344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
On the roles of gender, migration, and sexuality in the concept of sexiles, or people who are geographically displaced because of their sexuality, in the Carribean. Analyzes the short story "La Cautiva" by Pedro Juan Soto, the novel "I Am a Martinician Woman" by Mayotte Capécia, and the novel "No Telephone to Heaven" by Michelle Cliff.
274 p., Argues that colonialism, or its impact, as a relation of power is threaded through the related themes of gender/sexuality, the environment, and global capitalism in Jamaica Kincaid's work. The author is interested in how the intersection of these themes enhance Kincaid's critique of the impact of colonialism on the people of Antigua and the Anglophone African Caribbean.
Presents evidence of the challenges faced by women in management in their interactions with men and other women, contesting the idea that men organizationally oppress women and suggesting instead that both men and women can be organizational oppressors of women. Provides insights into the working lives and challenges of women in a Latin American and Hispanic Caribbean context.
An analysis of interviews with representatives of global governance institutions and international nongovernmental organizations conducted between 2007 and 2010 in the Latin American and Caribbean region and at the headquarters of relevant international organizations in Geneva. Argues that because the discourse on migrant women's rights and their labor exploitation is framed predominantly in the context of trafficking, little headway is made in advancing migrant women's labor and social rights.
243 p., Analyzes three novels by contemporary female Caribbean and Latin American Afro-descendent writers of the diaspora: Peruvian Lucía Charún-Illescas' Malambo (2001), Brazilian Ana Maria Gonçalves' Um defeito de cor (2006), and Puerto Rican Mayra Santos-Febres' Fe en disfraz (2009). In these texts, the old and the new intermingle in the space of the narrative. The colonial past is reexamined and reconstructed out of the need to understand its reminiscences into the present and the necessity to transform the future.
Argues that for a truly cosmopolitan anthropology to come about, we need to reflect critically on the conditions of our knowledge production. Using the example of women’s under-representation within anthropology, and the marginalization of the Caribbean, it is argued that we need to think more about the social ground beneath our feet and recognize the differential access that anthropologists across the globe and at home have to the ongoing larger conversation that constitutes the discipline.
277 p., Afro-Cuban (Santería ) drummers are trained ritual specialists in minority religious communities, initiated through secret rites into homosocial community groups. Historically, women and non-heteronormative men have been excluded from playing consecrated batá drums. This dissertation investigates how drummers construct the sensual and physical essence of musical sound around gender and sexual hierarchies in Afro-Cuban diasporic contexts (Havana, Miami, New York, and New Jersey). Drummers possess a theory of power based on concepts of how the feeling of aché (from Yoruban language, "the power to make things happen") is channeled during performance. Considers colonial-period Afro-Cuban social societies (cabildos ) as a source of possible residual patriarchal authority in the current male drumming cult community.
266 p., The premise of this research rests on the idea that race, class and gender are all central to the immigrants' experience and that assimilation into the dominant culture is influenced by the immigrants' national origin, the immigrants' gender and his or her family's socioeconomic status. employ the Children of Immigrants' Longitudinal Study to determine the assimilation patterns of second-generation immigrants from Cuba, Dominican Republic, Haiti, Jamaica and the West Indies to the United States.
