African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
306 p., This project brings together adventure novels by white British authors, like Frederick Marryat, Mary Elizabeth Braddon and H. Rider Haggard, and African American and Afro-Caribbean texts by authors like Frederick Douglass, Pauline Hopkins, and Maxwell Philip, to argue that the sensational elements of the adventure genre that were so effective in developing British national identity were appropriated by African American and Afro-Caribbean authors to re-imagine national identity as a flexible and multi-ethnic concept.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
347 p., While investigating the seemingly innocent death of the U.S. Ambassador to the Dominican Republic, Edgar Espinosa-Jones (EJ) finds the Caribbean islands of the 1970s seething with political intrigue, revolutionaries, superstition, violence, and love affairs--with the curse of voodoo magic over all.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
462 p., On a Caribbean island in the 1950s, elderly Mary Gertrude Mathilda commits murder. As she explains herself to police, her story exposes the ugly underbelly of life on Caribbean plantations, with its slavery and brutality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, A collection of eleven essays. Among the themes examined are colonialism, slavery, and the involvement of the Christian Church in both colonial rule and enslavement. The essays also analyze the pre-independence and post-independence periods of the twentieth century, with examinations on topics that include prostitution, departmentalization, education, visual art, and the musical form known as Reggae.
211 p., Explores the similarities and differences which characterize the depiction of people of color in certain representative 19th century Cuban and Brazilian slavery novels as a function of the authorial approach of each territory's literary tradition toward the issues of slavery, racial prejudice, and people of color. The selected texts, derived from the peak periods in slavery literature of each territory, include Francisco , by Anselmo Snárez y Romero; Sab , by Gertrudis Gómez de Avellaneda; Cecilia Valdés , by Cirilo Villaverde; A escrava Isaura , by Bernardo Guimarães; O mulato , by Aluísio Azevedo; and Bom-Crioulo , by Adolfo Caminha. While the present study explores the enslavement, abuse, and discrimination of people of color as a consequence of a deep-seated discourse of power, privilege and racial superiority, it focuses more extensively on the representation of people of color, particularly in their capacity to constructively appropriate the cultural values of the white dominant group and recognize their identity as ambiguous.
Reviews a novel about the lives of a mixed-race British/American family living in the United States. In its depiction of African Americans, White Americans, Britons, and Caribbean immigrants, the book demonstrates Americans' obsession with race. In addition to the contrast between desires for racial authenticity and class mobility, Smith’s novel exposes the variability of Black America, and especially the intersection between class and race.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
v, 174 leaves ; 29 cm., This novel is a contemporary novel that deals with the history of france; "UMI:9959638."/ Includes bibliographical references ( 167-174)./ Reproduction: Photocopy./ Ann Arbor, Mich. :/ UMI,/ 2000./ v, 174 ; 21 cm.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
499 p, This family saga, set in the kingdom of Segu, tells the story of Dousika Traore and his four sons, who embody the various forces of spirituality and religious; Translated of vol. 1 of Ségou.
