“Me siento orgullosa de ser negra y ¡que viva el bullerengue!”: Identidad étnica en una nación multicultural—El caso del Festival Nacional del Bullerengue en Puerto Escondido, Colombia
Analyzes how identity construction and ethnic representation processes take place in a folkloric festival framed by the multicultural policies of the Colombian state. Accounts for how institutions and base Afrocolombian communities use bullerengue—a local musical tradition that is now strong in the Uraba zone—as a tool in this construction process.
