African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p, Investigates the power of stories told within Caribbean dancehall music and culture that present “good reasons” that are adopted by members of that culture. Shows that dancehall stories reveal powerful ideological frames that “naturalize” ways of being within Caribbean dancehall culture. Various relationships between “good reasons” presented in lyrical stories and the adoption of these “good reasons” by participants in their own stories emerged as well.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
52 p., Gottschalk traveled extensively. A sojourn in Cuba during 1854 was the beginning of a series of trips to Central and South America. He also traveled to Puerto Rico after his Havana debut and at the start of his Caribbean period. Taken with the music he heard on the island, he composed a work entitled Souvenir de Porto Rico; Marche des gibaros, Op. 31 (RO250).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., "This thesis, situated between literature, history and memory studies participates in the modern recovery of the long-obscured relations between Scotland and the Caribbean. I develop the suggestion that the Caribbean represents a forgotten 'lieu de mémoire' where Scotland might fruitfully 'displace' itself. Thus it examines texts from the Enlightenment to Romantic eras in their historical context and draws out their implications for modern national, multicultural, postcolonial concerns." --The Author
Los Angeles, CA: University of California, Los Angeles
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
411 p., "Even though accepted definitions of the Caribbean Creole focus on its status as native to the region, it is just as emphatically tied to somewhere else, giving it a vexed status. Through a comparative analysis of fictional, sociological, historical and psychological portraits of the Caribbean Creole, I argue that the Creole's working definition is equally indebted to casting it as a cultural outsider in local contexts in and around the Caribbean." --The Author
