Examines the work of Jamaican writer Una Marson for her engagement with the ideas of modernity and her cultural expectations as she traveled from Jamaica to London, England in the 1930s. Topics include colonialism, race and gender, modernism, and the magazine "Cosmopolitan: A Monthly Magazine for Business Youth of Jamaica and the Official Organ of the Stenographer's Association."
Discusses the stories of six girls to illuminate three broad types of gender performances that were observed: ‘beauties’, ‘geeks’ and ‘men-john’. Using Francis' concepts of gender ‘monoglossia’ and ‘heteroglossia’, the extent to which these girls were able to resist the normative gender–sexual order and the consequences of conformity/non-conformity are examined.
Examines the play The Case of Miss Iris Armstrong and documentary film Sweet Sugar Rage. Looks at the way the sexual division of labor on Jamaica's sugar plantations was based on the following gendered myths: women's labor capacity is lower than their male counterparts; and men are the breadwinners for their families.
Between 1873 and 1917, the numbers of Barbadian women committed to penal custody on an annual basis surpassed those of men. Available figures for Jamaica and Trinidad over sections of the period hover around an 18–20 percent female proportion rate, while in Barbados the rate usually exceeded 50 percent.
