African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
402 p, Exploration of the musical heritage of Latin America and the Caribbean, arranged by region, focusing on the major countries/regions (Mexico, Brazil, Peru, etc. in Latin America and Jamaica, the Virgin Islands, Haiti, etc. in the Caribbean). In each chapter the author gives a complete history of the region’s music, ranging from classical and classical-influenced styles to folk and traditional music to today’s popular music.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
377 p, This work is an ethnomusicological study of St. Lucian musical events, and their cultural implications. Includes a detailed description of four of the most common types of St. Lucian musical events: seances of La Rose and La Marguerite organizations; debot evenings (evenings which consist primarily of dancing the debot dances), full moon gatherings, and beach parties; kwadril evenings (evenings in which almost exclusively kwadril sets are performed); and wake celebrations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
185 p, Contents: Pt. 1. Myth as a historical mode : Lo real maravilloso americano -- Lo real maravilloso in Caribbean fiction -- The folk imagination and history : El reino de este mundo, The secret ladder, and Le quatrième siècle -- Pt. 2. The problematic quest for origins -- The myth of El Dorado : Los pasos perdidos and Palace of the peacock -- Pt. 3. Myth and history : the dialectics of culture -- History as mythic discourse : El siglo de las luces, Tumatumari, and La case du commandeur -- The poetics of identity and difference : Black Marsden and Concierto barroco
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
436 p., "An extensive study of the development of music in Latin America, especially in the Caribbean. Traces musical development in the broadest sense from colonial times to the later-20th century, exploring trends such as aleatoric music"--Handbook of Latin American Studies, v. 58.
Playa Ciudad de la Habana: Editorial Pueblo y Educación
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
109 p., Reflexiones y pronósticos sobre el estudio de la literatura caribeña -- La sangre - novela política modernista ? -- Claude McKay, escritor caribeño -- Écue-Yamba - o y su contexto literario hispanoamericano y caribeño -- Gobernadores del rocio -- En el castillo de mi piel -- Mito, tradición y carnaval en The Dragon can't dance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p, Taylor uses the works of Frantz Fanon to examine the expressive culture of the Afro-Caribbean. Focuses on the narrative of the colonized people and makes a distinction between mythic narrative and the narrative of liberation. (JSTOR)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p, Contents: 1. Beyond Nationalism: Literary Nation-building in the Work of Earl Lovelace and Michael Anthony -- 2. Men Go Have Respect For All O' We: Valerie Belgrave's Invention of Trinidad -- 3. Willi Chen and Carnival Nationalism in Trinidad -- 4. Samuel Selvon and the Chronopolitics of a Diasporic Nationalism -- 5. Neil Bissoondath and Migrant Liberation from the Nation -- 6. V.S. Naipaul and the Pitfalls of Nationalism -- 7. C.L.R. James and Egalitarian Nationalism in the Caribbean -- Conclusion: Mud Mas: Playing Identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p, Contents: "Under the hog plum tree": literary claims for citizenship in nineteenth-century Trinidad -- The accidental modernist : Thomas MacDermot and Jamaican literature -- Herbert's career : H.G. de Lisser and the business of national literature -- The new primitivism : gender and nation in McKay's internationalism -- The realpolitik of yard fiction : Trinidad's Beacon group -- The pitfalls of feminist nationalism and the career of Una Marson -- "Fishy waters" : Jean Rhys and West Indian writing before 1940.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
52 p, Contents: Cooper, W. and Reinders, R. C. Claude McKay in England, 1920.--Sparer, J. L. The art of Wilson Harris.--Goveia, E. V. New shibboleths for old.--Lai, W. L. The road to Thornfield Hall
Benitez-Rojo,Antonio (Author), Maraniss,James E. (Author), and James E. Maraniss (Translator)
Format:
Book, Whole
Publication Date:
1996
Published:
Durham: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
416 p, Contents: Introduction: the repeating island: From Columbus's machine to the sugar-making machine. From the apocalypse to chaos. From rhythm to polyrhythm. From literature to carnival -- SOCIETY. From the plantation to the Plantation: Hispaniola: the first plantations. The emergence of creole culture. Contraband, repression, and consequences. The island creole and the mainland creole. The Plantation and the Africanization of culture. The Plantation: Sociocultural regularities -- THE WRITER: Bartolome de Las Casas: between fiction and the inferno. Las Casas: Historian or fabulist? Las Casas and slavery. The plague of ants and the uncanny. The piedra soliman: Sugar, genitalia, writing. Derivations from the "Las Casas case" Nicoltis Guillen: sugar mill andpoetry. From Los ingenios to La zafra. From the libido to the superego. The Communist poet. The controversial poet. The subversive poet. The philosophical poet. Fernando Ortiz: the Caribbean and postmodernity ISO:The Contrapunteo as a postmodern text. Between voodoo and ideology. A danceable language. Knowledge in flight. Carpentier and Harris: explorers of El Dorado. The voyage there. The Path of Words. The trip to El Dorado. Concerning the three voyagers -- THE BOOK: Los panmanes) or the memory of the skin. The puzzle's next-to-last piece. Displacement toward myth. The "other" Caribbean city. Violence, folklore, and the Caribbean novel. Viaje a la semilla) or the text as spectacle. A canon called the crab. We open the door to the enchanted house. We close the door to the enchanted house. All quiet on the western front. Noise. Directions for reading the black hole. Nino Aviles) or history's libido. Nueva Venecia, an onion. Of palenques and cimarrones. The temptations of Fray Agustin -- THE PARADOX: Naming the Father, naming the Mother. The Father's ghost. The Mother's song. The unfinished matricide. Private reflections on Garcia Marquez's Erendira. The captive maiden. The pregnant woman. The Caribbean Persephone. The carnivalesque whore. Carnival. The system's deepest layer: Guillen's "Sensemaya" The intermediate layer: Walcott's Drums and Colours. The outer layer: Carpentier's Concierto barroco. Carnival at last
Myrsiades,Kostas (Author) and McGuire,Jerry (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Albany, NY: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
415 p, Includes Patrick Taylor' "Narrative, pluralism, and decolonization: recent Caribbean literature" and Mara L. Dukats' "The hybrid terrain of literary imagination: Maryse Condé's black witch of Salem, Nathaniel Hawthorne's Hester Prynne, and Aimé Césaire's heroic poetic voice"
Boyce Davies,Carole (Editor) and Savory, Elaine (Editor)
Format:
Book, Edited
Publication Date:
1990
Published:
Trenton NJ: Africa World Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, "This first collection of critical essays on Caribbean women’s literature created a field of literary criticism which engaged the absence of women writers from the Caribbean literary canon as it established the presence of these writers historically. Using the metaphor of the “Kumbla” or “calabash” used to protect precious objects, first used by writer Erna Brodber, coming “Out of the Kumbla” then signified a movement from confinement to visibility, articulation, process which allowed for a multiplicity of moves, exteriorized, no longer contained and protected or dominated." --Carole Boyce-Davies
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
x
Notes:
317 p, Contains: Introduction : paradise and imperialism -- Caribbean wasteland -- Paradise is plantation? -- Naipaul's "Garden of hell" -- Walcott's postcolonial Adam -- World out of time -- Conclusion : the true history of paradise.
Conde,Maryse (Author) and Cottenet-Hage,Madeleine (Author)
Format:
Book, Whole
Publication Date:
1985
Published:
Paris: Karthala
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
320 p, Contents: introduction / Madeleine Cottenet-Hage -- The gendering of créolité / A. James Arnold -- Codes of law and bodies of color / Joan Dayan -- Métissage, discours masculin et déni de la mère / Françoise Vergès -- Critique afrocentrique de L'éloge de la créolité / Ama Mazama -- Créolité in question : Caliban in Maryse Condé's Traversée de la mangrove / Kathleen Balutansky -- La vie scélérate de Maryse Condé : métissage narratif et héritage métis / Marie-Agnès Sourieau -- "Créolité" is/as resistance : Raphaël Confiant's Le nègre et l'amiral / Ronnie Scarfman -- Jouissances carnavalesques : représentations de la sexualité / Thomas Spear -- Lire Chamoiseau / Delphine Perret -- Inscription du créole dans les textes francophones : de la citation à la créolisation / Pascale DeSouza -- Ecrire l'écrivain : créolité et spécularité / Lydie Moudileno -- Itinéraire d'un écrivain guadeloupéen / Ernest Pépin -- Emile Ollivier, romancier haïtien / Leon-François Hoffman -- Améliorer la lisibilité du monde / Emile Ollivier -- La créolité "Haitian style" / Leah D. Hewitt -- Métellus, diasporism and créolité / Hal Wylie -- La poésie insulaire de Saint-John Perse / Régis Antoine -- Maryse Condé, la république des corps / Christophe Lamiot --Ecrire en tant que Noire / Gisèle Pineau -- Reading Testimonio : the sound of Rigoberta's voice / Cora G. Lagos and Kevin Meehan -- Chercher nos vérités / Maryse Condé
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p, Includes chapters "Of mangoes and maroons : language, history, and the multicultural subject of Michelle Cliff's Abeng," "Toward a new antillean humanism: Maryse Condé's Traversée de la mangrove," "Inscriptions of exile: the body's knowledge and the myth of authenticity in Myriam Warner-Vieyra and Suzanne Dracius-Pinalie," and "Geographies of pain: captive bodies and violent acts in Myriam Warner-Vieyra, Gayl Jones, and Bessie Head"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
359 p, Includes Kitzie McKinney's "Memory, Voice, and Metaphor in the Works of Simone Schwartz-Bart," Joan Dayan's "Erzulie: A Women's History of Haiti?," and Elisabeth Mudimbe-Boyi's "Narrative "je(ux)" in Kamouraska by Anne Hebert and Juletane by Miriam Warner-Vieyra"
Hornung,Alfred (Author) and Ruhe,Ernstpeter (Author)
Format:
Monograph
Publication Date:
1998
Published:
Atlanta, GA: Rodopi
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p, Revised manuscripts of the Anglophone workshops at the symposium on "Postcolonialism & Autobiography" which took place at Wurzburg, June 19-22, 1996
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
434 p, In the book Primordial Image it deals with Blacks and their influence in Caribbean literature. ; Revision of the author's thesis (PhD), Southern Illinois University at Carbondale, 1983
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, Cover title. Lectures delivered before an audience of research fellows and graduate students of the Institute of African Studies, University of Ghana on May 8 and 15, 1975. "First published by the Institute of Jamaica for the African-Caribbean Institute, 1977"--P. [2] of cover. H.D. Carberry Collection of Caribbean Studies.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
132 p., This book was Gisela Kozak Rovero one of his first work of fiction form, and he spoke of Caribbean literature in the past and criticize some of the stories.
"In London and in the North American cities where migrants from the Caribbean have instituted Carnival, the majority of people are ignorant about the nature of calypso: it is stereotyped in their minds as music for tourists. Accordingly, I would like to give a brief description of the true nature of calypso and of the steelband as an orchestra, so as to set the records straight and undo some the Eurocentric damage to Caribbean art forms." (author)
