Discusses the poem, Mujer negra (1975), by Caribbean writer Nancy Morejón. Focuses on how the poem departs from the traditional aesthetic and sexual discourses which lead to the mythification and marginalization of black women. Highlights the methods by which the black female persona subverts these established discourses and creates a counter-discourse to re-define herself and her New World experience. Details the ideological underpinnings involved in this process.;
Kamau Brathwaite 's "Resistance Poems: the Voice of Martin Carter" is also in Stewart Brown's book All Are Involved: the Art of Martin Carter (Leeds: Peeple Tree, 2000), pp. 130-144.
Discusses the poetry of Afro-Cuban writer Nancy Morejón, focusing on her poetry collection, Paisaje célebre (Fundarte, 1993). Compares the book to her previous work, and discusses the political and social influences that shaped it. Notes that this book marks an important stage in Morejón's poetry, in that it celebrates a new and different country and voice - one of indepedence and freedom.;
These introductory remarks frame the special section 'Translating the Caribbean' and discuss the impetus behind the project as well as its future iterations. Each of the five essays in the special section is outlined in its broad strokes, and specific reference is made to Edouard Glissant's Caribbean Discourse, Frantz Fanon's Black Skin, White Masks, and Lawrence Venuti's Rethinking Translation and The Translator's Invisibility.
