African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
301 p, The Family as the Agent of Socialization -- "I wouldn't be where I am today." Creating Moral Citizens through Church and School -- The Sky is the Limit: Migration to Britain -- Nurse Training and Education -- 'I've always wanted to work': Black Women and Professionalism -- Combining Work, Family and Community -- Nation Home and Belonging.; "Moving Beyond Borders is the first book-length history of Black health care workers in Canada, delving into the experiences of thirty-five postwar-era nurses who were born in Canada or who immigrated from the Caribbean either through Britain or directly to Canada. Karen Flynn examines the shaping of these women's stories from their childhoods through to their roles as professionals and community activists. Flynn interweaves oral histories with archival sources to show how these women's lives were shaped by their experiences of migration, professional training, and family life. Theoretical analyses from post colonial, gender, and diasporic Black Studies serve to highlight the multiple subjectivities operating within these women's lives. By presenting a collective biography of identity formation, Moving Beyond Borders reveals the extraordinary complexity of Black women's history."--pub. desc.
Lopez-Levy,Arturo (Author) and Lopez,Lilla R. (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Washington, DC: New American Foundation
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
19 p., Explores the historic reform process currently underway in Cuba. It looks first at the political context in which the VI Cuban Communist Party Congress took place, including the Cuban government's decision to release a significant number of political prisoners as part of a new dialogue with the Cuban Catholic Church. It then analyzes Cuba's nascent processes of economic reform and political liberalization. To conclude, it discusses the challenges and opportunities these processes pose for U.S policy toward Cuba.
Romeu,Rafael (Author), Perez-Lopez,Jorge F. (Author), Mesa-Lago,Carmelo (Author), and Perales,Jose Raul (Editor)
Format:
Book, Whole
Publication Date:
July 2011
Published:
Washington, DC: Latin American Program, Woodrow Wilson International Center for Scholars
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
91 p., This publication examines the contemporary state of Cuba's economy at a time of great transformation. Using econometric and other macroeconomic analysis tools, its authors have taken advantage of the recent availability of official economic statistics to offer new insights into longstanding questions about Cuba's economic behavior. Tables, Figures, References.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: Godfrey BALDACCHINO, Yoko ORYU, French Caribbean: Adieu foulard, adieu madras: A sonic study in (post)colonialism (RILM ref]2011-12101/ref]); Sergio BONANZINGA, Sicily: Navigating responses to global cultural patterns (RILM ref]2011-12111/ref]); Kathryn A. BURNETT, Ray BURNETT, Scotland's Hebrides: Song and culture, transmission, and transformation (RILM ref]2011-12104/ref]); Jennifer CATTERMOLE, Fiji Islands: A sustainable future for sigidrigi? (RILM ref]2011-12107/ref]); Ijahnya CHRISTIAN, English Caribbean: When people cannot talk, they sing (RILM ref]2011-12099/ref]); Judith R. COHEN, Ibiza and Formentera: Worlds of singers and songs (RILM ref]2011-12113/ref]); Cristoforo GARIGLIANO, Aeolian Islands: Three singers, their folk songs, and the interpretation of tradition (RILM ref]2011-12112/ref]); Waldo GARRIDO, Philip HAYWARD, Chiloé: An offshore song culture (RILM ref]2011-12109/ref]); Maria HNARAKI, Crete—Souls of soil: Island identity through song (RILM ref]2011-12110/ref]); Henry M. JOHNSON, Jersey: Jèrriais, song, and language revitalization (RILM ref]2011-12105/ref]); Soraya MARCANO, Spanish Caribbean: Liquid identities (RILM ref]2011-12100/ref]); Owe RONSTRÖM, Gotland: Where folk culture and island overlap (RILM ref]2011-12114/ref]); Heather SPARLING, Cape Breton Island: Living in the past? Gaelic language, song, and competition (RILM ref]2011-12102/ref]); Deatra WALSH, Newfoundland: From Ron Hynes to Hey Rosetta! (RILM ref]2011-12103/ref]); Oli WILSON, Papua New Guinea: Popular music and the continuity of tradition—An ethnographic study of the songs by the band Paramana Strangers (RILM ref]2011-12106/ref]).
Belafonte,Harry, (Author) and Shnayerson,Michael, (Collab.)
Format:
Book, Whole
Publication Date:
01/01; 2011
Published:
New York: Alfred A. Knopf
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
A personal account of an era of enormous cultural and political change, which reveals Harry Belafonte as not only one of America's greatest entertainers, but also one of our most profoundly influential activists. Belafonte spent his childhood in both Harlem and Jamaica, where the toughness of the city and the resilient spirit of the Caribbean lifestyle instilled in him a tenacity to face the hurdles of life head-on and channel his anger into positive, life-affirming actions. He returned to New York City after serving in the Navy in World War II, and found his calling in the theater, before transitioning into a career as a singer and Hollywood leading man. During the 1960s civil rights movement, Belafonte became close friends with Martin Luther King, Jr., and used his celebrity as a platform for his activism in civil rights and countless other political and social causes. This book tells the inspiring story of an original and powerful entertainer who has always engaged fiercely with the issues of his day.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
402 p, Exploration of the musical heritage of Latin America and the Caribbean, arranged by region, focusing on the major countries/regions (Mexico, Brazil, Peru, etc. in Latin America and Jamaica, the Virgin Islands, Haiti, etc. in the Caribbean). In each chapter the author gives a complete history of the region’s music, ranging from classical and classical-influenced styles to folk and traditional music to today’s popular music.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
266 p, This study spans several linguistic areas of the Caribbean and parts of the Atlantic coast of the U.S., Mexico, and South America; it examines historical, national, popular, parading, sacred, and combat dances to reveal both meanings and consequences of performance. Beyond unfolding important physical and cultural significances of each genre, the analyses deepen to understand core motivations for African diaspora performance; the results are transcendence, resilience, and citizenship among dancing and music-making participants. The study repeatedly acknowledges Katherine Dunham, who began teaching the citizenship of Caribbean dance/music practices and reviews the literature since her original trilogy on Caribbean dance practices. Analyses also place local Caribbean dances as viable commodities within crucial Caribbean tourism and both cultural and economic globalization.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Explores the vexed relationship between popular dance and value. In a critique of the Western art canon, it traces the shifting value systems that underpin popular dance scholarship and considers how different dancing communities articulate multiple and often paradoxical expressions of judgment, significance, and worth through their embodied practice. Employing a cultural theory approach, it focuses on the choreographic content of neo-burlesque striptease in London and New York, the dance styles of British punk, metal, and ska fans, and the vernacular dances of a British-Caribbean dancehall to interrogate how value is produced, negotiated, and reimagined. Yet this is not to assume that they are autonomous values untouched by the social frameworks in which they exist. Rather, the corporeal enunciations of value constructed by those engaged in popular dance forms are informed by a complex matrix of aesthetic, economic, political, and social values that are already in circulation
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Examines the role music has played in the formation of the political and national identity of the Bahamas. It analyzes Bahamian musical life as it has been influenced and shaped by the islands’ location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early 21st c., in particular rake-n-scrape and Junkanoo, the author finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, he illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
Schwartz,Peggy, (Author) and Schwartz,Murray, (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
New Haven: Yale University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
324 p, Pearl Primus (1919–1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their aesthetic. This book offers an intimate perspective on her life and explores her influences on American culture, dance, and education. It traces Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was 'Dance is a weapon'), and a pioneer in dance anthropology. Primus traveled extensively in the U.S., Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the 'primitive' in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
"Revised and updated from Haiti : the Duvaliers and their legacy ... first published in 1988 by McGraw-Hill", 492 p, The tragic modern history of Haiti from 1957 to the present day, including the 2010 earthquake.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p, In Women in Caribbean Politics Cynthia Barrow-Giles and her co-contributors profile 20 of the most influential women in modern Caribbean politics who have struggled and excelled, in spite of the obstacles. Divided into four parts, this volume looks at women who led the struggle for freedom; those who agitated for equal rights and justice in the pre-independence period; postcolonial trailblazers; as well as a group which Cynthia Barrow-Giles refers to as ‘Women CEOs.’ The profiles cover women from 12 territories, with varying political, ethnic and socio-economic issues.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., Interprets contemporary history of the Caribbean that affirms existence of an alter/native tradition and a basis on which to develop a more humanist Caribbean person. This book features essays that range from a critique of Eurocentric analysis of Caribbean writing and thought to a defense of the author's home against the pressure of development.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., Interprets contemporary history of the Caribbean that affirms existence of an alter/native tradition and a basis on which to develop a more humanist Caribbean person. This book features essays that range from a critique of Eurocentric analysis of Caribbean writing and thought to a defense of the author's home against the pressure of development.
Chivallon,Christine (Author) and Alou,Antoinette Tidjani (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Kingston Jamaica: Ian Randle Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
231 p, The forced migration of Africans to the Americas through the transatlantic slave trade created primary centres of settlement in the Caribbean, Brazil and the United States - the cornerstones of the New World and the black Americas. However, unlike Brazil and the US, the Caribbean did not (and still does not) have the uniformity of a national framework. Instead, the region presents differing situations and social experiences born of the varying colonial systems from which they were developed.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
266 p, Provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
214 p, A highly illustrated reference book providing information about the cultural, social, political, economic, geographic, natural and historic heritage of the Caribbean region. In addition to the English-, French-, Spanish- and Dutch-speaking Caribbean, the book covers the countries with which these islands have close cultural, economic and historic ties: Guyana, Suriname, Belize, the Bahamas, the Turks and Caicos Islands and Bermuda.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
158 p, The book is divided into two sections. The first offers a political and historical overview, starting with the British presence in the region and the introduction of slavery and indentured labor, and continuing with the rise of nationalist movements, political leaders’ vision for their respective states, and economic development. The second section explores the region as an entity, including development at state and national levels, the historical background for regional unity from the West Indian Federation to CARICOM, and an evaluation on how well regionalism works today and could work in the future.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
