Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
African American Research Center, Library, University of Illinois at Urbana-Champaign
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284 p, Originalmente Dissertação, Mestrado, universidade do Estado do Rio do Janeiro (2001). Analisa a linguagem do samba-enredo na década de 1990, identificando as estratégias discursivas utilizadas pelos compositores do gênero. Inclui também, depoimentos históricos de personalidades do carnaval carioca.;
Plans to celebrate Haiti's 2004 bicentennial were discussed recently by Minister Leslie Voltaire at the Center for Constitutional Rights in Manhattan NY. He said plans were underway to have a large exhibition commemorating the international slave trade and a symposium of African writers in the diaspora.
223 p., This dissertation engages with radical Caribbean theater as a crucial literary archive that is nonetheless underexplored as an expression of political culture and thought. The theoretical grounding of the chapters emerges from the analytically generative thrust of a comment by C. L. R. James in The Black Jacobins: "to neglect the racial factor as merely incidental is an error only less grave than to make it fundamental." While the phrase asserts that race cannot be neglected, it also cautions against ensconcing race as fundamental analytical priority, suggesting a powerfully fluid conceptualization of radical political culture. Argues that radical theater projects in Jamaica and the Dominican Republic share this fluid conceptualization of radical politics with the Trinidadian James's own stage versions of the Haitian Revolution.
El artículo estudia el proceso histórico mediante el cual la música y la danza provenientes de África y Europa se mezclaron en los llamados "ritmos nacionales", configurando las identidades nacionales en América Latina. Este proceso implicó en cada país complejas negociaciones en asuntos de raza, etnicidad, género y clase social. A manera de ejemplo, el autor profundiza en el ritmo nacional conocido como el candombe uruguayo, pieza central del Carnaval anual de Montevideo desde mediados de 1800. [ABSTRACT FROM AUTHOR];
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
32 p, Contents: The Caribbean and its food -- People, food, and farming -- Caribbean religions -- Christmas and New Year's -- Carnival -- Food and harvest festivals
Provides information on the Tobago Heritage Festival in Tobago. Highlights of the event; Idea of the festival; Series of events showcased in the festival; Views of Rawle Titus, chairman of the Heritage Festival Committee, on the purpose of the celebration.;
The Los Angeles Caribbean Carnival, held in late Oct 2002, featured uninhibited dancing from scantily-clad women, entertainment from Calypso Rose and other Caribbean musicians and plenty of good food.
