African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
271 p., Investigates the impact of American literature and culture upon the Anglophone Caribbean during and following the Second World War. Traditional inquiries involving this era usually render the Caribbean in colonial and/or post-colonial contexts; this dissertation instead looks to understand alternative variables, especially the widespread affiliations with U.S. culture made by emergent Caribbean writers from the so-called “Windrush Generation” that were exposed to American soldiers serving overseas. Contents: C.L.R. James -- V.S. Naipaul -- Sylvia Wynter -- George Lamming.
Discusses the January 2010 earthquake that struck in Haiti, focusing on the name of Goudougoudou which Haitians have given the natural disaster. Topics include the onomatopoeic nature of the name which resembles the destruction of buildings, the psychological impact the earthquake has had on Haitian women, and Haiti's efforts to relieve the psychological trauma of the event for children.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
350 p., In this second edition of "The Repeating Island," Antonio Benitez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benitez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benitez-Rojo argues that within the apparent disorder of the Caribbean--the area's discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics--there emerges an "island" of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benitez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillen, Carpentier, Garcia Marquez, Walcott, Harris, Buitrago, and Rodriguez Julia.
Yovanovich,Gordana (Editor) and Huras,Amy (Editor)
Format:
Book, Edited
Publication Date:
2010
Published:
Waterloo, Ontario: Wilfrid Laurier University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
316 p., Takes an interdisciplinary approach to Latin American social and cultural identities. With broad regional coverage, and an emphasis on Canadian perspectives, this book focuses on Latin American contact with other cultures and nations. Includes Jessica Franklin's "Afro-Brazilian women's identities and activism : national and transnational discourse," Adrian Smith's "Legal creolization, 'permanent exceptionalism,' and Caribbean sojourners truths" and Janelle Joseph's "The transculturation of capoeira : Brazilian, Canadian, and Caribbean interpretations of an Afro-Brazilian martial art."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
200 p., This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. Focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Original edition translated from Portuguese by Elena Langdon., 266 p., An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
One of the central goals of archaeology is the definition of regional cultural succession. Since at least the 1960s, archaeology has purported to have moved beyond the strictures of Culture History, and yet the constructs of that paradigm (styles, periods, cultures) continue to be used routinely. This work aims to show that by doing so, one is still implicitly subscribing to that theoretical perspective's assumptions and biases.
Niblett,Michael (Editor) and Oloff,Kerstin (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Amsterdam ; New York: Rodopi
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p., Includes Heidi Bojsen's "Other Americas, other genderings : postcolonial heroines and rhizomatic geographies in Patrick Chamoiseau's Biblique des derniers gestes," Patricia Krus' "The ethics of postcolonial healing in Astrid Roemer's trilogy of Suriname," Paulette Ramsay's "Cross-cultural poetics : debating the place of Afro-Mexican poetry in the context of Caribbean literary and cultural aesthetics," Theo D'haen's "Exile, Caribbean literature, and the world republic of letters" and Kerstin D. Oloff's "Wilson Harris, regionalism and postcolonial studies."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
423 p., Focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history. Includes Judith M. Williams' "Néritude as performance practice: Rio de Janeiro's Black experimental theatre," Richard Follett's "The spirit of Brazil: football and the politics of Afro-Brazilian cultural identity," Dorothea Fischer-Hornung's "Transbodied/transcultured : moving spirits in Katherine Dunham's and Maya Deren's Caribbean," Elvira Pulitano's "Re-mapping Caribbean land(sea)scapes: aquatic metaphors and transatlantic homes in Caryl Phillips's The Atlantic sound," and Antoinette Tidjani Alou's "Marine origins and anti-marine tropism in the French Caribbean: André and Simone Schwarz-Bart."
