African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Focuses on cultural manifestations of pan-Americanism through the development of Haitian folkloric dance by the Haitian-born dance director Jean-Léon Destiné and the U.S. African American dance educator Lavinia Williams. As early as the mid-1930s, the Haitian government began to support the advancement and consumption of Haitian cultural arts to increase tourism to the country. In fact, many Caribbean administrations encouraged similar investments in tourism during this time to complement industrialization and to answer the dilemmas of debt, unemployment, and failing economies. The work of Destiné and Williams sought to modernize Haitian dance or, rather, to discipline it, classify it, and theatricalize it so Haiti’s original art form could be exhibited on the world stage and educate audiences about Haitian history and culture. The establishment of cultural institutions and the training of Haitian dancers by a U.S. African American choreographer affirmed not only the spirit of pan-Americanism’s cultural exchange programs, but also the creation of an alternative world by black dancers in which African-based art forms were celebrated and in consistent dialogue with Western culture.
Grassroots Haitian movements for social justice have set themselves a formidable task: not only addressing the ongoing humanitarian crisis, but also challenging the reconstruction effort to include their leadership and avoid reproducing the conditions that helped make the earthquake so disastrous.
Part of a special journal issue dedicated to strategies for societal renewal in Haiti., Fonkoze, "the bank the poor can call their own," is a bank that provides more than just loans. It also sees access to reasonably priced savings, remittance transfer, and currency conversion as a right of even the poorest. This article tells the story of how -- after the devastation of the 2010 earthquake -- Fonkoze found itself positioned to serve Haiti's rural population before other banks were back on their feet.
Part of a special journal issue focusing on the role of the U.S. Foreign Service in Haiti., The work USAID and the State Department have done in Haiti after the January 12 earthquake shows why these organizations should take the lead in disaster relief.
637 p., Utilizes perceptions and attitudes towards the Haitian Revolution as a means to resituate party conflict and the boundaries of American nationalism in the Early Republic. The concept of nationalism is utilized in both the shaping of political culture and in the institutional formation of the state. As a result, the Haitian Revolution generated contradictory factional responses between the Federalists and Democratic-Republicans to the emergence of revolutionary abolitionism in the Atlantic. On a more popular level, the ordeal of Haiti engendered a fear of black militant abolitionism that hardened American attitudes towards the possibility of further slave emancipation in the United States.
John F. Kennedy School of Government, Harvard University
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
14 p., In the months before the January earthquake, Haiti and its criminal justice institutions were the subject of an unprecedented effort by two UN agencies to measure the state of the Rule of Law. Drawing on the results of that pre-quake assessment as well as on post-quake assessments of the justice sector, this paper raises four questions that should guide recovery and further development of the police, courts, and prisons in Haiti -- questions that focus attention on the meaning of justice sector reform for the people of Haiti, especially the poor. Tables.
WASHINGTON (NNPA) - As the despair and devastation caused by the 7.0 seismic earthquake that rocked Haiti in January threatens to shift to the periphery of America's consciousness, many of the nation's most respected celebrities, activists and businessmen recently joined forces to secure long-term relief for the ravaged country. Actoractivist Danny Glover and Haitian-born actor Jimmy Jean-Louis were honored at the To Haiti with Love benefit, Sun., March 21, a gathering of Black business leaders and entertainers designed to streamline both strategic and financial relief efforts.
