Bryant,Sherwin K. (Author), O'Toole,Rachel Sarah (Author), and Vinson,Ben (Author)
Format:
Book, Whole
Publication Date:
2012
Published:
Urbana: University of Illinois Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
279 p, The Shape of a Diaspora : The Movement of Afro-Iberians to Colonial Spanish America / Leo Garofalo -- African Diasporic Ethnicity in Mexico City to 1650 / Frank "Trey" Proctor -- To Be Free and Lucumí : Ana de la Calle and Making African Diaspora Identities in Colonial Peru / Rachel Sarah O'Toole -- Between the Cross and the Sword : Religious Conquest and Maroon Legitimacy in Colonial Esmeraldas / Charles Beatty-Medina -- Finding Saints in an Alley : Afro-Mexicans in Early Eighteenth-Century Mexico City / Joan Cameron Bristol -- The Religious Servants of Lima, 1600-1700 / Nancy E. van Deusen -- Whitening Revisited : Nineteenth-Century Cuban Counterpoints / Karen Y. Morrison -- Tensions of Race, Gender, and Midwifery in Colonial Cuba / Michele B. Reid -- The African American Experience in Comparative Perspective : The Current Question of the Debate / Herbert S. Klein; Time: To 1830
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Born of the union between African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Catalogue of an exhibition held at Tate Liverpool (Liverpool), 29 Jan. - 25 Apr. 2010., 12 p., Gilroy has argued that racial identities are historically constructed, formed by colonization, slavery, nationalist philosophies, and consumer capitalism.
Los Angeles; Berkeley: Museum of Cultural History, University of California; University of California Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The exhibition associated with this book was organized by the Museum of Cultural History, UCLA, and held Oct. 14-Dec. 7, 1980 at the Frederick S. Wight Art Gallery, UCLA, and at other museums., 237 p
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
327 p., These 107 tales come from the canefields of the antebellum South, the villages of Caribbean islands, and the streets of contemporary Philadelphia. They includes stories set down in travelers' reports and plantation journals from the early 19th century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
197 p, "This bibliography compiles scholarly literature, primarily written in Portuguese and English, as well as a sample of the popular literature published between 1900 and 1997 on Afro-Brazilian religions.";
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
432 p., Religion is one of the most important elements of Afro-Caribbean culture linking its people to their African past, from Haitian Vodou and Cuban Santeria—popular religions that have often been demonized in popular culture—to Rastafari in Jamaica and Orisha-Shango of Trinidad and Tobago. In Afro-Caribbean Religions, Nathaniel Samuel Murrell provides a comprehensive study that respectfully traces the social, historical, and political contexts of these religions.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Special issue of the African-Caribbean Institute of Jamaica Review., 133 p, A collection of case studies focused on the formation of mostly independent communities in the region. All of the communities under consideration emerged in the immediate post-emancipation period. The condition, historical and cultural, which they have in common is the rise and fall of the West Indian plantation system.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
219 p., This book investigates Kamau Brathwaite's and Derek Walcott's postcolonial debates, reading them against the traditional sites of the Caribbean imaginary.
Lachatañeré,Rómulo (Author) and Ayorinde,Christine (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Princeton, NJ: M. Wiener Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
156 p, Distinguishes between the two most important religious forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
614 p, Cuba has been central to popular music developments throughout the Caribbean, Latin America, the United States and Europe. Unfortunately, no one has ever attempted to survey the extensive literature on the island's music, in particular the vernacular contributions of its Afro-Cuban population. This unprecedented bibliographic guide attempts to do just that. Ranging from the 19th century to early 2009 it offers almost 5000 entries on all of the islandâ¿¿s main genre families, e.g. Cancion Cubana, Danzon, Son, Rumba, and Sacred Musics (Santeria, Palo, Abakua, and Arara), as well as such recent developments as timba, rap and regueton.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Examines cultural and literary material produced by Afro-Mexicans on the Costa Chica of Guerrero and Oaxaca, Mexico, to challenge the selective and Euro-centric view of Mexican identity in the discourse about racial and ethnic homogeneity and the existence of black people in the country, as well as assumptions and stereotypes about gender and sexuality.
