Interviews Afro-Costa Rican writer Quince Duncan. Discusses the lack of critics who are familiar with Black literature in Costa Rica; asks Duncan to compare North American and Latin American criticism of his work, asks Duncan about his latest projects and the direction of his work; and compares Duncan's work with that of Alejo Carpentier and Manuel Zapata Olivella. Also touches upon language usage, the theme of literature of combat, and Duncan's future plans.;
Traces the history of the Black Caribs of Saint Vincent. Origin of the Black Carib population; Description of the Carib culture; Details on their fight for freedom in the 1700s.
Argues that the Trinidad carnival and the overseas Caribbean carnivals (e.g. Notting Hill, London; Caribana, Toronto; Labour Day, New York) are products of and responses to the processes of globalization as well as transcultural and transnational formations. Carnival is theorized as a hybrid site for the ritual negotiation of cultural identity and practice by the Caribbean diaspora.
The author introduces the reader to the work and importance of Haitian writer Dany Laferrire, whose acclaimed work 'Comment faire l'amour avec un Ngre sans se fatiguer' put him on an international stage
Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
