Bennie G. Rodgers left us recently. Bennie G. Rodgers, 86, longtime executive editor and columnist for the St. Louis American, one of the leading black community newspapers in America. Jean Leopold Dominique (1930-2000) was violently snatched from our lives. Jean Léopold Dominique was a Haitian journalist who spoke out against successive dictatorships. He was one of the first people in Haiti to broadcast in Haitian Creole, the language spoken by most of the populace.
Enrique Patterson, a columnist at Miami's El Nuevo Herald, recently spoke at Baruch College in New York City about racial discrimination in Cuba. Patterson, who is Cuban-American, said Cuban culture has a tradition of racism that developed before Fidel Castro and has not ended under Castro's reign. Patterson said racism is preventing a transition to democracy.
"You must understand that we are very different in Cuba," insisted Gabriel Molina Franchossi, director of Gramma newspaper, the official organ of the communist party in Cuba. "To Afro-Cubans, big lips and big backsides are objects of beauty. To us, such images represent the feminine ideal." Afro Cubans also seem naive. Cubans are fond of saying that Fidel Castro abolished racism when he came into power 40 years ago, as though this can be accomplished by a simple decree. What they really mean, of course, is that Castro outlawed discrimination And again, who am I to say he hasn't? In the United States, discrimination didn't become illegal until the mid-60s when Congress passed a series of civil rights laws effecting voting rights, equal employment, and fair housing. By 1968, Richard Nixon was ending a wave of white backlash into power and the process of undermining those gains began. Blacks appear to have had a different experience in Cuba, where better than 40 percent of the population is either Black or mestizo (mixed) and where a fair percentage of those who are considered "white" acknowledge some degree of African or mestizo blood in their heritage. "We in Cuba are not so easily categorized as in the United States," said Reynaldo Calviac Lafferte, director of the International Press Center. He pointed to a wall in his office. "In the same family, there are some who are as white as that wall." Then he slapped his patent leathers. "And there are some who are as black as my shoes. For us, race is not an issue like it is for you."
"You must understand that we are very different in Cuba," insisted Gabriel Molina Franchossi, director of Gramma newspaper, the official organ of the communist party in Cuba. "To Afro-Cubans, big lips and big backsides are objects of beauty. To us, such images represent the feminine ideal." Under Castro, Blacks are well represented in the country's ruling bodies. Cuba has one of the highest literacy rates in the world and mortality rates comparable to that of Europe and the United States. Successful Afro Cubans are quick to note that they and their children have been afforded opportunities since what they call "the triumph of the Revolution" that they would never have received under the old regime.
Except for inroads made in the first 10 - 15 years after the revolution, what is black has been heavily stereotyped; and nowadays there are no black actors to speak of on Cuban television, which is easy to see by tuning in. [Alden Knight] is best - known for his performance poetry - especially that of Cuba's mulatto National Poet, the late Nicols Guill'en our kind of Langston Hughes, the two of them having been contemporaries and friends. He regrets that it makes little sense in 1995 to perform Guill'en's classic 1964 poem of social redemption for the black Cuban: "Tengo [I have] is the sum total of what was achieved in this country for blacks, for the poor... and now it's been lost. I have said that when that poem can be read again in all honesty. We shall have regained what we had won by the end of the 1960s. When we were poor but equal. She and her sisters - three doctors and a philologist who specializes on Africa - were known since they were little as the daughters of Lilliam and Unan Emilio. The four were born and raised in Santiago de Cuba, the island's second and most Caribbean city, renowned for its history of rebellion, heroism and hospitality, as well as its more predominantly black population.
"In our Cold War fight with Castro, (we were) willing to subsidize Cubans to leave to come here and at the same time lock Haitians out. That is not fair, and we deserve a different policy," [Jesse L. Jackson Sr.] said. He said the U.S. pays to bring Cubans here, subsidizes them, but pays to send Haitians back to Haiti. "That's not fair," he stated. "Haiti fought for our freedom." "The Cubans are political refugees looking for political freedom, and they're given money to come, but, the Haitians are economic refugees so they must go back. There are more Haitians who've died... than Cubans," Jackson said calling for an end to the double standard of refugees between Cuba and Haitians seeking to come to America.
Then the charismatic Sundar Popo, who championed "chutney" music, or Indian soca, died of heart failure in May at the age of 57. Sundar Popo is remembered for "Your Mother's Love" and other hits. "People here are very superstitious," said businessman Danny Montano. They conclude "something has swept the country, something is wrong, and that's why so many bad things are happening."
I am referring to prejudice against those who are both Latino and black, whose ancestors arrived on Spanish or Portuguese Slave ships. Living in Los Angeles, it might be easy to think that most Latinos are brown-skinned and of Mexican descent; after all, the majority of our city's Latino population identify as Mexican. Latin American scholars and historians agree that about 95 percent of the Africans forcibly brought to the Americas were bought to what is now Latin America. They are concentrated in the Caribbean, Colombia and Brazil, where half of the population is of African ancestry. And many dark-skinned Latinos also live in the United States. A black Latina wrote recently in Hispanic Magazine that Latinos see blackness as a liability in this country because the Latino community seems to be perpetuating the long-standing racism in South America. In Peru, blacks are sill being used as ornamental images ... chauffeurs valets and servants and blacks in Brazil are still considered marginal members of society. And it was reported that "Batista's skin was not pink enough to gain membership to some Cuban elite clubs."
Randall Robinson, founder and president of TransAfrica will speak at 12:30 p.m. at the Black Business and Professional Association's (BBPA) 4th Annual African American Economic Summit to be held Saturday, May 20 at the Renaissance Long Beach Hotel from 8 a.m. to 5 p.m. Robinson is a noted activist and author of Defending the Spirit: A Black Life in America. He is best known for his leadership in spearheading the movement to influence United States policies toward Africa and the Caribbean. Robinson played a significant role in the dismantling of apartheid in South Africa in the 1980s and the restoration of Democracy in Haiti.
I am not sure what the reasons why "the arena on Vezina" was left empty on Carifiesta weekend while fans of Caribbean culture had to travel all the way to the West Island from place as far as the South Shore, Cote des Neiges, and La Salle to get a taste of Machel, Tall Pree, Traffik, and others. And perhaps the reasons are really not that important. The CCFA, as public trustees, are in no position to allow private and personal issues to get in the way of denying its use to anyone who wishes to use it for the benefit and promotion of Caribbean culture (save for the fact that they might cause material damages for which the CCFA might be held liable). given the fact that the CCFA is in no position to organize expensive parties (because of current and past financial losses) the next best thing would be to allow private individuals that opportunity. This is something which has been done in the past with some kind of honoraria going to the CCFA.
New York elected officials and foreign dignitaries from the Caribbean and Africa among them were state Sen. Johns Sampson, Assemblymen Clarence Norman Jr. and Nick Perry, Councilwoman Una Clarke, Comptroller Alan Hevesi, Councilman Ken Fisher as well as Jamaican Consul General Dr. Basil Bryan and former Trinidad and Tobago Consul General Babooram Rambissoon. CACCI's founder and president, Roy A. Hastick Sr., said those honored as year 2001 visionaries were "recognized for their willingness to take the risk and accept the challenge to start and operate a small business in today's economy."
Oonya Kempadoo has been praised for her debut novel, Buxton Spice, a coming-of-age story set in the Caribbean. The book is a breathtaking glimpse into the inner life of Lula, a lively, highly imaginative girlchild growing up in a racially mixed family in Guyana in the 1970s. Kempadoo's unique and vibrant prose is the camera lens on the lushly exotic world that Lula inhabits. Through her eyes readers are introduced to the colorful denizens of Tamarind Grove. We see the village prostitutes (Sugar Baby, Bullet and Rumshop), the eccentric families, the gentle town spinsters, and Aunt Ruthy, the obeah voodoo lady.
The Organization of Africans in the Americas, a Washington DC-based organization, will sponsor a symposium entitled "Afro-Latinos and the Issue of Race in the New Millennium."
Storyteller, poet, and culinary anthropologist Vertamae Grosvenor displays the pleasures of African-Atlantic cooking in "Vertamae Cooks in The Americas' Family Kitchen," and in her new series debuting on PBS in October, In both the book and the series, Vertamae shows how African tastes and traditions have influenced the various cuisines of America, acquiring new flavors and ingredients along the way in Central America, South America, and the Caribbean. With humor, insight, and gusto, Vertamae shares anecdotes and history as she prepares more than a hundred mouth-watering, down-home recipes. The recipes range from the deliciously unique to the comfortingly familiar, from the spiciness of Bahian Shrimp Creole to the pleasure of sweet potato pie.
"`Faith in the Future' is a clarion call to these churches to look at the shape of faith in UK society - and the role they will play in it." A total of 60 speakers will appear in more than 50 sessions. Speakers will include Rev Arlington Trotman, Bishop Joe Aldred, Bev Thomas, Bishop Paul Jinado, Bishop John Sentamu, Les Isaacs and Bishop John Francis. "Over the last 50 years, the black majority churches have transformed the shape of churchmanship in the UK," he said, "as black churches represent many of the most vibrant and fastest growing congregations in the country.
"Back then," says [Glean], "Irie! was probably the first black dance theatre company to actually work to reggae music on stage, and to use traditional Caribbean folk dances as part of a performance piece. And everybody was really excited by it." "Our rehearsal period was like a training session, and so by the time you got to present the work on stage, the poor dancers were still trying to get to grips with the different styles and how they could fuse that with their contemporary training," recalls Glean. "So sometimes the essence of the artistic content could easily get lost." "You have to know about the culture and you have to have some kind of understanding and experience in order to execute the dance forms, because it really it about style," she explains. "And if you're talking about the traditional forms as well, it's about the traditional forms as well, it's about religion, it's about the rituals - you need to know all of that because that's the only way you'll be able to represent it fully and truthfully on stage. Everything is integral."
Prime minister Musa Said and his delegation highlighted the annual `Day in the Park' program sponsored by the Concerned Belizean Association at Hollywood Park in Inglewood on Sunday afternoon. "You should register to and vote in the United States," he said. "Your being active improves our capabilities in relations between the governments of the United States and the government of Belize. You can be an American, but you'll always be a Belizean!" In their comments, members spoke of progress toward their election goals of 15,000 thousand new jobs, 10,000 new homes and 1,000 new classrooms" to meet the needs of the Belizean people.
The term "world beat music" is less than a decade old. The music is a genre defined by the heads of a number of small London-based record labels who found that their records from Africa, Latin America and the Caribbean were not finding rack space. Major record stores had no obvious place for these unclassified sounds. The average listeners have not. Today the major record chains - Spec's, Best Buy, and others - have responded to buyers' demand to make available music from Africa, Cuba, Jamaica, Brazil and Latin America. Finding releases from Senegal's Kouding Cissoko or Baaba Maal is no problem. Finding the Afro-French, hip-hop sound of Les Nubians is simple; so finding the music of Nacio from Dominica, Gilberto Gil from Brazil, or Bamboleo of Cuba.
Curiously about the origins of the game has compelled the Anglo-Caribbean committee to begin research into one of the most enthralling pastimes. "We are looking to find out just where the game began," adds [Linton Blake]. "We are also trying to establish who the oldest player is so we can find out about the game's roots." "Most of the women are more passionate than the men," [Winston Bennett] admits. "They just want to be seen as another player and treated as such. It can be embarrassing for some of the chaps when they play against women and lose. It's wonderful to see!" Winston says: "There are some young fellows out there playing at the moment but unfortunately they don't take it seriously like the middle-aged or the older generation. We need good sponsorship to give them the interest. Without the money we can't really go into the fields we would like to."
