African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Outlines the key research in Caribbean studies from history, anthropology, sociology, linguistics, and folklore, examining classic ethnographies as well as new scholarship. Highlights the major concepts and debates in the anthropology and history of the Caribbean, including its unique Anglo, French, and Hispanic communities. Offers an overview of the strong traditions of art, literature, music, dance, and architecture in the Caribbean.
Moreman,Christopher M. (Author) and Rushton,Cory James (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Jefferson, NC: McFarland
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
232 p, "Explores numerous aspects of the zombie phenomenon, from its roots in Haitian folklore, to its evolution on the silver screen, to its most radical transformation during the 1960s countercultural revolution. Contributors examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more" --Provided by publisher.
152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
As a little girl, [Annee] had become the favorite of a high voodoo priestess, who held considerable influence in King [Henry Christophe]'s court. Widowed and childless, she turned her attentions to Annee with trinkets and valuable gifts. Annee's parents encouraged the woman's interest because they felt her influence with the Kin could benefit them. It was this woman who taught Annee to believe in spirits, to regard the air as charged with the supernatural, over which she could gain control. She attended forbidden voodoo orgies, summoned by eerie drum beats in the dead of night. She saw the fear the people had of the high priestess and was carefully schooled by the latter in the ways of creating this fear...black magic and death. The priestess convinced Annee that she had the powers of a God. But the priestess died and Annee's parents also died leaving Annee very much alone in Haiti.
