Today Haiti is looked at as a struggling island filled with poverty and conflict. It truly gets labeled with the "Third World" stereotype. Actually, the history of Haiti is rich and shows that it was actually the home of some of the greatest heroes in the fight to end western hemisphere slavery. Haiti caused the break up of the worst form of slavery in the history of the world. This island with the largest Black population in the Caribbean has immense economic challenges. This adventure taught the Haitian survivors a great lesson: The European military machines are vulnerable and can be defeated with proper planning. When they returned to Haiti, they spread that information amongst the slave populace and the planning began. In 1791, the historical slave revolt in Haiti began. It lasted until 1804. The rebellions caused Britain to give up on the slave trade in 1807 and the rest of Europe started their withdrawal of this evil practice. Many white French settlers left Louisiana and Haiti and moved to what are now Cuba, Dominican Republic and Puerto Rico. Many of the free Haitians moved to New Orleans and those ties still exist. Haiti was the catalyst in the abolishment of slavery. Thank you my brother Haitians.
95 p., While Pan-Africanism is largely understood as Black men's fight for colonial liberation and state independence, women played an important and often unheralded role. This thesis challenges the masculinist history of Pan-Africanism using Amy Ashwood Garvey's life to highlight women's intellectual and political contributions to the movement. The author discusses Ashwood Garvey's role in co-founding the Universal Negro Improvement Association (UNIA) and her work with the International African Friends of Abyssinia (IAFA), the International African Service Bureau (IASB), the Council of African Affairs, and the Fifth Pan-African Congress held in 1945. In addition to being an ardent Pan-Africanist, Ashwood Garvey was also a feminist who fought for women's equality through a wide range of anti-imperialist activities. Using her life as a lens through which to examine feminism's intersection with antiracist and anti-imperialist activism, this thesis underscores the fact that, for women throughout the African diaspora, struggles around race, gender, and colonialism operate in a symbiotic relationship to one another.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p, In Women in Caribbean Politics Cynthia Barrow-Giles and her co-contributors profile 20 of the most influential women in modern Caribbean politics who have struggled and excelled, in spite of the obstacles. Divided into four parts, this volume looks at women who led the struggle for freedom; those who agitated for equal rights and justice in the pre-independence period; postcolonial trailblazers; as well as a group which Cynthia Barrow-Giles refers to as ‘Women CEOs.’ The profiles cover women from 12 territories, with varying political, ethnic and socio-economic issues.
Espín Guillois,Vilma (Author), Santos Tamayo,Asela de los (Author), and Ferrer,Yolanda (Author)
Format:
Book, Whole
Publication Date:
2012-01-01
Published:
New York: Pathfinder
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., A collection of four interviews by different journalists with Vilma Espín, Asela de los Santos and Yolanda Ferrer from 1975-2008. Founded by Fidel Castro and directed by Vilma Espín, the Federation of Cuban Women sought to mobilize women following the 1959 Cuban Revolution. Called the "revolution within the revolution," the Cuban women's movement sent women into new regions of the country to teach the illiterate and nurse the ill.
289 p., Argues that Caribbean writers challenge state notions of democracy and revolution by embracing ideological opacity (forms of political action that are not immediately legible) as a form of radicalism. Writers such as Merle Collins, Dionne Brand, and George Lamming narrated a new revolutionary consciousness using literary form and structure to express créolité (Caribbean cultural hybridity) and represent political resistance. This form of radicalism allows writers to explore political change in terms that are more subtle than discourses of outright revolution. The dissertation draws on the work of theorist Édouard Glissant who uses opacity as a critical term to articulate the right of Caribbean people to create their own forms of knowledge and to refuse Western epistemologies.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
236 p, Concludes that Peruvians of African descent give meaning to blackness without always referencing Africa, slavery, or black cultural forms. This represents a significant counterpoint to diaspora scholarship that points to the importance of slavery in defining blackness in Latin America as well as studies that place cultural and class differences at the center of racial discourses in the region.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
236 p., Addresses what it means to be black in Peru. Based on extensive ethnographic work in the country and informed by more than eighty interviews with Peruvians of African descent, this ground breaking study explains how ideas of race, colour, and mestizaje in Peru differ greatly from those held in other Latin American nations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 videodisc (50 min.), An untold history of the indigenous Caribs on St. Vincent: their near extermination and exile by the British 200 years ago; and return of some in the Diaspora to reconnect with those left behind. A postcolonial story of re-identification. The Black Caribs, on the island of St. Vincent in the Caribbean, is a little known indigenous group of people. Yurumein (Homeland) is a 50-minute documentary that recounts the painful past of these Carib people – their near extermination at the hands of the British, the decimation of their culture on the island, and the exile of survivors to Central America over 200 years ago. The film also captures the powerful moment of homecoming when Caribs from the Diaspora (also known as “Garifuna” in their indigenous language) visit the island for the first time.
Examines the play The Case of Miss Iris Armstrong and documentary film Sweet Sugar Rage. Looks at the way the sexual division of labor on Jamaica's sugar plantations was based on the following gendered myths: women's labor capacity is lower than their male counterparts; and men are the breadwinners for their families.
