AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
Dos Santos and Joaquim Barbosa Gomes, a constitutional law professor and lecturer at Columbia University, say racism is more easily detected in the United States than Brazil and is thus harder to combat. Affirmative action's advocates chide dos Santos Silva and other cautious Afro Brazilians, noting that blacks have been "feeling different" since an estimated 3.6 million slaves toiled throughout the country from 1532 to 1850. That estimate does not include the captured Africans who did not survive the brutal journey to Brazil by ship.
Blacks have accused Cubans of taking advantage of their White complexions while simultaneoulsy being "minorities" when it is convenient for them. When opportunities for government contracts and grants for "minorities" are created, Cuban's apply as "minorities." When affirmative action policies are enacted for "minorities," Cuban's are also the beneficiaries. But somewhere down the line these police officers forgot they were "minorities." It took the two retired white officers, who cooperated fully with the FBI, to remind them.
The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
"Our goal is to make sure that we have the most accurate and updated listing of Black media in the industry. We pride ourselves on that fact," said Nakia Bowling, Media Specialist for Black PRWire. "We work consistently to build and sustain relationships in the Black community. Our massive database and community tide is the lifeline of our company. We understand that we can never falter on either of these factors and that is what makes us unique."
Not rooted or identified as a Brazilian martial art, Capoiera Angola is the foundation of which African-Brazilians adapted the rhythmic form of self-defense and offense called Capoiera. The indigineous Capoiera Angola is the mother/father of Brazil's Capoeira, which was formed when Africans from Central Africa were brought to South America in bondage. Capoeira Angola goes further.
Another question is why Shaggy's "Hot Shot" was overlooked by voters. Released last summer, the album made it under the Sept. 30, 2000, deadline and fulfills the requirements with original material. The fact the album went virtually ignored for almost a half-year probably contributed to its absence on the list of finalists. Reportedly, the single "It Wasn't Me" gained life when a KIKI-FM deejay down-loaded the tract from the Internet and put it on the radio. The Honolulu station played the track, winning appeal from all of Hawaii. These months later, BET and MTV have spirited the video to return the Boombastic Lover Lover to the charts. The album is now No. 3 on Billboard Magazine's album chart, but nowhere on the Grammy list of five selections. Favored to place, show or win, The Baha Men of the Banamas were a sure bet. Their baseball-friendly "Who Let the Dogs Out" is awaiting verdict in the dance recording category.
Amsterdam News publisher emeritus Wilbert Tatum was among eight people saluted by the Caribbean Women's Health Association on Mar 15, 2001 at the group's annual benefit reception at the Brooklyn Museum. Tatum and the others were honored for their records of leadership and commitment to community service.
"On questions of race, Brazil is enigmatic," [David Covin] says. "Brazil sees itself as a racial democracy, with opportunity for everyone. Yet the country portrays itself as white, and the bulk of the population of people of African descent is marginalized -- socially, politically and economically." Blacks are generally considered a majority of the Brazilian population, at least outside Brazil. The United Nations has estimated blacks make up as much as 73 percent of the population, compared to 12 percent in the United States. Brazil's official census, though, shows the black population at about 44 percent, a sign that Brazil's leadership and population place a premium on "whiteness," according to Covin.
"They were walking toward me on the street, then they pulled up their locks, shook them back in, and smiled," she recalled, with a laugh. "I shook my locks at them, too. They would go, 'Yo!' And I'd say, 'Yo!' It was fun to get that type of acknowledgement. It showed how we are connected as Africans. There's nothing that can make that go away." [Russo], she added, also discussed now Cubans might benefit from a more open relationship with the U.S.A., even though it may change Cuba's moral character. While [Linda Jennings] hopes better communication is achieved through the blockade's elimination, she is worried that America's dominant influence would alter Cuba's innocence. It seems like today, in our communities, the lack of material items makes Black people feel inferior. Cubans don't, seem to have that problem, Jennings said. Black people have propelled themselves to a more material, individualistic society, which has made too many of them forget who they truly are to themselves. Having seen Cuba's society in person I don't understand why a Cuban would want to defect here."
