Investigates the interface between gender, color/race and public health in Brazil, focusing on the importance of reproductive health for the formation of a black feminism in the country, between the years 1975 to 1993.
Analyzes how identity construction and ethnic representation processes take place in a folkloric festival framed by the multicultural policies of the Colombian state. Accounts for how institutions and base Afrocolombian communities use bullerengue—a local musical tradition that is now strong in the Uraba zone—as a tool in this construction process.
