DeLoughrey,Elizabeth M. (Author), Gosson,Renee K. (Author), and Handley,George B. (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Charlottesville, VA: University of Virginia Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
303 p, Contents: Sugar and the environment in Cuba / Antonio Benítez-Rojo -- Isla incognita / Derek Walcott -- Shaping the environment : sugar plantation, or life after identured labor / Cyril Dabydeen -- Coffee and colonialism in Julia Alvarez's A cafecito story / Trenton Hickman -- Subjection and resistance in the transformation of Guyana's mytho-colonial landscape / Shona N. Jackson -- A long bilingual conversation concerning paradise lost : landscapes in Haitian art / LeGrace Benson -- "Caribbean genesis" : language, gardens, worlds (Jamaica Kincaid, Derek Walcott, Édouard Glissant) / Jana Evans Braziel -- "The argument of the outboard motor" : an interview with Derek Walcott / George B. Handley -- Cultural and environmental assimilation in Martinique : an interview with Raphaël Confiant / Renée K. Gosson -- Moving the Caribbean landscape : Cereus blooms at night as a re-imagination of the Caribbean environment / Isabel Hoving -- "Rosebud is my mama, stanfaste is my papa" : hybrid landscapes and sexualities in Surinamese oral literature / Natasha Tinsley -- "He of the trees" : nature, environment, and Creole religiosities in Caribbean literature / Lizabeth Paravisini-Gebert -- "Man fitting the landscape" : nature, culture, and colonialism / Helen Tiffin -- Flashbacks of an orchid : rhizomatic narration in Patrick Chamoiseau's Biblique des derniers gestes / Heidi Bojsen -- Landscapes, narratives, and tropical nature : Creole modernity in Suriname / Ineke Phaf-Rheinberger -- The uses of landscape : ecocriticism and Martinican cultural theory / Eric Prieto -- From living nature to borderless culture in Wilson Harris's work / Hena Maes-Jelinek -- Epilogue : Theatre of the arts / Wilson Harris
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Contents: From A true and exact history of the island of Barbados (1657) /; Richard Ligon --; From Jamaica viewed (1661) /; Edmund Hickeringill --; From Friendly advice to the gentlemen-planters of the East and West Indies (1684) /; Thomas Tryon --; Trip to Jamaica (1698) /; Edward Ward --; Speech made by a Black of Guardaloupe (1709) /; Anonymous --; Speech of Moses Bon Saam (1735) /; Anonymous --; From The speech of Mr. John Talbot Campo-bell (1736) /; Robert Robertson --; Story of Inkle and Yarico and An epistle from Yarico to Inkle, after he had left her in slavery (1738) /; Frances Seymour --; Poems from Caribbeana (1741) /; The "Ingenious Lady" of Barbados --; Sugar cane: a poem, in four books (1764) /; James Grainger --; From A general description of the West-Indian islands (1767) /; John Singleton --; "Carmen, or, an Ode," in Edward Long's A history of Jamaica (1774) /; Francis Williams --; From Jamaica, a poem, in three parts (1777) /; Anonymous.
