Discusses the popular notions of sexuality that lay behind the women's bodily displays during Trinidad Carnival, the iconic Carnival experience in the region, and contrasts these to some Christian notions of the body and sexuality, which see the body ('the flesh') and sexuality, as problematic even sinful.
An exploration into the social networks of the Anglo-Caribbean African population from the mid 18th to early 19th centuries. Details are given describing the unique identity and culture of an international Black Protestant community established during the period. The transition from White evangelism of slaves to the self-sustained and promoted religious community of the African population is noted. Individual leaders such as William Hammet, William Meredith, and Denmark Vesey are also profiled.
Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space. Explores grassroots religious musical productions to show that Afro-Caribbean groups can stake out multiple diasporic identities in overlapping diasporic spaces through the various political registers of tribe, kingdom, and nation.
