African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., Describes how black Cubans experience racism on two levels. Cuban racism might result in less access for black Cubans to their group's resources, including protection within Cuban enclaves from society-wide discrimination. In society at large, black Cubans are below white Cubans on every socioeconomic indicator. Rejected by their white co-ethnics, black Cubans are welcomed by other groups of African descent. Many hold similar political views as African Americans. Identifying with African Americans neither negatively affects social mobility nor leads to a rejection of mainstream values and norms.
369 p., Reconstructs the process of migration, assimilation, and the realization of full sociopolitical participation in the United States in terms of the relationship between peoples of African descent--who were compelled to migrate as slaves across the Middle Passage, and who also voluntarily immigrated from various localities within the Black Atlantic--and select groups of immigrants from other locations around the globe. The author concentrates on novels by William Faulkner, Paule Marshall, James Baldwin, and cartoonist Chris Ware, and examine closely how these authors, in their respective texts, work to restructure, reimagine, and thereby challenge the enshrined American narratives of national belonging and acculturation through literary constructions of the identities and experiences of peoples of African descent, as migrants themselves, in tandem with their social, political, economic, sexual, racial, and cultural engagements with other immigrants to the nation-state.
193 p., Kwame Dawes coined the term "reggae aesthetic" to explain the paradigm shift in 1960s-70s Caribbean literature that also dovetailed the rise of reggae music in Jamaica. By exploring the impact of popular music on the social developments in late 1960s and early 1970s Jamaica, Dawes offered a new method of Caribbean literary analysis reminiscent of the extant blues tradition in African American literature--similar to the way that reggae music borrows from the blues--and in so doing, highlighted the artistic and cultural influences that link people of color across the "Black Atlantic." This dissertation builds on Dawes's theory by exploring the history and function of music as an aesthetic form and narrative trope in literature of the Black Atlantic. Blues and reggae in contemporary fiction manifest the oral tradition in African storytelling.
480 p., This dissertation examines the role of the Haitian Revolution and Haiti's national history in the construction of Black Internationalism and Black Atlantic intellectual culture in the first half of the twentieth century. The author argues for the centrality of Haiti in the genesis of Black internationalism, contending that revolutionary Haiti played a major place in Black Atlantic thought and culture in the time covered. Suggests viewing the dynamics between the Harlem Renaissance, Haitian Indigenism, and Negrtude and key writers and intellectuals in terms of interpenetration, interindepedence, and mutual reciprocity and collaboration.
195 p., Paule Marshall's The Chosen Place, The Timeless People (1969), Gayl Jones' Corregidora (1975), and Octavia Butler's Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women's sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic.
Discusses the oral and written life histories and other personal testimonies of African Americans. It clears up the realities behind invisible enclaves and spotlight of the immigrant's own history. Professor John H. McWhorter argues that modern America is the home to millions of immigrants who were born in Africa. He notes that their cultures and identities are separated between Africa and the U.S. However, his vision of an unencumbered, native-born black ownership of black is considered optimistic. Transnational identities of immigrants and their children are formed, negotiated and projected primarily within their experiences.
The dramatic vision and delicate balance of composition found in Adona's photographic works were developed while working with painter Rozzell Sykes. Her vision was literally changed. The awareness of light, shadows, colors, textures, tones and balance had changed. Soon she began creating with paint, stark images with the feel of Japanese simplicity. [Alisa Adona]'s paintings showed a freshly textured view and an exciting new eye in the Los Angeles art world. Over time, she was compelled to capture what she saw through the lens of a camera, ultimately making photography her new love.
268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Focuses on conflict and convergence among African Americans, Cuban exiles, and Afro-Cubans in the United States. Argues that the racializing discourses found in the Miami Times, which painted Cuban immigrants as an economic threat, and discourses in the Herald, which affirmed the presumed inferiority of blackness and superiority of whiteness, reproduce the centrality of ideologies of exclusivity and white supremacy in the construction of the U.S. nation.
180 p., The articles, lectures, popular and professional histories, travelogues, and ethnographies of John B. Russwurm, Samuel M. Cornish, James McCune Smith, Augustus Straker, T.G. Steward, Ana Julia Cooper, James Weldon Johnson, Langston Hughes and Zora Neal Hurston, stakes claims about the capacity of black people for liberty, citizenship, and self-determination. Current historians of Haiti's legacy must contend with the historiographies of early black scholars in order to fully appreciate the way the Haitian revolution was not silenced, but remained intimately present for writers and scholars trying to develop a unified black identity.
Kwanzaa, an African-American holiday which celebrates family, community, and culture, is the fastest growing holiday in the U.S. An estimated 18 million Africans celebrate KWANZAA each year around the world, including celebrants in the U.S., Africa, the Caribbean, South America, especially Brazil, Canada, India, Britain and numerous European countries. Kwanzaa as an African-American holiday belongs to the most ancient tradition in the world, the African tradition. Drawing from and building on this rich and ancient tradition, Kwanzaa makes its own unique contribution to the enrichment and expansion of African tradition by reaffirming the importance of family, community, and culture. The Seven Principles of Kwanzaa. The central reason Kwanzaa is celebrated for seven days is to pay homage to The Seven Principles of Kwanzaa which in Swahili are: Umoja, Kujichagulia, Ujima, Ujamaa, Nia, Kuumba, and Imani. The principles are also known as The Seven Principles of African American community development and serve as a fundamental value system.
637 p., Utilizes perceptions and attitudes towards the Haitian Revolution as a means to resituate party conflict and the boundaries of American nationalism in the Early Republic. The concept of nationalism is utilized in both the shaping of political culture and in the institutional formation of the state. As a result, the Haitian Revolution generated contradictory factional responses between the Federalists and Democratic-Republicans to the emergence of revolutionary abolitionism in the Atlantic. On a more popular level, the ordeal of Haiti engendered a fear of black militant abolitionism that hardened American attitudes towards the possibility of further slave emancipation in the United States.
The African heritage hypothesis posits that the substantial African ancestry of Puerto Ricans explains why this group is less segregated from African-Americans than non-Hispanic whites. This pattern is unlike that of other Hispanic groups, who have been found to be highly segregated from African-Americans but modestly segregated from whites. The research presented here shows that Dominicans, another Hispanic group with substantial African ancestry, are also less segregated from African-Americans than whites. Dominicans, therefore, also appear to be conforming to the African heritage thesis by residing in neighborhoods with greater proximity to African-Americans than whites.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
189 p., This volume provides a basic introduction to the study of religion and theology in the Latino/a, Black, and Latin American contexts. Chapters include Latin American liberation theology -- Black liberation theology -- Latino/a theology: to liberate or not to liberate? -- African diaspora religion.
164 p., Traces the journey of blacks from the Middle Passage through urban migration northward in black fiction. Argues that the historical use of religious rhetoric is transcended in black writing of the 20th century in order to recast black victimization during slavery, counter the progress of turn-of-the-century white supremacy, and chronicle the rise of economic racism which created the 20th century black ghetto. The religious doctrines discussed in this study include Puritan missionizing and heretical purges in I, Tituba, Black Witch of Salem , the social work of the Catholic church in Contending Forces: A Romance Illustrative of Negro Life North and South , and the cultural intensity of the Pentecostal/Apostolic church in Go Tell It on the Mountain.
AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
[Assata Shakur]'s comments highlight the long and continuing relationship between African Americans and Cuba. Black abolitionists such as Frederick Douglass and Henry Highland Garnet had actively supported Cuba's struggle for independence from Spain over a century ago. After the revolutionaries seized power in 1959, [Fidel Castro] made a powerful impression among African Americans by staying in Harlem during his first visit to the United Nations. Castro's famous September, 1960 meeting with Malcolm X, to the great consternation of the U.S. government, reinforced the solidarity felt by progressive black Americans toward the revolutionary government.
Very few people have ever heard of the war between the Blacks and Mulattoes in Haiti. This was a war between light-skinned Blacks and dark skinned Blacks. Interestingly, outsiders who had a stake in dividing Haiti's victorious army engineered this war. The old adage of divide and conquer that was used and is still used. If the students at Howard University who devised the paper bag test had only read of the war between mulattoes and black in Haiti they would have been ashamed of their actions. Other African Americans immigrated to Haiti, stayed, and became prominent members of Haitian society. Hezekiah Grice was an Afro American leader, and a supporter of emigration by Blacks to Haiti. He was convinced that there would never be full emancipation for Blacks in this country. Outraged at the treatment of his people in America, he immigrated to Haiti, and became the director of Public Works in Port-Au-Prince.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Afro-American folktales. c1985., 327 p, These tales range from the earthy comedy of tricksters to stories explaining how the world was created and got to be the way it is, to moral fables that tell of encounters between masters and slaves. They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
480 p., By the end of 1825, 6,000 African Americans had left the United States to settle in the free black Republic of Haiti. After arriving on the island, 200 immigrants formed an enclave in what is now Samaná, Dominican Republic. The Americans in Samaná continued to speak English, remained Protestant (in a country of devout Catholics), and retained American cultural practices for over 150 years. Relying on historical archaeological methods, this dissertation explores the processes of community formation, maintenance, and dissolution, while paying particular attention to intersections of race and nation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p, "This lecture surveys the impact that African people have made on world history. Dr. Clarke guides the reader along a narrative journey that spans from antiquity through present times." (Black Classic Press)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
327 p., These 107 tales come from the canefields of the antebellum South, the villages of Caribbean islands, and the streets of contemporary Philadelphia. They includes stories set down in travelers' reports and plantation journals from the early 19th century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
According to MercoPress, an independent online news agency, Afro-Brazilians represent the largest ethnic group in Brazil, making up more than 49 percent of the population.
Reiter,Bernd (Author) and Simmons,Kimberly Eison (Author)
Format:
Book, Edited
Publication Date:
2012
Published:
East Lansing: Michigan State University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
314 p, By focusing on the ways racism inhibits agency among African descendants and the ways African-descendant groups position themselves in order to overcome obstacles, this interdisciplinary book provides a multi-faceted analysis of one of the gravest contemporary problems in the Americas. Includes Faye V. Harrison's "Building black diaspora networks and meshworks for knowledge, justice, peace, and human rights."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
263 p., A study of the poetics of experimental writing, focusing on the work of W. E. B. Du Bois, Nathaniel Mackey, Suzan-Lori Parks and Kamau Brathwaite. Arguing that conceptions of time tend to be at the heart of political concerns throughout the sites of the African diaspora, this project challenges those notions of black writing that rest on the binary or oppression/resistance. Specifically concerned with poetry, Kamau Brathwaite and Nathaniel Mackey specifically confront and contravene the legacy of the lyric voice in both the presentation and topics of their work. Brathwaite invents a shifting system of fonts, margins and a capacious first-person singular/plural to articulate a time and a "we" of the Caribbean and the diaspora.
151 p., Black ethnic groups are often grouped together under global headings, ignoring the variations that may lead to different manifestations and expressions of depressive symptoms. Identifying intrapersonal, cultural and environmental pathways to successful mental health functioning among Black ethnic minority groups and subgroups is pivotal to the provision of culturally relevant mental health services. Methods. The purpose of this study is to explore the effect of variables that have been previously mentioned in the literature, such as cultural resources, psychosocial variables, neighborhood characteristics and perceived discrimination, on the levels of depression among Afro-Caribbean and African American and between Afro-Caribbean Blacks.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
The central aim of this study is to estimate prevalence, ages of onset, severity, and associated disability of anxiety disorders among African Americans, Caribbean Blacks, and non-Hispanic whites in the U.S.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
The purpose of this study was to examine ethnic variation in the relationship between individual socio-demographic factors, parental educational level, and late-life depressive symptoms in older African Americans and Caribbean Blacks.
A systematic review and synthesis of quantitative and qualitative research were undertaken to examine attitudes to deceased donation and registration as an organ donor among ethnic minorities in the UK and North America. In all countries, knowledge of organ donation and registration remained low despite public campaigns, with African-Americans and Black African and Black Caribbean populations in the U.K. often regarding organ donation as a 'white' issue.
251 p., Argues that there is a difference between biological essentialism and racial authenticity. Essentialism is reactionary, whereas racial authenticity is thoughtful, constructed and aimed at countering common beliefs. Once authenticity is positioned as a means to an end and not an end itself, authenticity can be used as a way of reading social situations, questioning how authentic arguments are used in culture, and understanding why their use is sometimes necessary. Also, using authenticity as a way of reading social situations takes the focus off of the authentic representation of race and places attention on American society by examining how the authentic representation works in dialogue with other arguments about race. This study uses the Harlem Renaissance as a backdrop to view how Afro-Caribbeans inserted themselves into African American discourses on race. The dark skinned immigrants blended in visually, but were far removed from many of the formative racial experiences of their American peers. These people may have come to align with African Americans and fight white racism, but they were in fact taking up new identity positions and learning to perform forms of blackness on the fly. The works that are examined in the various chapters of this dissertation show Black writers as critical agents of change who work hard to balance their own personal needs with the needs of their race and position themselves within a racist society.
[Rosa Guy]'s personal life odyssey has been a major influence on the scope and tone of her writing. Upon arriving in the United States with her parents in the early 1930's and moving to Harlem at the age of eight, Rosa became a prolific observer of African-American culture and the forces that shape its existence in American society. Guy's novels have explored the stifling consequences of poverty in settings as far away as the Caribbean, or as near as New York's Harlem. Once it is published, her newest novel from Dutton Press, The Sun, The Sea, A Touch of the Wind will join an impressive body of literary material authored by Ms. Guy that include: Bird At My Window; A Measure of Time; And Then She Heard A Bird Sing; Edith Jackson; Ruby; Children of the Longing; and Music of Summer.
Randall Robinson, founder and president of TransAfrica will speak at 12:30 p.m. at the Black Business and Professional Association's (BBPA) 4th Annual African American Economic Summit to be held Saturday, May 20 at the Renaissance Long Beach Hotel from 8 a.m. to 5 p.m. Robinson is a noted activist and author of Defending the Spirit: A Black Life in America. He is best known for his leadership in spearheading the movement to influence United States policies toward Africa and the Caribbean. Robinson played a significant role in the dismantling of apartheid in South Africa in the 1980s and the restoration of Democracy in Haiti.
With the rainy season creating additional strife in earthquake-ravaged Haiti, BET founder and business mogul Bob Johnson is bringing new hope to the Caribbean nation. Johnson's investment company, RLJ Companies, partnered with Global Building Solutions following the January natural disaster to develop mass housing and now has new plans to bring work and financial assistance to Haiti.
Brock,Lisa (Editor) and Castaneda Fuertes,Digna (Editor)
Format:
Book, Whole
Publication Date:
1998
Published:
Philadelphia: Temple University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
298 p, The relationship between two peoples of color, their similar experiences with slavery, their struggles for political power, and their parallel race consciousness.
335 p., A central premise of this project is that individuals and communities perceive the significance of history differently depending on their historical conditions. Indeed, much of the emphasis on memory studies in the last two decades has been informed by an awareness of changing perspectives on the past. Thus, given its focus on black peoples in the United States and the Caribbean, this dissertation aims to illuminate an emergent historical consciousness in the African Diaspora in the late 20th century. This dissertation is divided into two sections. In Part I, "Ancestors: Exploring Historical Inheritances," I analyze Maryse Conde's Les derniers rois mages (1993) and Patrick Chamoiseau's Texaco (1993) as they interrogate the concept of familial lineage and query the significance of the past imagined as an inheritance. Whereas Chamoiseau questions the ability of written history to represent memory and experience, Conde empties the idea of heritage of all significance as new relationships to the past come to the fore. In Part II, "New Birth: Exploring Discourses of Reproduction," I focus on Gayl Jones' Corregidora (1975) and Audre Lorde's Zami: A New Spelling of My Name (1982) as they reveal the limitations of genealogical discourse. By creating their pasts and imagining their heritage, the characters in these texts challenge the primacy of lineage as they point toward other, more viable networks of community and belonging.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
547 p, "Variations in preference convergence and issue evolution explain the impact blacks had on U.S. policy more so than variations in organizational power. An analysis to other ethnic groups is also examined."
At the recent Summit of the Americas, President [Barack Obama] suggested that the U.S. could learn a lesson of goodwill from Cuba. In 1998, Cuba's government began programs to send large-scale medical assistance to poor populations affected by natural disasters. Each year some 2,000 young people enroll at the school, which operates from a former naval base in a suburb of Havana. Cuba's 21 medical faculties all train young people of poor families from throughout the Americas, as well as hundreds of African, Arab, Asian and European students. The country sends teams of doctors all over the world to respond to natural disasters. Cuban doctors have provided medical services to the underserved in Africa for over a decade. Blacks' views of relations with Cuba differ vastly from those of most Cuban immigrants and Cuban-Americans. The former lily-white upper crust of Cuban society wield political clout in Florida and are dead set against normalizing relations with Cuba's government. Consequently most politicians have chosen to adopt Cuban-American views. From 1960 to 1979, hundreds of thousands of Cubans began new lives in the US. Most of these Cuban Americans came were from educated upper and middle classes and form the backbone of the anti-[Fidel Castro] movement. Cuban Americans are America's fifth-largest Hispanic group and the largest Spanish-speaking group of white descent.
A Congressional Black Caucus delegation, led by the CBC Chairwoman Carolyn C. KiIpatrick (D-Mich.), traveled to Haiti recently for a one-day visit as part of the group's ongoing effort to bring attention to the plight of starving Haitians.
Congressman Gregory Meeks who represents the Sixth Congressional District of South East Queens, home to a large Haitian migrant population, also expressed his concern about [Jean-Bertrand Aristide]'s removal from office and the role the United States, might have had in the affair. "I'm one who thinks that Aristide had some problems in the country. However, I believe in the institution of democracy and that we needed both sides to sit down pursuant to the CARICOM agreement," he told the Gleaner. Other members of the delegation who called on Secretary General [Kofi Annan] were Congresswoman Barbara Lee of California; Kendrick Meek from Florida; Donald Payne - New Jersey; Major Owen - New York; John Conyers - Michigan and actor and human rights activist, Danny Glover.
"I say that I'm Haitian first, and then we go from there," said Patrick Marcelin, the U.S.-born son of Haitian immigrants who raps in Creole and English as "Mecca a.k.a. Grimo." "I just happened to be born in America, but really I'm a Haitian brother. And Haiti is the direct daughter of Africa." The Black History Months he remembers studying never mentioned Haiti's history, even though Haiti was a destination for Black Americans searching for their cultural roots. Marcelin now also teaches in the Haitian Heritage Museum's school outreach program, exposing students to the American history he never learned. For example, when talking about writers from the Harlem Renaissance, Marcelin points out that [Zora Neale Hurston] wrote her novel "Their Eyes Were Watching God" in Haiti in the 1930s, and the poet [Langston Hughes] wrote admiringly of the Haitian peasants who walked down mountain roads barefoot, balancing baskets on their heads, to sell their wares. "They should have been teaching this in school, that soldiers from Haiti came to fight in the American Revolution," Marcelin said. "I read about [Frederick Douglass] in the history books but I don't remember anything about him being the ambassador to Haiti. Or that the founder of Chicago was a Haitian brother."
[Marcus Garvey] studied all of the literature he could find on African history and culture and decided to launch the Universal Negro Improvement Association with the goal of unifying "all the Negro peoples of the world into one great body and to establish a country and government absolutely on their own". In addition, Garvey started his own newspaper. He did not have a forum to express his philosophy in the white newspapers, so he started the Negro World. The Negro World was the U.N.I.A. weekly newspaper, published in French and Spanish as well as English. In it African history and heroes were glorified.
In this context, the achievements of yesterday and of today are intimately linked. Sojourner Truth thundered against slavery so that Frederick Douglass could agitate. Douglass agitated so that Thurgood Marshall could argue the law. Marshall argued so that Rosa Parks could sit. Parks sat so that Martin Luther King Jr. could stand. King stood so that young people could march. Young people marched so that Shirley Chisholm could dare to aim for Congress. Rep. Chisholm dared so that Jesse Jackson could run. Jackson ran so Barack Obama could win. And Obama won because a majority of voting Americans - red, yellow, brown, black and white - were ready to finally say: Yes, we can!
191 p., How does recent black migration impact Atlanta's geographies of black life? Since 1990, the Atlanta metropolitan region has become a major destination for three groups of black migrants from disparate origins: native-born "return south" blacks from other U.S. regions, Afro-Caribbean immigrants, and sub-Saharan African immigrants. These migrants' ethnic diversity dismantles existing notions of "black" culture, politics, and place. Black Migration to Atlanta revises scholarship by demonstrating that we cannot understand the complexity of black lives in Atlanta without investigating the complex relationship between space, migration, and popular culture. Atlanta emerges not just as an urban core, but as a region --a multiplicity of metropolitan sites--imagined and contested through residential patterns, commercial geographies, and popular culture's attempts to accommodate cultural and geographic shifts brought by recent black migration.
The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
-, Do they know that the "democratically elected" president they are defending didn't abide by the rules of democracy? Do they know that he condoned violence and assassination, including that of journalists? Do they know that kidnapping for ransom were ordered by the chief to fill up his coffers? Do they know that Haiti became a haven for drug dealers under the watch of their "democratically elected" friend? It won't be long before the truth comes out concerning the crimes that have been committed in the name or at the command of [Jean-Bertrand Aristide]. The defenders of the "humble priest of the shanty-towns" will have much explaining to do about the new multimillionaire status of their man. Anyway one cuts it, it's a major scandal of corruption and embezzlement for a president whose monthly salary was $10,000.
"This is just the first step. We need to put Haiti on our agenda," said Fred Logon, a member of Black Voices. "In terms of the policy, we need a movement that will force the Obama administration to take a progressive approach to Haiti. I hope we can increase the importance of Haiti to the world at large. " "Haitians are very conscious for the need of education," [Leon Pamphile, Ph.D.] said. "The country is pretty much divided between city dwellers and countryside. If parents don't have money to pay for their children's school, there is no public school for them." "Americans have looked at Haiti as an example of what happens when Black men lead government," Pamphile said. "Haiti is always under the burden of having foreign loans, but now this is being forgiven."
"Our goal is to make sure that we have the most accurate and updated listing of Black media in the industry. We pride ourselves on that fact," said Nakia Bowling, Media Specialist for Black PRWire. "We work consistently to build and sustain relationships in the Black community. Our massive database and community tide is the lifeline of our company. We understand that we can never falter on either of these factors and that is what makes us unique."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, Deep river, by M. M. Fisher.--The attitude of the free Negro toward African colonization, by L. Mehlinger.--Pan-Negro nationalism in the New World, before 1862, by H. R. Lynch.--The relations and duties of free colored men in America to Africa, by A. Crummell.--A project for an expedition of adventure to the eastern coast of Africa, by M. R. Delany.--The call of providence to the descendants of Africa in America, by E. W. Blyden.--Bishop Turner's African dream, by E. S. Redkey.--Alfred Charles Sam and an African return: a case study in Negro despair, by W. Bittle and G. Geis.--Booker T. Washington and the white man's burden, by L. Harlan.--DuBois and pan-Africa, by R. B. Moore.--Black Moses: Marcus Garvey and Garveyism, by E. D. Cronon.--Hide my face? The literary renaissance, by St. Clair Drake.--Notes on Negro American influences on the emergence of African nationalism, by G. Shepperson.--Something new out of Africa, by H. R. Isaacs.--Africa-conscious Harlem, by R. B. Moore.--Malcolm X: an international man, by R. M. and E. U. Essien-Udom.--Black power and colonialism, by J. Lester.
96 p., Recent research indicates that among the different ethnic groups in the United States, African Americans report the highest level of self-esteem (Twenge & Crocker, 2002). However, the literature offers a monolithic categorization of African Americans. Black individuals from countries where Blacks are the majority are socialized to think differently about matters of race compared with the thinking of African Americans. Likewise, membership in the minority group will have different implications for Black Caribbeans. The current study examined the effects of racial socialization and resilience on the self-esteem of two groups of Black girls: African Americans and Black Caribbeans. Because of the theorized difference in racial socialization, it was hypothesized that the two groups would differ in their levels of self-esteem and that resilience would moderate the relationship between racial socialization and self-esteem. Participants consisted of 25 African American and 26 Black Caribbean high school students.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
145 p, The Guatemalan government sought to build an extensive railroad system in the 1880s, and actively recruited foreign labor. For poor workers of African descent, immigrating to Guatemala was seen as an opportunity to improve their lives and escape from the racism of the Jim Crow U.S. South and the French and British colonial Caribbean. Using primary and secondary sources as well as ethnographic data, Opie details the struggles of these workers who were ultimately inspired to organize by the ideas of Marcus Garvey. Regularly suffering class- and race-based attacks and persecution, black laborers frequently met such attacks with resistance. Their leverage--being able to shut down the railroad--was crucially important to the revolutionary movements in 1897 and 1920.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
280 p., Compares the experiences of persons of African origin and descent in the towns of Baltimore and Sabara, Black Townsmen reconsiders their relationship to eighteenth-century urban environments in the Americas. Following Africans and their descendants through their struggle with slavery, manumission, and life in freedom, Dantas explains how these men and women's efforts and choices helped to define the trajectory of these two towns.
Works like Wheatley's and [Harriet Jacobs]' remind us how important it is to document our history with authenticity. History tells us of the need to write our own stories in our own words, for accuracy, for validation. And this is exactly why writers like Maya Angelou, Gwendolyn Brooks, Poet Laureate Rita Dove, Alice Walker and Louise Bennett Coverly (Jamaica) have revolutionized the written word and established themselves as role models for all of us. Positive images. Pulitzer Prize winner Alice Walker uses the word "womanist" in her works to refer to the liberation of black women. Through her famous novel "The Color Purple" and other works, she has revolutionized literature in the New World and given great insights into the traditions, beliefs, history, and values of people of African ancestry. The central theme in all of her work becomes the flower of hope that grows out of all despair. Black women writers have created for us a window to the world through which we can make real-life connections. From them we have received portraits in courage and a validation of ourselves. Their words constantly remind us that hope is eternal and that beauty can rise from adversity, as is so aptly expressed in the poignant declaration by Maya Angelou, the first female to read at a U.S. presidential inauguration, "And still I rise."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, Focuses on the interaction of African Americans and African Caribbeans in Harlem during the first decades of the 20th century. This is a study of black ethnic diversity and the creation of the Harlem Renaissance community.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
1 videocassette (59 min.)
Notes:
Originally broadcast on the television program Booknotes on November 7, 1999. Brian Lamb interviews Eugene Robinson about his book Coal to Cream: A Black Man's Journey Beyond Color to an Affirmation of Race. The book examines race relations in the United States and much of the Western Hemisphere by looking at Mr. Robinson's personal experiences in the U.S. and Brazil, where he noted that racism is rare but inequality still exists.
Oonya Kempadoo has been praised for her debut novel, Buxton Spice, a coming-of-age story set in the Caribbean. The book is a breathtaking glimpse into the inner life of Lula, a lively, highly imaginative girlchild growing up in a racially mixed family in Guyana in the 1970s. Kempadoo's unique and vibrant prose is the camera lens on the lushly exotic world that Lula inhabits. Through her eyes readers are introduced to the colorful denizens of Tamarind Grove. We see the village prostitutes (Sugar Baby, Bullet and Rumshop), the eccentric families, the gentle town spinsters, and Aunt Ruthy, the obeah voodoo lady.
In Message from the Grassroots, perhaps his most powerful speech, Malcolm X reminded us that "you don't catch hell because you're a Methodist or Baptist, you don't catch hell because you're a Democrat or a Republican, you don't catch hell because you're a Mason or an Elk... You catch hell because you're a black man.... All of us catch hell for the same reason." Malcolm could just as easily have said that we don't catch hell because we're Haitian or African American. A white supremacist system sees us as Black people. Abner Louima was not tortured because he was Haitian, nor was Amadou Diallo gunned down by the police because he was from Guinea. The offending officers saw no difference. In their eyes they were inferior, scorned Black men. Malcolm saw Black unity/ solidarity as the counter and corrective of racism and white supremacy.
Despite the righteous platitudes of the American and French Revolutions, the idea of an independent Black Republic created through force of arms did not sit well with the powers that be in the Capitols of Europe and America. There was virtually universal agreement among the European/White leaders of the time, including President Thomas Jefferson, that the example of Haiti was a threat to their national interests - profiting from the slave trade and/or colonialism in Africa, the Caribbean, Central and South America. Therefore, it was imperative that Haiti be isolated, marginalized and rendered weak as a "Black nation." Under threat of a new invasion, Haiti succumbed to demands from France to pay millions of dollars in reparations for title loss of property (enslaved Africans and the plantations) incurred during the Revolution. The burden of this debt would cripple Haiti's struggle for development well into the 20th century. In 1915 the U.S. invaded and occupied Haiti until 1934, and has treated Haiti as a neo-colony ever sense.
As President of the Institute of the Black World 21st Century (IBW) and Founder of the Haiti Support Project (HSP), I have just returned from leading a team to Haiti to allocate the first contributions from the IBW/HSP Haiti Relief Fund. A total of $56,000 was distributed to nine community-based/grassroots organizations including women's, youth and peasant groups for relief and capacity-building. Deeply concerned about the plight of Haitian children orphaned by the disastrous earthquake, our team also visited orphanages and assessed the progress of the Oasis Institute, an ambitious Initiative which is designed to relocate orphans and extended family members from tent communities to an interim camp with safe/secure environment, post-traumatic stress counseling and a world class education.
CAFTA is also a step backward for labor rights. Under CAFTA, Central American countries are only obligated to uphold their own labor laws, which have been judged inadequate by the International Labor Organization in more than 20 ways. What's more, the enforcement of these deficient laws cannot be encouraged through the use of dispute settlement, fines or trade sanctions. Even putting labor conditions aside, CAFTA is bad the health of people of co south of the U.S. border. The countries of Central America have high rates of infection of HIV/AIDS and other diseases, rates that go up even more if you look at just the Afro-Latino communities. Provisions in CAFTA would actually delay or limit the introduction of cheaper, generic drugs to combat or cure many diseases and other health conditions. The result? Many of the 275,000 Central America living with HIV/AIDS will not be able to afford antiretroviral drugs. This impact will hit especially hard on Afro-Latinos, who make up a third of Latin America's population but represent 40 percent of Latin America's poor Maybe that's why Doctors Without Borders, the American Public Health Association and many others have come out strongly against CAFTA.
Executive president of Integrare, Maria Hyeronides Barros DeLima, was also present, and represented Brazil as a signatory on the document. She said, "This partnership will allow Brazilian business entrepreneurs to shake hands with Americans who are way ahead and have so much to teach. Brazilians will also have a chance to enter the walls of the corporate world in Brazil and to do business globally. This is a victory for CBCF, Integrare, the Black community and natives and disabled entrepreneurs. It is definitely a global victory!"
Gazing at the amalgam of rich Caribbean artistic expression - bold colors intertwining on canvas, delicately woven wire sculptures, sheer pieces of cloth with intricate handmade designs - one might think she was roaming the corridors of the Metropolitan Museum of Art or the prestigious Guggenheim rather than viewing the one-bedroom Harlem apartment of Caribbean art dealer Anderson Pilgrim. "One of the reasons that Caribbean art has yet to penetrate the New York scene is that it has yet to be fully explored even among Caribbeans", Pilgrim said. "Because of the colonization of the Caribbean islands, and the stifling post-colonial effects, many native Caribbeans didn't begin to explore their abilities until the 1970s, which was a period of real artistic revolution on the islands". A few of the artists he represented were medal winners at the prestigious Biennial Caribbean Festival, held in the Dominican Republic and featuring artists from the Caribbean and Countries in Central America which border the Caribbean.
78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
Amsterdam News publisher emeritus Wilbert Tatum was among eight people saluted by the Caribbean Women's Health Association on Mar 15, 2001 at the group's annual benefit reception at the Brooklyn Museum. Tatum and the others were honored for their records of leadership and commitment to community service.
