Within sectors of North America's African-American community, the colloquial expression "being touched by the brush" describes a multi-ethnic individual that possesses subtle Negroid physical features which are only detectable by close inspection by a "trained eye." Here, Edison discusses the historical factors in Puerto Rico and Panama that make up the foundation upon which Francisco Arrivi's "Los Vejigantes" and Carlos Guillermo Wilson's "Chombo" were constructed.;
[Paul, Franck Laraque], Franck's brother and co-author, was not present in Boston for the event, but his spirit was represented by Lesly René, Laforèt Petit-Frère and [Jacques Antoine Jean] who read his poems from the bilingual, English-Creole anthology Open Gate: An Anthology of Haitian Creole Poetry (Curbstone Press, 2002) which Paul Laraque edited and other volumes (see Boston Haitian Reporter of May 2002). A revolutionary poet, he once corresponded with the celebrated French Surrealist guru André Breton, and was among the entourage of poets and intellectuals (René Depestre, Jacques Stephen Alexis, Théodore Baker, Gérald Bloncourt, Gérard Chenet, Pierre Mabile, etc.) who welcomed Breton in Port-au-Prince during the latter's famous visit to Haiti in December 1945.
