African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
v, 174 leaves ; 29 cm., This novel is a contemporary novel that deals with the history of france; "UMI:9959638."/ Includes bibliographical references ( 167-174)./ Reproduction: Photocopy./ Ann Arbor, Mich. :/ UMI,/ 2000./ v, 174 ; 21 cm.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., A demonstration and defense of the continuity and centrality of the Afro-Caribbean consciousness in the anti-colonial and anti-imperialist struggles of the Caribbean peoples. The author uses a variety of disciplines, history, politics, psychoanalysis, to bring a new way of looking at the history of Caribbean literature, from the predominance of the European preoccupation with their Europe in the 19th century, to the focus of early Caribbean writers in reproducing a colonially influenced literature in the late 19th and early 20th century.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
193 p., Studies the writings of Toussaint Louverture and Aimé Césaire to examine how they conceived of and narrated two defining events in the decolonializing of the French Caribbean: the revolution that freed the French colony of Saint-Domingue in 1803 and the departmentalization of Martinique and other French colonies in 1946.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 p, From New World to Pan-Atlantic: opening the history of America -- Francisco de Miranda, Toussaint Louverture, and the Pan-Atlantic sphere of liberation -- Pan-Atlantic exports and imports: translation, freedom, and the circulation of cultural capital -- Positioning South America from HMS Beagle: the navigator, the discoverer, and the ocean of free trade -- Pan-Atlantic migrations: capital, culture, revolution.; Time: 1700 - 1899
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
762 p., A biography of the novelist Jean Rhys, author of Quartet and Wide Sargasso Sea, who was born and grew up in the Caribbean island of Dominica. Jean Rhys's childhood, her momentous first love affair, her three marriages, the disasters which befell her husbands, her drinking and its consequences: all are shown with unsparing clarity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
245 p., Addressing the transnational relationships of Freemasonry, politics, and culture in the field of Latin American and Caribbean literatures and cultures, Writing Secrecy provides insight into Pan-Caribbean, transnational and diasporic formations of these Masonic lodges and their influences on political and cultural discourses in the Americas. Includes "Technologies: Caribbean Knowledges, Imperial Critiques 1860-1900s" and "Urgency and Possibility: Afro-Latin® Identities."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p., Investigates the exilic literature of Caribbean-born and Caribbean-descent writers who, from their new location in Northern America, question their cultural roots and search for a creative autonomy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
209 p., Collects interviews with queer Caribbean writers, activists, and citizens and challenges the dominance of Euro-American theories in understanding global queerness.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Includes "Down to the Mire : Travels, Shouts & Fe Chauffe, Balanse, Swing : Saint Domingue Refugees in the Govi of New Orleans."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., Examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story.
Donnell,Alison (Author) and Bucknor,Michael (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
New York: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
674 p, he volume is divided into six sections. It brings together sixty-nine entries from scholars across three generations of Caribbean literary studies, ranging from foundational critical voices to emergent scholars in the field.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
248 p., Draws attention to a neglected body of récits d'enfance, or childhood memoirs, by contemporary bestselling, prize-winning Francophone Caribbean authors Patrick Chamoiseau, Maryse Condé, Gisèle Pineau, Daniel Maximin, Raphaël Confiant and Dany Laferrière, while also offering new readings of texts by Aimé Césaire, Frantz Fanon, Edouard Glissant, Joseph Zobel, Françoise Ega, Michèle Lacrosil, Maurice Virassamy and Mayotte Capécia.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p., Argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. Harrison describes what she calls "difficult subjects”--subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
Chapel Hill: Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., The formal evolution of colonial prose narrative, Ianinni argues, was contingent upon the emergence of natural history writing, which itself emerged necessarily from within the context of Atlantic slavery and the production of tropical commodities. As he reestablishes the history of cultural exchange between the Caribbean and North America, Ianinni recovers the importance of the West Indies in the formation of American literary and intellectual culture as well as its place in assessing the moral implications of colonial slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p, In an extensive collection of essays spanning 50 years of sustained scholarship, The Negritude Moment explores the many varied aspects of Negritude - both as a concept and as a movement. F. Abiola Irele provides an account of its historical origins and examines the sociological and ideological background of themes that have preoccupied French-speaking black writers and intellectuals. His collection also includes a rare essay on the structure of Aime Cesaire's imagery in its poetic transmutation of this experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Shows how such movements as Pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively "purloining" those resources without acknowledgment.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
261 p., Examines sexualities, violence, and repression in the Caribbean experience. Analyzing the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture. Demonstrates how many individuals contest traditional roles by maneuvering within and/or trying to change their society's binary gender systems. These transgressions have come to better represent Caribbean culture than the "official" representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p., Examines the career, oeuvre, and literary theories of one of the most important Caribbean writers living today. Chamoiseau's work sheds light on the dynamic processes of creolization that have shaped Caribbean history and culture. The author's diverse body of work, which includes plays, novels, fictionalized memoirs, treatises, and other genres of writing, offers a compelling vision of the postcolonial world from a francophone Caribbean perspective.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
391 p., A comparative study of postwar West Indian migration to the former colonial capitals of Paris and London. It studies the effects of this population shift on national and cultural identity and traces the postcolonial Caribbean experience through analyses of the concepts of identity and diaspora. Through close readings of selected literary works and film, H. Adlai Murdoch explores the ways in which these immigrants and their descendants represented their metropolitan identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p., Offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
158 p, Argues that engaging the Caribbean diaspora and the massive waves of migration from the region that have punctuated its history, involves not only understanding communities in host countries and the conflicted identities of second generation subjectivities, but also interpreting how these communities interrelate with and affect communities at home.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
195 p., Examines the concept of queer theory and combines it with the field of diaspora studies. By looking at the queer diasporic narratives in and from the Caribbean, it conducts an inquiry into the workings and underpinnings of both fields. Explores the works of writers such as Shani Mootoo, Jamaica Kincaid and Lawrence Scott.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p., Using contemporary literary representations of place, this study focuses on works that have participated in the emergence of new conceptions of place and new place-based identities. The analyses draw on research in cultural geography, cognitive science, urban sociology, and globalization studies. Includes chapter on "Evolution in/of the Caribbean Landscape Narrative."
Newcastle upon Tyne, UK: Cambridge Scholars Publishing
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
220 p., This collection uses the metaphor of the global Caribbean to discuss the multiple movements, identities, epistemologies and politics of the Caribbean. Examines the processes of the transnational transport of peoples, languages, and literatures between the Caribbean, Africa, Europe, and North America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. Examines literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodriguez Milans, Jacques Derrida, Edouard Glissant, and Wilson Harris.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
226 p., Argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging.
Silva,Dorsía Smith (Editor) and Alexander,Simone A. James (Editor)
Format:
Book, Whole
Publication Date:
2013
Published:
Trenton, NJ: Africa World Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
272 p, "Mothering has been a recurring theme in the work of many women writers and Caribbean women writers are no exception. This volume comprises of a collection of essays, which examine the multiple definitions and images of mothering and motherhood--from childbirth as the initial site to surrogate, communal, and extended parenthood in the stories of generations of women that include grandmothers, godmothers, sisters and aunts. Writing out of their numerous cultural, political, social, spiritual, and economic worlds, these Caribbean mothers bring needed attention to their endurance of social class, language, cultural chauvinism, physical and psychological exile, racial politics, and colonial sovereignty barriers." --Publisher's description.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p., Analyzing pamphlets, newspapers, estate papers, trial transcripts, and missionary correspondence, this book recovers stories of ordinary Caribbean people, enslaved and free, as they made places for themselves in the empire and the Atlantic world, from the time of sugar tycoon Simon Taylor to the perspective of Samuel Ringgold Ward, African American eyewitness to the 1865 Morant Bay rebellion.
Behn,Aphra (Author), Gallagher,Catherine (Editor), and Stern,Simon (Contributor)
Format:
Book, Whole
Publication Date:
2013
Published:
Lexington, KY: Simon & BrownI
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
77 p., A short novel written by English female author Aphra Behn, published in 1688. It is the story of an African prince who deeply loves the beautiful Imoinda. Imoinda is eventually sold as a slave and is taken to Suriname which is under British rule. Oroonoko is taken prisoner, is sold, and finds himself and Imoinda enslaved on the same plantation. Contents: 1. To the right honourable the Lord Maitland. 2. The history of the royal slave.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
200 p., This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. Focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. Draws from Haitian Vodou and New Orleanian Cuban and South Floridian Santería,and Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Chancy aims to show that Haiti’s exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of “otherness” by assuming the role of “archaeologists of amnesia.” They seek to elucidate women’s variegated lives within the confining walls of their national identifications—identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
434 p., Establishes that in African, African American and Caribbean literature certain primordial and mythic patterns recur sufficiently to be recognizable as familiar elements in our literary experience. Each chapter identifies and discusses an archetypal image in relationship to a specific work or set of works.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
209 p., Explores the limits and prospects of Afro-Caribbean Francophone writers in reshaping or producing action-oriented literature. Part One explores the origins of Afro-Caribbean Francophone literature and what the author terms griotism-- a shared heritage of awareness of biological differences, a sense of the black hero as black messiah and black people as chosen, and the promise of a common racial history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p., Traces a trio of interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy, Indonesian modernism of Pramoedya's Buru quartet, and creole modernism of the Caribbean in Rhys's Good Morning, Midnight and Wide Sargasso Sea.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
95 p, Within the already colonized and marginalized Indo-Caribbean communities, Indo-Caribbean women can be considered a discriminated group, and their (self-)representation may be analyzed as subaltern speech. This book discusses fiction and other stories of Indo-Caribbean women, concentrating on their attempts to rewrite 'regulative psychobiographies', as the postcolonial feminist critic Gayatri Chakravorty Spivak calls traditional narratives dominating women's lives. Attempting to bear witness to gender, race, and class differences, this analysis interrogates how the attempted self-expression is mediated, retrieved and read by others. It also demonstrates that, depending on the position and power of the parties involved, intervention into oppressive scripts can assume very different forms.
Place of publication not identified: CayStreet Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Topics include George Town In the 50's and 60's, The Wights and McTaggarts as the owners of Cayman’s First Supermarket who were pioneers of keeping Caymanian young people employed, Miss Kippy School in George Town, Cayman Prep and Rev.George Hicks, Cayman High and Rev. John R. Gray, Aunt Ione's Fried Fish, Church Girls, Ghosts and Rolling Calf, Dating in the 60's,The Flag Carrier, Cayman Bruce Lee, C.H. Goring and Barbadians in Cayman, A Cayman Summer, and 50’s Christmas in Cayman.
Jonas,Joyce (Author), Jones,Martin (Author), Jt. Autr (Author), and Morton-Gittens,Mala (Author)
Format:
Book, Whole
Publication Date:
2012
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
188 p. + 1 CD-ROM, These Study Guides have been developed exclusively with the Caribbean Examinations Council (CXC(R)) to be used as an additional resource by candidates who are following the Caribbean Secondary Education Certificate (CSEC(R)) programme. They provide candidates with extra support to help them maximise their performance in their examinations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle thrust writers from both regions into a vibrant literary conversation across national borders.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
224 p., Marronage - the process of flight by slaves from servitude to establish their own hegemonies in inhospitable or wild territories - had its beginnings in the early 1500s in Hispaniola, the first European settlement in the New World. As fictional personae the maroons continue to weave in and out of oral and literary tales as central and ancient characters of Jamaica's heritage. Identifies the place of Jamaican fiction in the larger regional literature and focuses on its essential themes and strategies of discourse for conveying these themes.
