African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p., Using contemporary literary representations of place, this study focuses on works that have participated in the emergence of new conceptions of place and new place-based identities. The analyses draw on research in cultural geography, cognitive science, urban sociology, and globalization studies. Includes chapter on "Evolution in/of the Caribbean Landscape Narrative."
Lalla,Barbara (Editor), Roberts,Nicole (Editor), Walcott-Hackshaw,Elizabeth (Editor), and Youssef,Valerie (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
287 p., The authors consider the distinctive needs of research in Caribbean literature, language and culture and focus on honing research methods relevant to Caribbean material and with the insights of the Caribbean experience. The essays in the first part, Research Methodology, examine conceptual frames, data collection, and application and analysis of research. The second part details the research process, from proposal to proofreading. Throughout, the authors emphasize a Caribbean approach that is engaged with and aware of a range of existing theories but does not uncritically adopt external frameworks that are inadequate for a rounded Caribbean critical practice.
Behn,Aphra (Author), Gallagher,Catherine (Editor), and Stern,Simon (Contributor)
Format:
Book, Whole
Publication Date:
2013
Published:
Lexington, KY: Simon & BrownI
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
77 p., A short novel written by English female author Aphra Behn, published in 1688. It is the story of an African prince who deeply loves the beautiful Imoinda. Imoinda is eventually sold as a slave and is taken to Suriname which is under British rule. Oroonoko is taken prisoner, is sold, and finds himself and Imoinda enslaved on the same plantation. Contents: 1. To the right honourable the Lord Maitland. 2. The history of the royal slave.
English; Majority of papers in English; one in Spanish.
Publication Date:
2013
Published:
Willemstad, Curaçao; San Juan, Puerto Rico: Fundashon pa Planifikashon di Idioma: Universidat di Kòrsou; Universidad de Puerto Rico de Río Piedras
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Incorporates invited papers as well as presentations made to the 15th annual Eastern Caribbean Islands Culture Conference (aka the "Islands In Between" Conference) which was held in St. Thomas from 7 November to 11 November 2012., Vol. 2., Vol.2 is entitled "Transcultural roots uprising: the rhizomatic languages, literatures, and cultures of the Caribbean" / edited by Nicholas Faraclas, Ronald Severing, Christa Weijer, Elisabeth Echteld, Marsha Hinds-Layne
Hutchinson,George (Editor) and Young,John K. (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Ann Arbor: University of Michigan Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
236 p., Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. This collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Includes "More than McKay and Guillén: The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949)."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
195 p., Examines the concept of queer theory and combines it with the field of diaspora studies. By looking at the queer diasporic narratives in and from the Caribbean, it conducts an inquiry into the workings and underpinnings of both fields. Explores the works of writers such as Shani Mootoo, Jamaica Kincaid and Lawrence Scott.
223 p., This dissertation engages with radical Caribbean theater as a crucial literary archive that is nonetheless underexplored as an expression of political culture and thought. The theoretical grounding of the chapters emerges from the analytically generative thrust of a comment by C. L. R. James in The Black Jacobins: "to neglect the racial factor as merely incidental is an error only less grave than to make it fundamental." While the phrase asserts that race cannot be neglected, it also cautions against ensconcing race as fundamental analytical priority, suggesting a powerfully fluid conceptualization of radical political culture. Argues that radical theater projects in Jamaica and the Dominican Republic share this fluid conceptualization of radical politics with the Trinidadian James's own stage versions of the Haitian Revolution.
Morgan,Paula (Editor) and Youssef,Valerie (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
198 p., brings together the work of scholars in the field of Caribbean literary and linguistic study. Its genesis was the University of the West Indies 2011 commemorative conference in honor of recently retired professors Bridget Brereton, Barbara Lalla and Ian Robertson. This volume engages the seminal work done by Lalla and Robertson with focus on their contributions to theoretical constructs, original data collection and analysis, and the formation of a Caribbean-based ethos.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Includes "Down to the Mire : Travels, Shouts & Fe Chauffe, Balanse, Swing : Saint Domingue Refugees in the Govi of New Orleans."
