Esteves,Carmen C. (Author) and Paravisini-Gebert,Lizabeth (Author)
Format:
Book, Whole
Publication Date:
1991
Published:
New Brunswick, NJ: Rutgers University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Contents: Tétiyette and the devil / Anonymous (Guadeloupe) -- Little Cog-burt / Phyllis Shand Allfrey (Dominica) -- Cotton Candy / Dora Alonso (Cuba) -- See me in me Benz and t'ing : like the lady who lived on that isle remote / Hazel D. Campbell (Jamaica) -- They called her Aurora (a passion for Donna Summer) / Aida Cartagena Portalatín (Dominican Republic) -- Columba / Michelle Cliff (Jamaica) -- A pottage of lentils / Marie-Thérèse Colimon-Hall (Haiti) -- Three women in Manhattan / Maryse Condé (Guadeloupe) -- Hair / Hilma Contreras (Dominican Republic) -- Piano-bar / Liliane Dévieux (Haiti) -- Barred : Trinidad 1987 / Ramabai Espinet (Trinidad) -- The poisoned story / Rosario Ferré (Puerto Rico) -- Cocuyo Flower / Magali García Ramis (Puerto Rico) -- How to gather the shadows of the flowers / Ángela Hernández (Dominican Republic) -- Opéra Station. Six in the evening. For months-- / Jeanne Hyvrard (Martinique/France) -- Girl / Jamaica Kincaid (Antigua) -- No dust is allowed in this house / Olga Nolla (Puerto Rico) -- Widow's walk / Opal Palmer Adisa (Jamaica) -- Parable II / Velma Pollard (Jamaica) -- Red flower / Paulette Poujol-Oriol (Haiti) -- The day they burned the books / Jean Rhys (Dominica) -- Lola or the song of spring / Astrid Roemer (Surinam) -- Brights Thursdays / Olive Senior (Jamaica) -- ADJ, Inc. / Ana Lydia Vega (Puerto Rico) -- Of nuns and punishments / Bea Vianen (Surinam) -- Passport to paradise / Myriam Warner-Vieyra (Guadeloupe) -- Of natural causes / Mirta Yáñez (Cuba)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p, Contents: The book is organized as a series of essays on related topics all applied to Caribbean women's fiction: white women writers; madness; postcolonial theory, female subjectivity, Bakhtin's Carnival image; ideology (Elaine Savory)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Searchable site on postcolonial literature and the history, politics, and religion of those geographic areas. Covers Africa, Australia, India, Singapore, New Zealand, Canada, the Caribbean, United Kingdom, and Ireland. The sites have been cross referenced under Authors, History, Religion, Postcolonial Theory, Gender Matters, and Diasporas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Synopsis This biography of the writer and politician, recreates Allfrey's life against the background of 20th-century Caribbean political and literary history - from the decline of the planter class, the rise of party politics and the efforts to join the West Indies into a federation in the 1960s and 1970s. ;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Poesía negra en Colombia; Based on the author’s thesis (doctoral--Indiana University) entitled La poesía negra en Colombia a través de la obra de Candelario Obeso.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p, Ileana Rodriguez's House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women offers an insightful look into the role the feminine has played in the constructions of nation and nationalism in critical moments of Latin American history. Although feminism is at the center of the study, it is always predicated by concerns of ethnicity and social class. (BNET);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., A demonstration and defense of the continuity and centrality of the Afro-Caribbean consciousness in the anti-colonial and anti-imperialist struggles of the Caribbean peoples. The author uses a variety of disciplines, history, politics, psychoanalysis, to bring a new way of looking at the history of Caribbean literature, from the predominance of the European preoccupation with their Europe in the 19th century, to the focus of early Caribbean writers in reproducing a colonially influenced literature in the late 19th and early 20th century.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Looks primarily at Negrismo and Negritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
Gutiérrez de Velasco,Luzelena (Author), Prado,Gloria (Author), and Domenella,Ana Rosa (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
México, D.F. ; UAM-Iztapalapa: Colegio de México, Iztapalapa
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
407 p, Aunque parezca un clisé, los pesares y las alegrías definen la vida de los seres humanos. Este volumen reúne deiversas lecturas sobre escritoras latinoamericanas -entre otras cosas, Clarice Lispector, Luisa Valenzuela, Rosario Ferré, Victoria Ocampo, Isabel Allende, Cristina Peri Rossi- a partir de esos dos ejes temáticos. Los acercamientos se sustentan en propuestas metodólogicas y enfoques teóricos de actualidad. www.libreria.mora.edu.mx; Project undertaken by the Taller de Teoría y Crítica Literaria "Diana Morán"-Coyoacán
New York London: Twayne Publishers Prentice Hall International
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xix
Notes:
139 p, Contains: The complexity of complexion: reading and understanding Black Hispanic writing -- Biography and Black autobiography: Black Hispanic writers and the autobiographical statement -- Slavery and the pivotal Afro-Cubans: Juan Francisco Manzano's Autobiografía, Nicolás Guillén's El diario que a diario, and Nancy Morejón's "Mujer negra" -- Miscegenation and personal choice in Venezuela: message and mestizaje in Juan Pablo Sojo's Nochebuena negra -- Ambiguity, locura, and Black ambition in two Afro-Ecuadorian novels: Adalberto Ortiz's Juyungo and Nelson Estupiñán Bass's El último río -- Epic, civic, and moral leadership: Manuel Zapata Olivella's Chambacú, coarral de negros; Changó, el gran putas; and Levántate mulato -- Black poetry and the model self: Pilar Barrios's Piel negra and Gerardo Maloney's Juego vivo -- Two black Central American novelists of antillano origin: race, nationalism, and the mirror image in Cubena's Los nietos de Felicidad Dolores and Quince Duncan's Los cuatro espejos -- Dominican blackness: Blas Jiménez's Caribe africano en despertar and Norberto James's Sobre de la marcha -- Passing the torch: Nicomedes Santa Cruz's Ritmos negros del Perú and Antonio Acosta Márquez's Yo pienso aquí doned...estoy -- From authenticity to "authentic space": the emergence, challenge, and validity of Black Hispanic literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xiii
Notes:
224 p, Contains: Introduction: The problems of literary Blackness in Latin America -- pt. 1. Early literature (1821-1921): In the beginning: oral literature and the "true Black experience" -- Slave poetry and slave narrative: Juan Francisco Manzano and Black autobiography -- Slave societies and the free Black writer: José Manuel Valdés and "Plácido" -- From antislavery to antiracism: Martín Morúa Delgado, Black novelist, politician, and critic of postabolitionist Cuba -- Cultural nationalism and the emergence of literary Blackness in Colombia: the originality of Candelario Obeso -- The Black swan: Gaspar Octavio Hernández, Panama's Black modernist poet -- pt. 2. Major period (1922-49): The turning point: the Blackening of Nicolás Guillén and the impact of his Motivos de son -- The Black writer, the Black press, and the Black Diaspora in Uruguay -- Juan Pablo Sojo and the Black novel in Venezuela -- Adalberto Ortiz and his Black Ecuadorian classic -- Literary Blackness in Colombia: the novels of Arnoldo Palacios -- pt. 3. Contemporary authors (1950- ): Literary Blackness in Colombia: the ideological development of Manuel Zapata Olivella -- Literary Blackness and Third Worldism in recent Ecuadorian fiction: the novels of Nelson Estupiñán Bass -- Folk forms and formal literature: revolution and the Black poet-singer in Ecuador, Peru, and Cuba -- Return to the origins: the Afro-Costa Rican literature of Quince Duncan -- Ebe Yiye -"the future will be better": an update on Panama from Black Cubena -- Conclusion: Prospects for a Black aesthetic in Latin America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Shows how such movements as Pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively "purloining" those resources without acknowledgment.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
158 p, Argues that engaging the Caribbean diaspora and the massive waves of migration from the region that have punctuated its history, involves not only understanding communities in host countries and the conflicted identities of second generation subjectivities, but also interpreting how these communities interrelate with and affect communities at home.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. Examines literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodriguez Milans, Jacques Derrida, Edouard Glissant, and Wilson Harris.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
200 p., This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. Focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
Césaire,Aimé (Author) and Vergès,Françoise (Author)
Format:
Book, Whole
Language:
French
Publication Date:
2005
Published:
Paris: Albin Michel
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
148 p., Au moment où, pour la première fois en France, s'ouvre un large débat public sur les traces contemporaines de l'esclavage et du colonialisme, la portée historique et politique des écrits d'Aimé Césaire prend un relief tout particulier. Dans ces entretiens accordés à Françoise Vergès, le "père de la négritude" relate avec une très grande liberté de ton les principaux moments de son combat pour l'égalité des peuples à l'ère post-coloniale. Témoin capital de cette période de mutations, Aimé Césaire évoque son siècle, celui de la fin des empires coloniaux, en posant les questions fondamentales de l'égalité, de l'écriture de l'histoire des anonymes et des disparus du monde non européen. C'est la voix d'un homme immense qu'il nous est donné d'entendre, dans sa force et sa modestie.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Chancy aims to show that Haiti’s exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of “otherness” by assuming the role of “archaeologists of amnesia.” They seek to elucidate women’s variegated lives within the confining walls of their national identifications—identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
434 p., Establishes that in African, African American and Caribbean literature certain primordial and mythic patterns recur sufficiently to be recognizable as familiar elements in our literary experience. Each chapter identifies and discusses an archetypal image in relationship to a specific work or set of works.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
209 p., Explores the limits and prospects of Afro-Caribbean Francophone writers in reshaping or producing action-oriented literature. Part One explores the origins of Afro-Caribbean Francophone literature and what the author terms griotism-- a shared heritage of awareness of biological differences, a sense of the black hero as black messiah and black people as chosen, and the promise of a common racial history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
95 p, Within the already colonized and marginalized Indo-Caribbean communities, Indo-Caribbean women can be considered a discriminated group, and their (self-)representation may be analyzed as subaltern speech. This book discusses fiction and other stories of Indo-Caribbean women, concentrating on their attempts to rewrite 'regulative psychobiographies', as the postcolonial feminist critic Gayatri Chakravorty Spivak calls traditional narratives dominating women's lives. Attempting to bear witness to gender, race, and class differences, this analysis interrogates how the attempted self-expression is mediated, retrieved and read by others. It also demonstrates that, depending on the position and power of the parties involved, intervention into oppressive scripts can assume very different forms.
Place of publication not identified: CayStreet Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Topics include George Town In the 50's and 60's, The Wights and McTaggarts as the owners of Cayman’s First Supermarket who were pioneers of keeping Caymanian young people employed, Miss Kippy School in George Town, Cayman Prep and Rev.George Hicks, Cayman High and Rev. John R. Gray, Aunt Ione's Fried Fish, Church Girls, Ghosts and Rolling Calf, Dating in the 60's,The Flag Carrier, Cayman Bruce Lee, C.H. Goring and Barbadians in Cayman, A Cayman Summer, and 50’s Christmas in Cayman.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle thrust writers from both regions into a vibrant literary conversation across national borders.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
3 vols.
Notes:
1499 p., Focuses on writers and works published since 1950. The majority of the authors surveyed are African American, but representative African and Caribbean authors are also included. Includes foreword by Howard Dodson.; vol. 1. Achebe-Dumas -- vol. 2. Ellison-Lorde -- vol. 3. Mackey-Zobel.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
312 p, In the Castle of My Skin, the first novel by Barbadian writer George Lamming, tells the story of the mundane events in a young boy's life that take place amid dramatic changes in the village and society in which he lives. Through his eyes, we see the effects of race, feudalism, capitalism, education, the labor movement, violent riots, and emigration on his small town and, by extension, on Caribbean society as a whole.
Cambridge [England] New York NY USA: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
313 p, "Discrepant Engagement addresses work by a number of authors not normally grouped under a common rubric--black writers from the United States and the Caribbean and the so-called Black Mountain poets. Nathaniel Mackey examines the ways in which the experimental aspects of their work advance a critique of the assumptions underlying conventional perceptions and practice." (Google);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Focuses on Francophone women writers who offer striking commentaries on the experience of illness and/or disability and its attendant discourses: Haitian writer Marie Chauvet; Guadeloupian-Senegalese writer Myriam Warner-Vieyra; Guadeloupian writer Maryse Condé; Senegalese writers Ken Bugul, Fama Diagne Sène, and Fatou Diome; and Swiss-Gabonese writer Bessora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
179 p, Catherine Le Pelletier discovered in 1993 a show literary that each month new books are presented. This book is the discovery of literature in black, and it brings together the main discussion of this issues.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p., Explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels "Jane and Louisa Will Soon Come Home," "MYAL," and "Louisiana" all explore various facets of the Caribbean and African American experiences. The author traces nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., Collection of profiles, interviews, essays and reviews on such well-known black writers and artists as Nalo Hopkinson, Dionne Brand, Austin Clarke, Lawrence Hill and Edwidge Danticat constitutes a frank conversation on the significance of race in contemporary Black Canadian and American literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
288 p, Explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. Draws on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature. The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history -- the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Revision of thesis (Ph.D.)--Rutgers University, New Brunswick., 441 p, Traces the life and career of the Jamaican-born writer, describes his complex personality, and looks at his poetry, fiction, and social criticism.
Gates,Henry Louis, Jr. (Author) and Andrews,William L. (Author)
Format:
Book, Whole
Publication Date:
1998
Published:
Washington, DC: Civitas
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
439 p, Contents: Preface / William L. Andrews -- Introduction : the talking book / Henry Louis Gates, Jr. -- A narrative of the most remarkable particulars in the life of James Albert Ukawsaw Gronniosaw, an African prince / as related by himself -- Narrative of the Lord's wonderful dealings with John Marrant, a Black -- Thoughts and sentiments on the evil and wicked traffic of the slavery and commerce of the human species, humbly submitted to the inhabitants of Great Britain / by Ottobah Cugoano -- The interesting narrative of the life of Olaudah Equiano, or Gustavus Vassa, the African / written by himself -- The life, history, and unparalleled sufferings of John Jea, the African preacher / compiled and written by himself
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 P., First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance.
Kesteloot,Lilyan (Author) and Ellen Conroy Kennedy (Translator)
Format:
Book, Whole
Publication Date:
1974
Published:
Philadelphia, PA: Temple University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of Les écrivains noirs de langue française.
Originally presented as the author's thesis, Brussels, 1961., 401 p, According to Kesteloot, the three fathers of négritude were Léon Damas (French Guiana), Léopold Senghor (Senegal) and Aimé Césaire (Martinique), who met in Paris in the 1930s and started the movement. Senghor defined negritude as: “the cultural patrimony, the values, and above all the spirit of Negro African civilization.”
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., An examination of the importance of international cross-influences between modernist poets in the Americas. Includes "From Harlem to Haiti: Langston Hughes, Jacques Roumain and the avant-gardes," "Signifying modernism in Wilson Harris's Eternity to season" and "Beyond apprenticeship: Derek Walcott's passage to the Americas."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p, An interpretation of the life, works, and social context of Jamaican poet McKay (1890-1948), one of the central figures of the Harlem Renaissance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
107 p., Bringing together U.S. and Brazilian scholars, as well as Afro-Brazilian political activists, "Racial Politics in Contemporary Brazil "represents a significant advance in understanding the complexities of racial difference in contemporary Brazilian society.
Berrian,Brenda F. (Author) and Broeck,Aart (Author)
Format:
Book, Whole
Publication Date:
1989
Published:
Washington D.C.: Three Continents Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
360 p., First International Conference on the Women Writers of the English-speaking Caribbean, April 198. Lists creative works by 1067 women writers. Arranged into four sections
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
181 p, Chants of the city, chanting Islands, songs Islands-towns, these urban Prosopopées exalt the imagination poetic contemporary authors from different backgrounds of la Francophonie, Haiti, Martinique, Guadeloupe, Tunisia, Corsica, Mauritius, Ile de France and Senegal (Google).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols (962 p)., Accessible to students and general readers, this encyclopedia overviews the lives and works of Caribbean authors. Because Caribbean literature is so much a reflection of regional concerns, the encyclopedia gives special attention to the political, cultural, and historical contexts in which Caribbean authors have lived and worked.
Plymouth Montserrat W.I. [New York]: JAGPI Productions Caribbean Research Center Medgar Evers College City University of New York
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
92 p., A study of liberation issues in Cuba, Puerto Rico, Dominican Republic, Haiti and the West Indies, concerning emancipation, revolution, nationalism, magical realism, negrismo, identity and the role of academia.(CRS- Publication)
London; Concord, MA, USA: Whiting and Birch, Paul and Co., Publishers’ Consortium
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p, Contents: Framing the word: Caribbean women’s writing / Merle Collins -- En-gendering spaces: the poetry of Marlene Nourbese Philip and Pamela Mordecai / Elaine Savory -- Writing for resistance: nationalism and narratives of liberation / Alison Donnell -- Jamaica Kincaid’s prismatic self and the decolonisation of language and thought / Giovanna Covi -- Figures of silence and orality in the poetry of M. Nourbese Philip / David Marriott -- Saint Lucien Lawòz and Lamagwit songs within the Caribbean and African tradition / Morgan Dalphinis -- Keeping tradition alive / Jean Buffong -- New encounters: availability, acceptability and accessibility of new literature from Caribbean women / Susanna Steele and Joan Anim-Addo in conversation -- Children should be seen and spoken to: or writing for and about children / Thelma Perkins -- ’A world of Caribbean romance’: reformulating the legend of love or ’can a caress be culturally specific?’ / Jane Bryce -- Houses and homes: Elizabeth Jolley’s Mr Scobie’s riddle and Beryl Gilroy’s Frangipani house / Mary Condé -- Women writers in twentieth century Cuba: an eight-point survey / Catherine Davies -- Patterns of resistance in Afro-Cuban women’s writing: Nancy Morejón’s ’Amo a mi amo’ / Conrad James -- Encoding the voice: Caribbean women’s writing and Creole / Susanne Mühleisen -- Surinam women writers and issues of translation / Petronella Breinburg -- Frangipani house / Beryl Gilroy -- ’One of the most beautiful islands in the world and one of the unluckiest’: Jean Rhys and Dominican national identity / Thorunn Lonsdale -- Audacity and outcome: writing African-Caribbean womanhood / Joan Anim-Addo -- Coming out of repression: Lakshmi Persaud’s Butterfly in the wind / Kenneth Ramchand.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
177 p, Maryse Cond vividly evokes the relationships and events that gave her childhood meaning: discovering her parents' feelings of alienation; her first crush; a falling out with her best friend; the death of her beloved grandmother; her first encounter with racism; Translated from the French by Richard Philcox.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
500 p, Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions.
