His season-opener, which is just six centimetres off the A standard mark of 66 metres, saw [Jason Morgan] being ranked number one in the world at the time. He has since been supplanted by Australia's 22-year-old phenom, Julian Wruk, who since March 30 has recorded throws of 66.0lm, 66.05m and 66.32m. Morgan's mark now ranks him the second-best thrower in the world this year.
'It wasn't easy," said Jamaica coach Winfried Schäfer. "Costa Rica are a very good team. At 1-0 down, I change team. The goalkeeper did well in the first half and not too well in the second half. We still have [a] chance. Next game is against US in US in a month's time. We thank 'Tuffy'." Striker [Jermaine] 'Tuffy' [Anderson] hails the Jamaican crowd following the 1-1 draw against Costa Rica in CONCACAF World Cup Qualifying action at the National Stadium. Anderson scored for Jamaica.
This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
Grassroots Haitian movements for social justice have set themselves a formidable task: not only addressing the ongoing humanitarian crisis, but also challenging the reconstruction effort to include their leadership and avoid reproducing the conditions that helped make the earthquake so disastrous.
Among the big talking points of the current immigration debate in the United States is the type of labor that should be admitted into the country. Many believe the entry of "unskilled" laborers should be severely restricted. Jamaican-born Eleanor Brown, a Reginald Lewis Fellow at Harvard Law School, is not one of them. Shortly after addressing the "Conference on the Caribbean: A 20/20 Vision " last month, Brown explained to Caribbean Today's Managing Editor Gordon Williams why more of the Caribbean's labor force should allowed to go overseas.
Addresses the socially controversial issue of the public expression of sexuality in dance in the Caribbean. Of particular interest is the phenomenon of 'wining' or 'wukkin' up', dancing involving pelvic gyrations. The focus is on changes taking place in societies in which there is supposedly the continued dominance of a male patriarchal figure. Can these changes be anything more than a new form of male control of female sexuality and public sexual expression?
Addresses the socially controversial issue of the public expression of sexuality in dance in the Caribbean. Of particular interest is the phenomenon of 'wining' or 'wukkin' up', dancing involving pelvic gyrations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Focuses on conflict and convergence among African Americans, Cuban exiles, and Afro-Cubans in the United States. Argues that the racializing discourses found in the Miami Times, which painted Cuban immigrants as an economic threat, and discourses in the Herald, which affirmed the presumed inferiority of blackness and superiority of whiteness, reproduce the centrality of ideologies of exclusivity and white supremacy in the construction of the U.S. nation.
180 p., The articles, lectures, popular and professional histories, travelogues, and ethnographies of John B. Russwurm, Samuel M. Cornish, James McCune Smith, Augustus Straker, T.G. Steward, Ana Julia Cooper, James Weldon Johnson, Langston Hughes and Zora Neal Hurston, stakes claims about the capacity of black people for liberty, citizenship, and self-determination. Current historians of Haiti's legacy must contend with the historiographies of early black scholars in order to fully appreciate the way the Haitian revolution was not silenced, but remained intimately present for writers and scholars trying to develop a unified black identity.
