Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
Explores dynamic changes in network size and composition by examining patterns of older adults' social network change over time, that is: types of movements; the reason for the loss of network members; and the relation of movement and composition in concert. This study is a 6-year follow up of changes in the social networks of U.S.-Born Caucasian, African-American, and Caribbean older adults.
A Technical Guide prepared for the Housing and Home Finance Agency Office of the Administrator. Next to this document is an additional copy of Chapter 4, "Four-digit Activity Coding System" (Pages 70-141).
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
245 p., This book discusses gangs and drug trafficking in Jamaica and the United States and their impacts on the countrys' social conditions. A product of the ghettos of Kingston as mercenary street-fighters for the island's politicians, these groups began migrating to the United States in the early 1980s. Feared and honored for being "harder than the rest," these Jamaican cocaine syndicates laid claim to their new American territory with outlaw bravura and a ruthlessness that was immortalized in song; the raw dance hall music born of their world defined "gangsta" culture for a generation of angry sufferers in Jamaica, America, and England.
The educational, occupational and income success of the racial minority immigrant offspring is very similar for many immigrant origins groups in the United States, Canada and Australia. Analysis reveals common patterns of high achievement for the Chinese and South Asian second generation, less for other Asian origins, and still less for those of Afro-Caribbean black origins.
Analyzes current urban governance policies and the spatial politics of resistance embraced by communities under siege in Brazil. Space matters not only in terms of defining one's access to the polis, but also as a deadly tool through which police killings, economic marginalization, and mass incarceration produce the very geographies (here referred to as 'the black necropolis') that the state aims to counteract in its war against the black urban poor.
Looks at a number of ethnic neighborhoods including Afro Caribbean and Dominican communities. The predominant post-1965 immigrant groups have established distinctive settlement areas in many American cities and suburbs
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
322 p, Jamaican Politics is about the left, from the perspective of the left. Combining theory with practical experience, Trevor Munroe records important aspects of Jamaica's political history and at the same time identifies and critically reassesses the assumptions, concepts, and preoccupations of leftist writing.
Develops a theoretical framework of biopolitical performance with which to approach the 1957 televised broadcast of Duke Ellington and Billy Strayhorn's A Drum Is a Woman. Presented on the drama anthology program The United States Steel Hour, this theater-music-dance suite fused elements of Afro-Caribbean rhythm with swing and bebop to tell a history of jazz, featuring acclaimed performers such as Carmen de Lavallade, Margaret Tynes, Joya Sherrill, and Talley Beatty. Argues that through their experimentation Ellington and Strayhorn created a hybrid performance in the mode of "calypso theater": a formal and thematic engagement with an Afro-Caribbean performance history.
To assess the relative roles of race and ethnicity in shaping patterns of residential segregation, this article utilizes indices of segregation and a geographic mapping strategy to examine the residential patterns of West Indian blacks in the greater New York City area. The socioeconomic characteristics of neighborhoods occupied by West Indian blacks are also examined and compared to those of areas occupied by African Americans. The results indicate that, on one hand, West Indians are largely denied access to residential areas occupied predominantly by whites and are confined to areas of large black concentrations. On the other hand, West Indians appear to have carved out somewhat separate residential enclaves within these largely black areas, and there is evidence to indicate that these areas are of somewhat higher quality than areas occupied by similar concentrations of African Americans. The discussion of these results focuses on the reciprocal relationship between the formation of these distinct residential enclaves and the maintenance of a distinct West Indian ethnic identity. [ABSTRACT FROM AUTHOR];
Brazil's tourist-jammed cities are some of the most violent on the planet. A considerable number of the country's 43,000 annual murders occur on the streets of Sao Paulo, Recife, and Rio de Janeiro. And Brazilian cities are not alone in what might be called a bad neighborhood. The fact is that most major Latin American and Caribbean cities are today plagued by an epidemic of violence. With more than 20 murders per 100,000 people, the regional homicide rate is roughly three times the global average. Many of the larger urban centers -- from Caracas and Ciudad Juarez to Kingston and Port-of-Spain -- register the highest rates of lethal violence in the world.
Evaluates the extent to which the relationship between black immigrants' individual-level socioeconomic status characteristics and suburban outcomes conforms to the tenets of the spatial assimilation model. Results reveal that black immigrants' suburban outcomes vary depending upon the racial/ethnic background and nativity status of the reference group. While both black Caribbean and African immigrants are less likely to reside in the suburbs than native-born white households, they are more likely to do so than native-born black Americans, even when controlling for differences in income, education, and homeownership.
Examines how marginalized Maroon youth in Paramaribo, the capital of the Caribbean nation of Suriname, employ musical strategies in combating ethno-racial stigmatization and improving their socio-economic position. Traditionally, Maroons, after escaping the plantations during slavery, have lived in semi-isolation in Suriname's dense rainforest. In recent decades, they have become increasingly urbanized, to the discontent of many in Paramaribo, who view Maroons as backward, violent criminals. Drawing on ethnographic fieldwork and popular culture analysis, the article discusses how young Maroons use reggae and dancehall to create and recreate physical and social spaces of their own within the city and outside the forest. They protest local conditions and inequity by drawing on regional images of marginality that have been shaped by Rastafari musicians in Jamaica.
Prepared in Cooperation with: Illinois Department of Business and Economic Development AND U.S. Department of Transportation, Federal Highway Administration, Bureau of Public Roads
Seminar on Land Settlement Policy sponsored by the Southern Land Economics Research Committee and the Farm Foundation, Atlanta, Georgia, November 27, 1967. Reproduced as working materials by the Natural Resource Economics Division, Economic Research Service, U.S. Department of Agriculture.
Journal Article, Examines the power-evasive reduction of 'race,' racial conflict, and racial subordination from the terrain of the social, material, and structural to the 'private' realm of affect and emotions, in an effort to explain how neoliberalism operates in the everyday lives of U.S.-born Latino and Latin American migrant youth, particularly, young, working-class Puerto Rican and Brazilian women in Newark, New Jersey. Argues that urban neoliberalism has been complicit in generating new racial configurations in the United States and that, in the case of populations of Latin American and Spanish-speaking Caribbean backgrounds, such articulations of difference have deployed a variation of 'racial democracy' ideologies.
Grady Clay (author / Editor, Landscape Architecture), Clarke R. Rutledge (author / Student Aide), Norman Hackerman (author / Vice-Chancellor for Academic Affairs at The University of Texas), and School of Architecture, The University of Texas
Format:
Conference paper
Publication Date:
November 21-23, 1965
Location:
City Planning & Landscape Architecture Reference and Resource Center, Funk Library, University of Illinois Box: 27; Folder: 52