about traditional Afro-Puerto Rican rhythms of bomba and plena. These debates divided public opinion in Puerto Rico and included members of academia, musicologists, bomba and plena groups, and the San Anton (Ponce) community residents. They refer to the ways Puerto Ricans 'speak the unspoken,' that is, the ways Puerto Ricans talk about race and its intersectionalities on the island and in the diaspora.
Special journal issue: New Perspectives on the Black Music Diaspora: Focus on the Caribbean., Includes Roger D. Abrahams, Questions of competency and performance in the black musical diaspora; Rose Mary Allen, Music in diasporic context: The case of Curaçao and intro-Caribbean migration; Nanette T. De Jong, Curaçao and the folding diaspora: Contesting the party tambú in the Netherlands; Elizabeth Mcalister, Listening for geographies: Music as sonic compass pointing toward African and Christian diasporic horizons in the Caribbean; and Raquel Z. Rivera, New York Afro-Puerto Rican and Afro-Dominican roots music: Liberation mythologies and overlapping diasporas.
A benefit-cost analysis was performed on varying levels of standard buildings codes for Haiti and Puerto Rico. It was found that in the two areas studied, the expected loss of life was reduced the most by use of high seismic building code levels, but lower levels of seismic building code were more cost-effective when considering only building damages and the costs for code implementation.
