"The rise of the Afro-Cuban musical genre commonly known as son is representative
of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation
of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author
Miles,Tiya (Author) and Holland,Sharon Patricia (Author)
Format:
Book, Whole
Publication Date:
2006
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p, "These essays explore the complex cultures, identities, and politics that arise in the space where black and native experiences converge." (Google)
Addresses change and continuity in mortuary practices from the eighteenth to the twentieth centuries within enslaved and free populations on the former Danish and current US Virgin Island of St. John. St. John's former residents created diverse burial sites for practical and symbolic reasons related to environment, kinship, socio-cultural politics, and religion. Reveals how people historically transformed identities of selves and communities as they perceived and commemorated the dead through meaningful mortuary sites and practices within dynamic local and regional contexts.
The concept of a unified African-Caribbean community or identity is a modern construction in that it emerged in its present guise during the second half of the twentieth century. Prior to this, the identity politics of the ‘black’ people from this region were largely polarized. They were frequently divided along lines of island identities (Jamaica, Barbados, St Kitts etc.). Focusing on the period between 1970 and 1979, this article sketches out the ways in which the black experience within local-level football also contributed to identity change among a particular group of young sportsmen in Leicester.
A literary criticism is presented on the books "Land of the Living," by John Hearne and "Mr. Potter," by Jamaica Kincaid. Particular focus is given to the portrayal of Jewish Holocaust refugees to the Caribbean Area within the aforementioned Caribbean literature, including the relationship between Jews and black Caribbean people.
The article focuses on Caribbean women who traveled to Great Britain after World War II to train as state-registered nurses and then migrated to Canada. The author provides brief biographical information about the interviewees featured in the paper, compares their recollections with the predominant images and ideas of Black women in Great Britain during that time, and discusses the women's reactions to nursing in Canada. She also explores the interviewees' revelations about their occupation, involvement in organisations that represented their interest, and the lessons they wish to pass on to future generations.
Explores the routes followed by ideas and practices related to the body emerging in seventeenth-century Caribbean locales like Cartagena de Indias and Havana. Mobile and interconnected Spanish Caribbean ritual practitioners of African descent, using oral tradition, performance, and material culture, functioned as the most important links for the diffusion of ideas about corporeality in the region.
Using data on U.S.-born and Caribbean-born black women from the 1980-2000 U.S. Censuses and the 2000-2007 waves of the American Community Survey, documents the impact of cohort of arrival, tenure of U.S. residence, and country/region of birth on the earnings and earnings assimilation of black women born in the English-, French-, and Spanish-speaking Caribbean.
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
The article focuses on the interactions between anglophone blacks, black Caribbeans, and indigenous southern Mesoamericans during the second half of the 18th century. The author discusses the history of race relations between Europeans, Africans, and Indians within the British and Spanish empires, examines the relationship between Mayas and Spanish colonists, and analyzes the role of religious differences within their encounters.
The article critiques several poems by African American poet of the Harlem Renaissance Langston Hughes, including "Ballad of Margie Polite," "Broadcast to the West Indies" and "Good Morning." Hughes' depiction of transnational solidarity between African Americans of Harlem, New York City, New York and blacks of the West Indies, including his use of an imaginary radio broadcast to portray this theme in the poem "Broadcast to the West Indies," is discussed.
The article discusses the history of Santo Domingo (which was renamed the Dominican Republic) under the French General Jean-Louis Ferrand from 1804 through 1809. Particular focus is given to Ferrand's efforts, under the direction of the French Emperor Napoleon I, to re-enslave Santo Domingo and overthrow Haiti's ruler Toussaint Louverture. An overview of the slavery laws in Santo Domingo is provided. Ferrand's use of black Haitian captives as slaves, including the Haitians captured by the French who lived near the border with Santo Domingo, is provided.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p., Study of the relations between Haiti and black America from the colonial period to the present, the author shows how historical ties between these two communities of the African diaspora have affected their respective histories, cultures and community lives. R
The article discusses the transnational aspects of Harlem, New York City, New York, with a particular focus on the borough's cultural relations with the British West Indies during the 1920s and 1930s. An overview of the Caribbean immigrants in Harlem, including working class immigrants, is provided. The role that British Caribbean blacks played in the transatlantic media is discussed.
Suggests that racism was a strategic military liability in the late eighteenth and early nineteenth century wars between Britain and France in the Caribbean. The French Revolution provoked slave uprisings on many of the Caribbean islands. Both the British and French underestimated the black rebels' capabilities and routinely executed black prisoners of war rather than ransoming or imprisoning them. These tendencies made Caribbean campaigns longer and bloodier than they might otherwise have been.
The Caribbean island of Carriacou was ceded to the British by the French after the Seven Years’War (1763). Carriacou’s population of Englishmen, Frenchmen, Scots, and free people of color, along with their enslaved workers, comprised a distinctive slaveholding society in comparison to that of the old British colonies.
243 p, "Explores the Rastafari movement and the Nation of Islam as institutions that provide a group-identity for their adherents. The study seeks to determine the characteristics of the identity that is institutionalized by each movement, and the nature of the institutionalization process. The research was conducted primarily in South Florida where both movements exist... Both movements were found to be millenarian in nature, essentially because of the significant utility of the concept that their members would rise to prominence through God's grace. Additionally, both movements were identified as expressive social movements, since they were determined as being primarily concerned with changing the attitudes of their members rather than effecting structural social change." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., International adoptions are both high-profile and controversial, with the celebrity adoptions and critically acclaimed movies such as Casa de los babys of recent years increasing media coverage and influencing public opinion. Neither celebrating nor condemning cross-cultural adoption, the author considers the political symbolism of children in an examination of adoption and migration controversies in North America, Cuba, and Guatemala. The book tells the interrelated stories of Cuban children caught in Operation Peter Pan, adopted Black and Native American children who became icons in the Sixties, and Guatemalan children whose 'disappearance' today in transnational adoption networks echoes their fate during the country's brutal civil war. Drawing from extensive research as well as from her critical observations as an adoptive parent, the author aims to move adoption debates beyond the current dichotomy of 'imperialist kidnap' versus 'humanitarian rescue.'.
"In this article, I revisit debates about so-called matrifocal societies as a way to critique the centrality of heteronormative marriage and family in anthropology. Using gender as a tool of analysis, I argue that anthropologists have relied on the trope of the dominant heterosexual man, what I call the "Patriarchal Man," to create and sustain concepts of "marriage" and "family." By examining the discourse on matrifocality in studies of Afro-Caribbean and Minangkabau households, I show how it is the "missing man," the dominant heterosexual man, who is the key to the construction and perpetuation of the matrifocal concept and, by extension, the motor of marriage, family, and kinship. This fixity on the dominant heterosexual man has led anthropologists to misrecognize other forms of relatedness as less than or weaker than heteronormative marriage. I suggest that, rather than positing a foundational model for human sociality, intimacy, or relatedness, researchers look for webs of meaningful relationships in their historical and social specificity." (author)
Discusses Ethiopianism and Pan-Africanism as philosophies based on the premise that the alliances of the blacks of Africa and the diaspora are not limited by borders. These philosophies, both grounded in Atlantic crossings, are arguably part of the process of completing emancipation through their creation of a new discursive space for blacks, what Brodber terms "Blackspace." --Kezia Page, Transnational negotiations (2011, p. 68)
Although discussions of race disappeared from Cuban literature after the revolution of 1959, they reappeared as a result of Cuba's difficult economic situation in the 1980's
The aim of this research article is to investigate how pupils from Black Caribbean backgrounds are helped to achieve high standards in British schools and to identify a number of significant common themes for success in raising the achievement
Fischer reviews the two-volume work Blackness in Latin America and the Caribbean: social dynamics and cultural transformations, by Norman E. Whitten Jr. and Arlene Torres>
Discusses the multiple meanings of music for Panamanian Afro-Antillean identity in the Caribbean, by placing musical genres such as calypso, soka, and reggae, in the context of tourism development
The number of black Caribbean immigrants in America is growing with the most prevalent countries of origin being the Bahamas, Haiti, Colombia, the Dominican Republic, and Trinidad and Tobago.
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
Leslie profiles Euzhan Palcy, an African-American filmmaker from the island of Martinique in the West Indies. In her films Palcy has profiled the poet Aime Cesaire and taken on the atrocities of apartheid
Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space. Explores grassroots religious musical productions to show that Afro-Caribbean groups can stake out multiple diasporic identities in overlapping diasporic spaces through the various political registers of tribe, kingdom, and nation.
Examines how the Mocko Jumbie stilt-dancing masquerade evolved in the U.S. Virgin Islands. Contends that an upper Guinea coast provenance appears more likely than origins in southeastern Nigeria
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.
"The Spanish expression--la cultura cura (culture heals)--is an affirmation of the potential healing power of a variety of cultural practices that together constitute the ethos of a people"
"Henri de Saussure, représentant d'une illustre famille de scientifiques suisses, voyage au Mexique entre 1854 et 1856 : l'A. s'intéresse moins à l'ample moisson de spécimens de toute nature qu'il réalise qu'à la manière dont il vit son aventure au jour le jour, révélant ses préjugés de classe et d'occidental face au monde latino-américain des Antilles ou du Mexique, qu'il parcourt tambour battant sur les traces du baron de Humboldt." (Refdoc.fr)
"A single highway connects the Caribbean province of Limón to mainstream society in the highlands of Costa Rica. This paper explores the ways in which that highway affects the status hierarchy of mainstream society in Costa Rica, and how the construction of whiteness as an unexamined racial qualifier for total social incorporation constrains the perception of blacks as social liminars and blackness as a state of communitas. The argument elaborates the work of Victor Turner on ritual liminality to suggest the structural ambiguity of Afro-Latin Americans in the context of Costa Rica." (author"
Estimates the prevalence, persistence, treatment, and disability of depression. Finds that the chronicity of Major Depressive Disorder was higher for both black groups (56.5% for African Americans and 56.0% for Caribbean blacks) than for whites (38.6%)
"The contributions of a number of First and Third World scholars to the development of the anthropology of the African diaspora in Latin America and the Caribbean have been elided from the core of the discipline as practiced in North America and Europe. As such, the anthropology of the African diaspora in the Americas can be traced to the paradigmatic debate on the origins of New World black cultures between Euro-American anthropologist Melville J. Herskovits and African American sociologist E. Franklin Frazier." (AR Journals Annual Reviews)
"The problem involved in the description of Caribbean aesthetics is not only due to the heterogeneity of Caribbean culture - given its antecedents - but also the complex cognitive and social orientation of the individual Caribbean artist." (author)
"[Examines] le développement historique et socio-économique des Caraïbes dans le roman de Paule Marshall: The Chosen Place, The Timeless People (publié en 1963), à travers la relation de deux femmes, l'une noire, l'autre blanche, dont les destins et l'héritage sont liés à l'histoire particulière des relations de genre caractéristiques de l'esclavage et de la vie sur les plantations." (Refdoc.fr)
Looks at the attempts of the Communist international to organise amongst African and Caribbean workers in Europe, and particularly in France and Britain during the inter-war period. It locates these attempts within the overall objectives of the Comintern to organise all workers, to organise in the colonies and to address what was referred to at that time as the 'Negro Question' - that is the liberation of all those of African descent. The paper particularly highlights the role of communists of African and Caribbean origin and the organisations they formed.
Examines Caribbean representations of race, gender and ethnicity, and how these influenced the labor allocations of female migrant workers in St Maarten's tourism economy. From the late 1970s to the 1990s, thousands of poor women from Haiti and the Dominican Republic worked in the service sector of St Maarten's tourism economy. St Maarten's black population, and especially its male residents, interacted with the migrant women, and created gendered and social-sexual images that privileged the Latina/mulatta women over the black Haitian women. These gendered/racial stereotypes helped to incorporate the Haitian and Dominican women into specific and different labor sectors of the tourism economy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
303 p, A book containing over 500 rare photographs which give a visual picture of a Caribbean society in the process of change in the years after Emancipation.
Kingston, Jamaica: University Of West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
292 p, Presentation of empirical historical data on Britain’s transatlantic slave economy and society supports the legal claim that chattel slavery as established by the British state and sustained by citizens and governments was understood then as a crime, but political and moral outrage were silenced by the argument that the enslavement of black people was in Britain’s national interest. Slavery was invested in by the royal family, the government, the established church, most elite families, and large public institutions in the private and public sector. Citing the legal principles of unjust and criminal enrichment, the author presents a compelling argument for Britain’s payment of its black debt, a debt that it continues to deny .
Argues that the emergence of hip hop in the South Bronx can be explained by the way in which several social-political factors dictated by the needs of the world economy converged with the resistance and labor of black people in the United States and the Anglo-Caribbean in the late 1960s and early 1970
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
250 p, Illuminates the dynamic complexity of Caribbean culture and traces its migratory patterns throughout the Americas. Both a memoir and a scholarly study, Caribbean Spaces: Escapes from Twilight Zones explores the multivalent meanings of Caribbean space and community in a cross-cultural and transdisciplinary perspective. From her childhood in Trinidad and Tobago to life and work in communities and universities in Nigeria, Brazil, England, and the United States, Carole Boyce Davies portrays a rich and fluid set of personal experiences.
