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12. Hallelujah! Former Desmond's star Ram John Holder appears in a musical about the life of Christ -- Caribbean style
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Pinkerton,Lee (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-10-04
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 877 : 49
- Notes:
- It ran for more than six years and playing one of [Desmond]'s barbershop cronies was a highlight of [Ram John Holder]'s long career. "It only had half of the audience of Desmond's, but it had much bigger audiences than the shows they replaced it with." In it, the colourful and exuberant traditions of Trinidad's Carnival provide the setting for a stage event which transforms Handel's Messiah into an musical combining song, dance and spectacle with the spirit of Caribbean storytelling.
13. In Another Place, Not Here
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Townes,Glenn (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-02-03
- Published:
- Nashville, TN
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Tennessee Tribune
- Journal Title Details:
- 4 : 5B
- Notes:
- Verila, on the other hand, is a woman who is in constant flight and change. She lives in Canada and has returned to her island birthplace, ultimately in search of happiness. Elizete professes her love for Verila early in the book. The excitement and overwhelming for desire Elizete has for Verila is palpable. She claims, "I abandon everything for Verila. I sink in Verila and let she flesh swallow me up. I devour her. She open me up like any morning. Limp, limp and rain light, soft to the marrow."
14. Kwame nose best: A new play reworks a classic French tale to celebrate early Caribbean forays into Britain
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Pinkerton,Lee (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-08-30
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 872 : 46
- Notes:
- "I wanted to write a play that celebrated the journey of our parents," explains [Kwame Kwei-Armah]. "A lot of the previous plays tell us the old, grey story about `No Blacks, No Dogs, No Irish,' but that isn't very entertaining. "Growing up, I had a big nose but when Afrocentricty came in the '80s suddenly I had an African nose," recalls Kwame. "[Chris Monks] is White and together we have a play that is accessible to all communities," says Kwame. "It's not just about Black issues, it deals with universal themes like love, feeling inadequate and beauty."
15. Kweyol culture comes of age
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lee,Simon (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-12-31
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 1 : 18
- Notes:
- Friday, Oct. 29 was Kweyol Day, a celebration of island identity and culture. While the official language of the Commonwealth of Dominica is English, 80 percent of the population speak Kweyol, a legacy of early French settlement. Kweyol language and folk culture, after being sidelined, dismissed or denigrated during the British colonial period, has played an important role in forging the identity of independent Dominica since 1978. People's irritation with a late start was quickly dissolved. After the Stars, the Vodou rhythms of Haiti's seminal roots music band Boukman Eksperyans reverberated through Festival City. Named after the Vodou priest who presided over the ceremony that ignited Haiti's slave rebellion, Boukman Eksperyans has been at the forefront of taking the Vodou beat into the arena of world music. Tabou Combo, the most famous and long-lived Haitian Konpa band, seemed reluctant to leave the stage, but from 5 a.m., Festival City was overrun by WCK, [Dominica]'s marathon bouyon band, with whom I was still chipping at breakfast time. Not even a large pot of extra-strong Dominican coffee could revive me, and I retired battered and rambling in Kweyol, to recover in Trinidad.
16. Live and Kicking: An age-old problem; Are Black elders passing on the benefit of their experience to the young?
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-11-22
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 884 : 9
- Notes:
- Occasionally, a rare talent emerges, such as Lauryn Hill or Maxwell, whereas previously the talent came in hordes. Look at the way Lauryn Hill has gone back to Bob Marley and Stevie Wonder for inspiration and technique. She's still a rap artist but here is a woman who has learnt her trade. It's a question of feeling basically unsafe around a generation that has no respect for its elders.
17. Mocko Jumbies: giants among us
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brooks,Vernon (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 10 : S11
- Notes:
- Mocko Jumbie, as it is called in the Caribbean, has been a part of the Virgin Islands culture for more than 200 years. The phrase "Mocko Jumbie" may have different meanings according to the different tribes that practices the art. "Mocko" could mean "Mock" or it could mean "Good God."
18. Music Reviews
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Duperly,Howard 'Flagga' (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 10 : 15
- Notes:
- There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
19. New Station Leaps into S. Florida's Caribbean Radio Contest
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Smikle,Patrick (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-11-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 12 : 2
- Notes:
- "We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
20. Our Heritage: Marcus Mosiah Garvey
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Vaughn,Leroy (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-01-13
- Published:
- Los Angeles, CA
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Sentinel
- Journal Title Details:
- 41 : A4
- Notes:
- Marcus Garvey founded the Universal Negro Improvement Association (UNIA) in Harlem in 1918. By 1924 there were over 700 branches in 38 states and over 200 branches throughout the world as far away as South Africa at a time when there was no e-mail, television, or even radio to advertise. Those who could not hear Garvey directly received his views through his newspaper called the Negro World, which boasted a circulation as high as 200,000 by 1924. In 1919, the UNIA and Negro World were blamed for the numerous violent colonial uprisings in Jamaica, Grenada, Belize, Trinidad and Tobago. British and French authorities deported all UNIA organizers and banned the Negro World from all their colonies, but seamen continued to smuggle the paper throughout the world.
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