African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p, Investigates the power of stories told within Caribbean dancehall music and culture that present “good reasons” that are adopted by members of that culture. Shows that dancehall stories reveal powerful ideological frames that “naturalize” ways of being within Caribbean dancehall culture. Various relationships between “good reasons” presented in lyrical stories and the adoption of these “good reasons” by participants in their own stories emerged as well.
Los Angeles, CA: University of California, Los Angeles
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
411 p., "Even though accepted definitions of the Caribbean Creole focus on its status as native to the region, it is just as emphatically tied to somewhere else, giving it a vexed status. Through a comparative analysis of fictional, sociological, historical and psychological portraits of the Caribbean Creole, I argue that the Creole's working definition is equally indebted to casting it as a cultural outsider in local contexts in and around the Caribbean." --The Author
